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Church Congregational Songs Demos Psalms

Psalm 31: In Your Shadow Is My Refuge

Psalm 31 has a place in Holy Week worship because Jesus quoted it from the cross: “Into your hands I commit my spirit.” Though verses 9-13 give a glimpse into the terror of the cross, much of the Psalm focuses on trust in God’s deliverance with images like refuge, fortress, trust, and (safe in your) dwelling. It ends with the admonition: “Be strong and take heart, all you who hope in the Lord.” It is a great comfort to me to know that I can meditate and hope in the same scriptures that Jesus recited in his time of deepest distress.

I asked Kate Bluett to work with me on this Psalm and she wrote a lovely setting of the text. It captures not only the heart of the Psalm, but also the structure, from plea for help, to description of affliction, to final words of hope.

Kate had mentioned to me her surprise at how triumphal the Psalm is, given its place in the passion narrative. I assumed this triumph would manifest itself in a rousing, sturdy melody. Instead, I found myself writing a flowing, confident tune that is full of quiet courage.

1. In your shadow is my refuge–
let me not be put to shame.
In your righteousness, my shelter–
listen and make haste to save!
In your name, what joy to hear it,
all my trust, O guard and guide.
In your hands I place my spirit:
O God of truth, redeem my life!

2. I have not served gold or idols;
no, I place my trust in you.
You who see my pain and trials,
surely you will see me through.
Though my days wear out in sorrow,
though my years wind down in sighs,
still you hold all my tomorrows.
O God of truth, redeem my life!

3. See my brothers and my sisters
turn away from me in fear.
Every day I hear their whispers;
shame surrounds me everywhere.
Yet I trust in you forever–
yes, your light on me will shine.
They forget, but you remember:
O God of truth, redeem my life!

4. In your goodness to your children,
I sit down as to a feast.
In your presence I am hidden,
safe from all my enemies.
Though I said in fear and hurting,
I was cut off from your sight,
yet you heard me in your mercy:
The God of truth redeemed my life!

Categories
Church Congregational Songs Demos Psalms

Psalm 28: My God, the Rock (tune: ROCKY)

As I explained in a previous blog post, Kate Bluett’s rendition of Psalm 28 was so good that it needed two musical versions to bring out the nuances of the text.

I named this hymn tune “ROCKY” because of its sturdy musical feel and the references to God as the Rock in the text. It made sense that the other tune–so shifty and slippery–should be called “SANDY.” I still can’t decide which I like better. ROCKY is muscular and to the point, and likely easier for congregations to sing. SANDY is more sophisticated musically but may be more suited to a soloist.

I will let you decide. Feel free to leave a comment explaining which is your favorite and why.

1. My God, the Rock on which I stand,
I cry to you in need.
My refuge, see me lift my hands:
Do not be deaf to me!
Not silent as the stony ground,
unmoving when I cry:
Into the pit I shall go down
if stone-like you stand by.

2. Do not cast me away, O Lord,
with those whose tongues are sharp,
who speak of peace and long for war
within their hardened hearts.
Give them instead what they deserve,
and tear their evil down.
Let them and all their wicked works
lie scattered on the ground!

3. But you, O God, are stone and strength;
our refuge never fails.
You bear us up the breadth and length
of all our days and cares.
Blest be the Lord who heard my cry:
my strength, my shield, my Rock.
Oh, let my song rise up on high
to praise the might of God!

Categories
Church Congregational Songs Demos Jazz Psalms

Psalm 28: My God, the Rock (tune: SANDY)

I asked Kate Bluett if she would be willing to write a new Psalm text on one of the Psalms I haven’t yet set to music. She came through with skill and style!

Psalm 28 is a three-part prayer. It begins with a plea to help the righteous, continues by contrasting the fate of the wicked, and ends with preemptive praise to the God who saves. Kate follows this structure in her beautiful rendition of the Psalm. Notice how she teases out the image of God the Rock, as opposed to the stony silence of a god who doesn’t hear people’s prayers.

I actually wrote four tunes for Kate’s text as I tried to imagine how to bring the song to life. I quickly threw out two of them, but I simply couldn’t decide between the other two. The first (this one) is a jazzy melody that never quite comes to rest in relation to the chords. This gives the song a mournful, prayerful character that brings out the pathos of Kate’s text. The other tune (wait for a separate blog post) is more rustic and forceful, which gives the song confidence in the midst of a trial.

1. My God, the Rock on which I stand,
I cry to you in need.
My refuge, see me lift my hands:
Do not be deaf to me!
Not silent as the stony ground,
unmoving when I cry:
Into the pit I shall go down
if stone-like you stand by.

2. Do not cast me away, O Lord,
with those whose tongues are sharp,
who speak of peace and long for war
within their hardened hearts.
Give them instead what they deserve,
and tear their evil down.
Let them and all their wicked works
lie scattered on the ground!

3. But you, O God, are stone and strength;
our refuge never fails.
You bear us up the breadth and length
of all our days and cares.
Blest be the Lord who heard my cry:
my strength, my shield, my Rock.
Oh, let my song rise up on high
to praise the might of God!

Categories
Church Congregational Songs Demos Psalms

Psalm 21: The Coronation of the King

This is the Psalm that almost ended my relationship with the Psalms.

I mean, I’ve made songs out of some pretty difficult Psalms, but this one almost did me in. No, it didn’t have hateful imprecations. (I’m looking at you, 137:9!) It didn’t have laundry lists of historical events. (It’s okay 105, that stuff is important.) Psalm 21 was just…uninspiring. (Am I allowed to say that?)

The Psalm is composed of two broad sections. The first establishes that the king was anointed by God and relies on God for strength and victory. This is no small thing in a theocracy–the fortunes of the people are tied to the fortunes of the king. The second section basically says, “God will kill all our enemies.”

For months, I studied the Psalm and wondered how I could recast this for today. It finally occurred to me that the Psalm could be understood through a Christological lense. In Psalm 21, a great king is celebrated. In Israel’s context, the first great king is David and the final king will be the Messiah. Things began to fall into place. Christ is the King of kings who sits at God’s right hand and has all authority on heaven and earth. Read this way, the felling of foes in the original Psalm can be understood as Jesus enduring the crucifixion and claiming the final victory in the resurrection.

This theme of crowning Jesus and celebrating his victory makes this song appropriate for Christ the King or Ascension Sunday.

1. The coronation of the King
in matchless majesty
resounds throughout the earth and heaven,
and spreads from sea to sea.

The One who reveled in God’s strength
and waited on God’s grace
has now been crowned the King of kings,
a never-ending reign.

2. This King has known his people’s pain,
the rage of enemies.
Though humbled for a time, he rose
to claim the victory.

Your people sing to you, our King,
exalted in God’s might.
For now you reign eternally,
enthroned with God on high.

Those who trust in God Almighty
find a love that is unfailing.

Categories
Arrangement Church Congregational Songs Live

Refugee King, string arrangement live at Rosewood

A few years ago, I helped write a song called “Refugee King (Away from the Manger).” This year, I used it in a service accompanied by The All Saints Orchestra (St. Sinner’s holier half), so I decided to write a string arrangement for the ensemble. It’s very difficult to avoid gilding the lily on a song like this, but I think this arrangement strikes a good balance of background “string halo” and foreground string writing. I was especially pleased with the “running” figure in the instrumental verse.

Enjoy the dulcet tones of Lindsey Burkey singing with the All Saints Orchestra at Rosewood Church, Jension, MI.

Edit: I cannot for the life of me figure out how to make the video play from a particular spot, so if you’re interested in hearing “Refugee King,” go to 30:30 in the video below.

Categories
Church Congregational Songs Psalms

Psalm 136: The Gracious Love of God Will Never End

Sorry I haven’t been posting regularly lately. Sometimes the music business gets in the way of the music itself…

I’m back with a new Psalm. This draft has been in my idea folder since 2020 when I read that Psalm 136 was something of an addendum to the Songs of Ascents (Psalms 120-134). You’ll remember that I set all 14 of those Psalms to music in my Pilgrim Psalms project. At the time I jotted down some ideas for the song, put it in my idea folder, and promptly forgot about it. But this week I stumbled across it and decided it was time to complete it.

You’ll remember that Psalm 136 is a long Psalm with the repeated refrain, “His love endures forever.” That suggested to me a call-and-response style song, with a leader singing the bulk of the text and the people responding. While “his love endures forever” gets the job done, the Hebrew is much richer. The word “love” encompasses loving-kindness, grace, mercy, and compassion. I arrived at a repeated refrain of “The gracious love of God will never end.”

The Psalm is divided into five sections: a prelude of thanksgiving, creation, salvation (from Egypt), leading (through the wilderness), and final praise. This is represented in the song’s five verses. (Purists beware: I left out the bits about God killing Og, king of Bashan, etc.)

Musically, it is similar to many of my Pilgrim Psalms; it is a simple call-and-response that could be led without music. It is music for the journey. And we could all use a little encouragement on the journey, couldn’t we?

Give thanks to the Lord. Give thanks to the Lord.
The gracious love of God will never end.

1. Give thanks to the Lord. Our God is good!
Give thanks again to the God of gods–
the God of gods and Lord of lords–
for God alone works wonders.

2. The heaven’s expanse was God’s design.
God’s hand rolled out earth o’er the ocean wide;
created the sun, marking days with its light;
the moon and the stars, keeping watch over our nights.

3. Our God visited us in our misery,
and broke the chains of captivity.
God’s mighty hand pushed back the sea,
and led us through. God set us free!

4. Through weary years in the wilderness,
the light of God shone upon our path.
Dangers and foes, without, within;
God’s love became our promised land.

5. The humble and poor are God’s delight.
God sees our need and hears our cry.
All creatures are sustained by God’s loving-kindness.
All earth gives thanks to our God on high!

Categories
Church Congregational Songs Demos Psalms

Psalm 15: Lord, May I Dwell with You?

From my Psalm 15 study notes:

I’ve got to admit: it’s almost depressing reading Psalm 15. Not only is it works righteousness, but it sets the bar impossibly high. Who may dwell in God’s sanctuary? No one…

I believe that if we’re going to take God’s Word seriously, we have to begin with what the text actually says. Too often, we’re quick to explain away something as allegory because we don’t like its primary message. (Song of Solomon, anyone?). Having said that, we also need to dig beneath the surface if we’re going to let the Spirit speak to us through scripture.

Psalm 15 initially struck me as a spiritual checklist for those who want to be close to God: be blameless, speak honestly, don’t take bribes, and hate the wicked. I thought to myself, “How in the world am I going to write a song based on this Psalm?” Perhaps recast it as a confession? (“Forgive us for not living up to these godly traits.”) Or answer the question “who may dwell?” with the answer “Jesus–the only truly perfect One.” “How can we dwell? Only through Jesus.”

In the end, I decided to turn the Psalm into a prayer of devotion. The chorus is a prayer of aspiration, “Lord, may I dwell with you?” and the verses pray for the strength and guidance to live the godly life outlined in the Psalm. The music is in a simple, Taizé-like style, with verses chanted over the chorus. This also allows the chorus to be used independently as a scripture song, focusing on the deeper message of the Psalm: a desire to dwell in God’s presence, knowing God as a refuge and our true home.

Lord, may I dwell with you?
Lord, may I dwell with you?
Lord, may I know your refuge, my home.
Lord, may I dwell with you?

1. Who may remain in your presence?
Who may live in your holy place?
The blameless, the righteous, and those who speak truth.
Lord, may I dwell with you?

2. Lord, may my tongue speak no ill;
let me do my neighbor no wrong,
pay no heed to the proud, but honor the just.
Lord, may I dwell with you?

3. Lord, help me keep my word.
Let me be generous and honest.
Keep me secure in your perfect will.
Lord, may I dwell with you?

Categories
Church Congregational Songs Demos Psalms

Psalm 14: We Wait for You, Our Savior

Update: This song is now available at gregscheer.com.

I’m posting this Psalm two days after the Superbowl, which has given people 48 hours to register their disgust at Rihanna’s halftime show. Clutching their pearls and a bag of chips, they have declared it indecent. Perverse. I really don’t have an opinion about that. (Except maybe you shouldn’t be watching the Superbowl if you’re that easily offended.)

I just realized I’m posting Psalm 14 on February 14. Happy Valentines Day!

At first blush, Psalm 14 seems almost as catty as the Rihanna haters. The Psalmist comes out swinging, calling the godless “fools,” “abominable,” “perverse,” and “evil.” Ouch. However, this vitriol is not aimed at random unbelievers (or entertainers who sing suggestive songs), it is reserved for those “who eat my people as they eat bread” and who would “confound the plans of the poor.”

This is a good lesson for those who would engage in culture wars. God gets angry, but not with people who simply don’t believe. No, God gets angry with those who harm the ones he loves–especially the poor. And beautifully, we don’t have to get angry or fight these people; we just have to run to God for refugee.

RiRi, I’ve got your back. I just hope one day you’ll stand under God’s umbrella (ella, ella, eh, eh, eh)*

In times of disbelief and doubt,
corruption and alarm,
the Lord looks down from heaven
to judge the human heart.

The strong devour the innocent
like gluttons gorge on bread.
O God, have mercy on the weak–
give refuge, once again.

We wait for you, our Savior,
to rescue us, once more.
Restore us to your favor;
renew us in your joy.
Renew us in your joy.

*Sorry. I couldn’t resist.

Categories
Church Congregational Songs Demos Psalms

Psalm 108: O God, My Heart Is Ready (w/ Kate Bluett)

Update: This song is now available at gregscheer.com.

Whenever I get the chance to work with Kate Bluett, I jump at the opportunity. She has a knack for writing hymns that are fresh and insightful, yet draw a worshiper’s attention to the subject rather than the words.

In this case, I told her I would welcome any new Psalm songs she’d like to send my way. Within three days, there was a new rendering of Psalm 108 in my inbox. As I told her in my reply, anyone who rhymes “thrum” and “done” is okay in my book. (Please, let’s call a moratorium on God/sod, sin/within, and died/crucified!)

Since this is a Psalm of morning praise, I wanted the music to be bright and airy. The melody leaps and dives like a brisk ride through a hilly landscape at sunrise. The harmonies float under the melody until finally coming to rest in the interlude. It is a short, simple song, but beautifully satisfying. (If I don’t say so myself.)

1. O God, my heart is ready
to rise and sing your praise.
My soul in you is steadfast;
my song will wake the day.
My pulse reverberating
your name in every thrum,
so I will tell the nations
the wonders you have done.

2. For I have seen your mercy
that towers to the skies,
and I will know your justice
at last when you arise.
But is my hope now fading?
Shall I not see your love?
O God, my heart is waiting:
When will you shine above?

3. The earth is but your footstool,
and heaven is your throne:
Then save your earth from misrule,
whose hope is you alone!
When human strength is helpless,
our hearts turn back to you.
O God, come and defend us
who triumph in your truth!

Categories
Church Congregational Songs Demos Jazz Psalms

Psalm 11: Our God Is Still on the Throne

Update: This song is now available at gregscheer.com.

There are many, many ways to set the Psalms to music. Some of the most popular choices include metrical, responsorial, and verbatim Psalm settings. Each approach has its merits and I try to use a variety of approaches from Psalm to Psalm and sometimes even mix and match within a Psalm. What I really want is an approach that honors the original Psalm text–including its form–while making the song understandable to the common churchgoer.

When I began working on Psalm 11, I quickly ruled out a word-for-word lyrical setting. Some of the Psalm’s meanings are obscure (scholars can’t agree who is suggesting that the Psalmist flee like a bird, for example), some of it is archaic (arrows are not high on my list of fears), and some is vitriol that probably shouldn’t be included in group singing (“the wicked…he hates with a passion; fiery coals, burning sulfur, and scorching wind will be their lot”).

The Psalm’s primary message seems to be that there are a lot of scary things out there; even some of what you thought was a firm foundation is no longer reliable, but God is still in control. I decided to use verse 4 “The Lord is in his holy temple” as the primary chorus image: “Our God is still on the throne.” From there I fleshed out the verses using as many of the images in the original Psalm as I could. I’ve included a side-by-side comparison below so you can see how the original Psalm was transformed into a song.

VERSE 1
When my heart tries to sing
in the shadow of your wings,
but my fear’s all I hear:
fly away, fly away.

And when doubt fills my soul,
feel I’m losing control,
and even friends want to know
why I stay.

CHORUS
Our God is still on the throne.
We are not alone,
for God sees us, God hears us;
we are not alone.

From the heavens, our God reigns,
and his children see his face.
While the ones who’d do them violence
fade away, fade away.

Oh, our God is bringing justice, holiness, and love.
Our God is still on the throne.

VERSE 2
When the night closes in
and the shadows grow thick,
and I don’t know what dangers
await.

When the foundations I had
start to crumble where I stand.
And everything feels like sinking sand.