Get out the vote!

Posted on June 13, 2010 by gregscheer

Hey everyone,

Usually this blog is strictly reserved for tasty musical morsels in MP3 or PDF-size bites. But I’m breaking my own rule tonight to tell you about an opportunity for you to help push a recent post from also-ran obscurity into the limelight of contest success.

You’ll remember that I recently entered a remix contest, in which I turned a Celldweller (hard-hitting, angst-filled techno rock) song into a laid-back lounge version. Well, it seems that users of the FiXT Remix community found my rendition interesting enough to place it in the top 20 of 82 entries. But now the hard work begins. We have to get out the vote! If enough people vote for my song I will be included in a compilation, gain respect in the techno community, and most importantly I’ll win stuff.

So you need to put down what you’re doing. Right. Now. And go to http://www.fixtremix.com/news/v/vote-for-celldweller-quot-the-best-its-gonna-get-quot-winners/170/  to vote for the “Lounge Mix by Greg Scheer.” There will be extra goodwill for anyone who tweets this, tells a friend, or places an announcement in their church bulletin.

While you’re heading over to FiXT Remix to vote for my song, you can take a listen to the newly mastered version of the song.

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TopGolf Theme Song Contest

Posted on June 9, 2010 by gregscheer

Faithful followers of this music blog know that I love nothing more than a good song contest. I’m not sure if it’s the thrill of the chase, the fun of donning a completely different musical guise for each contest, or the quirky satisfaction of adding “winner of the Robot Dance Song Contest” to my resume–but I can’t say no to a contest.

My latest entry into the ring is the TopGolf Online Game Theme Song Contest. Listen to my rousing entry: Bring It On! My goal was to create a 30 second spot that would sound good as a radio spot on a classic rock station. If it’s successful, I’ll move into writing music for beer commercials–where the real money is.

By the way, if you’re wondering about the brawny man who does the voiceover in the middle of the song–it’s me.

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If You’re Weary

Posted on June 4, 2010 by gregscheer

Here is a simple little song based on Matthew 11:28 that I started in Uganda, finished when I got back to the US, and premiered in Singapore. Now I’ve finally recorded it.

The trick about recording is that it’s never good enough. This was going to be a quick and dirty demo, but I kept fussing with it as I’ve been learning more about mixing and mastering. Finally, I had to say “enough’s enough.” So here’s the gussied up demo of “If You’re Weary.”

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All Over the Map with Colin

Posted on May 13, 2010 by gregscheer

My across-the-pond collaborator, Colin Gordon-Farleigh, has just signed two new singers. One is a young woman named Jennifer Douglas who did such a nice job with If I Had Wings, and the other is a male country singer whom I haven’t yet heard. Naturally, they need new songs, so I just finished up two new settings of Colin’s lyrics.

The first one is a straight up country song called “I’m Just a Country Boy at Heart.” This is me channeling my inner pick-up-drivin’-cowboy. (He’s in there; he just doesn’t come out very often.) Check out the MP3 or PDF.

The second is a smooth pop/jazz number named “Where Did You Go?” I hear it as sort of a Sade or Norah Jones number, and give it my sultry best on vocals. On the demo you’ll also hear my attempt to mimic Wes Montgomery on guitar. It’s easy to take performers for granted until you try to do what they do. Listen to the MP3 or try out your own version with the PDF lead sheet.

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Your Perfect World

Posted on April 30, 2010 by gregscheer

Now for something–as Monty Python would say–completely different. Usually I post my own compositions on this blog, but this time I’ll be posting an arrangement of sorts. A remix, to be exact.

You’ve probably heard pop songs that have been released, and then various remixes are issued at later dates–dance remixes, extended club versions, etc. In the world of electronica some artists make their “stems” (raw tracks from the recording) available so that fans and DJs can freely create remixes. One such case is Celldweller, who not only made their stems available online, but are hosting a remix contest.

How could I resist?

You can get a feel for the original song from this YouTube video. Then take a listen to how most people remixed the song–they usually lean a bit heavier toward the dance/techno side of things, but it’s still similar to the original. Me? I couldn’t leave well enough alone. I decided to recast the song as if it were a performance by a band of lounge lizards from the 1950s. Go to the FiXT Remix website where my rendition resides. While you’re there, why don’t you go ahead and vote a bunch of times to bump up my ranking.

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Dinosaur

Posted on April 17, 2010 by gregscheer

dinosaur logo

Long before I became the composer of music my mother generally enjoys, I was the composer of music my mother generally responded to with non-committal accolades like “Did it sound like you wanted it to?” (I.e. “Please tell me they played it wrong.”) Some call my early compositions “scary monster music.” I like to think of it as street cred.

But let’s not dally on questions of whether I’ve sold out or seen the light; let’s get right to the music. One of my compositions from my grad school days was called “Dinosaur,” so named because it was thin on one end, much much thicker in the middle, and thin again on the other end.  It’s an aleatoric composition, which means that instead of reading from a score that tells exactly which pitches to play and when, the musicians are given small chunks of music and freedom to improvise within certain parameters. For example, “repeat this phrase for the next 20 seconds” or “improvise on this scale in duet with the Violin 2.” Perhaps the most famous example of aleatory is Terry Riley’s In C.

Take a listen to the Carnegie Mellon University New Music Ensemble taking on a scary monster, in this case a Dinosaur.

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If Only I Had Wings

Posted on April 10, 2010 by gregscheer

A song that I wrote with Colin Gordon-Farleigh in 2008, If Only I Had Wings, has now been recorded by Jennifer Douglas. She has a beautiful voice and does a great job with the song. But wait, there’s more! There’s also a video of the song. Check it out:

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The Also Ran Songbook

Posted on March 30, 2010 by gregscheer

As you know, I like nothing more than entering composition contests. More specifically, I love winning composition contests.

My most recent lunge for the elusive musical ring was the WCRC hymn contest. A number of international Reformed organizations are coming together this year to form one mega-international-Reformed organization called the World Council of Reformed Churches. To celebrate this historic event, they sent out a call for songs based on Ephesians 4–unity in the Spirit. I entered two songs.

The first, “Make Us One within You Spirit,” has a history of rejection. When I was named runner-up (which is something like be named “the guy who lost and whose name will be made public”) in the CRC Sesquicentennial hymn contest, I thought it would a nice gesture to compose a new tune for Bert Polman’s winning text, which had been paired with the ubiquitous NETTLETON (“Come, Thou Fount of Every Blessing”). I was quite pleased with my new tune–which I named SASQUATCH, for obvious reasons–but it slowly made it’s way to the back burner. When the WCRC Ephesians 4 contest came along, I decided that SASQUATCH would make an excellent, regal tune that would fit the festive uniting event well. I set to work on a Ephesians 4/unity text, and came up with a Trinitarian text that I thought would be a shoe in for the prize.

I was wrong.

I also entered a more Taize-like hymn named “There Is One Body.” Not knowing the setting in which the hymn would be sung, I thought a more ecumenical, liturgical song would work well for communion or gathering. So I wrote one with a verse/refrain structure. It is not as bold as the first song, but has a good flow between cantor and congregation, organ and piano.

Wrong again.

The judges chose five (count ‘em, FIVE) winners, and neither of mine were on the list. To add insult to injury, a number of the judges are friends. Ouch! (Granted, the submissions were anonymous. But still, ouch!) This is on the heels of losing the Astoria bicentennial song contest, being disqualified from the CRC justice song contest (I could have been a contender, but instead they made me be a judge: Living Justly and From the City), and countless publisher rejections. While I lick my wounds, take a listen to my award-losing songs:

Make Us One within Your Spirit: PDF, MP3

There Is One Body: PDF, MP3

PS – I’m still waiting to hear about the NPM mass contest and the Grand Rapids Google Fiber video contest. To keep track of all this, I’ve created a new category for blogposts called “contests.”

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The soundtrack of success

Posted on March 29, 2010 by gregscheer

On Saturday, my wife Amy successfully bench-pressed 125lbs in a competition. I’m so proud. (And relieved: it’s been an intense month of training and dieting.) To celebrate I created a soundtrack for the movie of the lift. No bench-pressing movie would be complete without the riff from “Iron Man,” and no pumped up competition soundtrack is complete without including Queen’s “We Are the Champion.” So I rolled them into one. Check out the video at my wife’s blog: Wait for It.

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Two Holy Week Hymns

Posted on March 22, 2010 by gregscheer

As a worship planner, I try hard not to put my own musical preferences over my congregation’s. However, during certain liturgical seasons I insist on singing a short list of songs that are my personal favorites. This could be considered selfish, but they’re all really good songs, so in a way I’m doing everyone a favor. In any case, during Lent and Holy Week any church of mine will sing “What Wondrous Love Is This” (MP3) and “Ah, Holy Jesus” (MP3).

“What Wondrous Love Is This” is from the Shape Note tradition. Like the best of these early American songs, the tune is beautiful but slippery (what key is this in, anyway?), the words are simple yet deep as death, and it loses much of its charm when it moves from the stark Shape Note harmonies to the sweeter harmonies of modern hymnals. People keep writing new arrangements of the song, but I don’t think anyone will ever get it right. It is a song of elusive perfection.

Knowing that I, too, would fail to pen the perfect arrangement of the song didn’t deter me from composing one. I decided to transplant the song from its original folk tradition to a more modern folk tradition of guitar and voice. I’ve been singing this arrangement for a number of years and finally recorded it this afternoon. I also wrote a piano arrangement that we sang at COS a few weeks ago. (You can email me for the PDF.)

“Ah, Holy Jesus” is a song that has fallen out of favor in modern hymnals. That’s too bad, because Johann Heermann’s text and Johann Crüger’s tune are a one-two-Holy-Week punch to the heart. Without being overly sentimental, the hymn personalizes Jesus’ crucifixion and forces the singer to take some responsibility for Jesus’ suffering. This is a song I discovered in the old Presbyterian hymnal when I first began music ministry at Bellefield Presbyterian Church in Pittsburgh. I still remember riding the bus into town trying to memorize the song before the Good Friday service.

Even though I know I’m treading on hallowed ground–re-harmonizing Crüger’s music–I’ve continued to sing this folk version through the years. The last time I sang it at COS, an older man–a real straight shooter–came up to me and told me, “You need to know that was a horrible rendition of a great song.” I can’t remember if he went on to describe it as despicable, deplorable, or a sacrilege, but you get the point. Interestingly, that got me written into his will in a roundabout way. It said, “No guitars or drums at my funeral.” I actually liked this man a lot. You knew exactly where he stood on things, and he didn’t seem to harbor any lasting malice–he just didn’t want me messing up a perfectly good hymn or funeral with guitars.

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