I began going to a yoga class this year. As you probably know, breathing is an important aspect of yoga. It’s amazing how disconnected we modern humans have become from our breath and our bodies. So I often take a few minutes during the day to concentrate on the rhythm of my inhalations and exhalations, trying to be in the moment and simply be.
Musing on how fundamental our breathing is to our being led me to compose a piece for string orchestra called “Breathe.” It is based on a repeating 20-measure chord sequence over a spoken incantation of “Breathe in. Breathe out.” It is written in the lineage of compositions like Samuel Barber’s “Adagio for Strings” and Max Richter’s “On the Nature of Daylight”–pieces that are based not on melodic theme or harmonic movement, but on the shape and intensity of the instrumental timbres. It is not at all as easy as it sounds–it’s more like sculpting than traditional composing.
Expect to hear it played by St. Sinner Orchestra in the near future. For now, listen to the demo above or Max Richter’s “On the Nature of Daylight” below







