Categories
Commissions Demos Rock and/or Roll

Tuesday Was Behind You (w/ TL Moody)

This is the second “slice of life” song co-written with Tammy Moody. This time Tammy turned to Philippians 3:13 for her inspiration: “I do not consider myself yet to have taken hold of it. But one thing I do: Forgetting what is behind and straining toward what is ahead, I press on…” One of the things I especially like about the lyrics are that you wouldn’t necessarily know the song was based on a scripture–it works on its own as a song about a down-on-her-luck woman who chooses to look forward in hope rather than backward with regret.

I was really excited to write the music for this one because I got to channel my inner Los Lobos. That is not an everyday request! It felt good to plug in my Strat and get out my tambourine to create a jangly roots rock recording.

1. glancing back,
you saw tuesday standin’ there
peering out the opened red door
on the right
empty candy wrapper held
cigarette-like, tight

turned around
only reminders you got
turned around
failure is followin’ you
turned around burnt out cinders
there is nothin’ left for you

2. glancing back,
you saw tuesday standin’ there
lips pursed thin and folding
in to the slightest smirk
dancing bony fingers
tap on your new plaid skirt

turned around
only reminders you got
turned around
failure is followin’ you
turned around burnt out cinders
there is nothin’ left for you

turn it down, this noise inside my head
tell me now is any of it true?
Lord, turn it down, down,
the noise inside my head,
shoutin’ there is nothing left for you.

3. glancing up ahead
and sunday’s standin’
there you look straight at chaos
stop starin’ at the ground
tune inside is hummin’ girl,
don’t look back now

in front of you
only reminders
in front of you
mercy is waitin’ you
in front of you God’s hot embers
there’s a fire lit inside of you

Categories
Commissions Demos

Firefly (with TL Moody)

Tammy Moody and I have been collaborating for quite some time. Much of our past work has been on hymns, but recently she has begun to stretch into new areas. Her newer texts are still inspired by scripture, but instead of paraphrasing them, she distills them into images and slice-of-life vignettes.

In this song, she turns Mark 10:14 (…“Let the little children come to me, and do not hinder them, for the kingdom of God belongs to such as these”) into a scene in which a girl experiences the uninhibited joy of catching fireflies at night. I especially like the way here-and-now light of fireflies in her mayonnaise jar connects to the countless stars in the night sky.

When Tammy sent me the lyrics, she referenced The Wailin’ Jennys as the music style she heard in her head–simple, honest, beautiful folk music. I hope I captured a little of their inspiration like our song’s protagonist scooped up fireflies in her jar.

1. in her hand, a firefly
at her wiggly toes, a jar
mayonnaise jar that mama washed
to hold sparklers from the sky
tiny holes poked in its lid
so her treasure wouldn’t die
so her treasure wouldn’t die
firefly

2. little hands twist loose the top
sliding lightning storm inside
held it high above her head
spinning with a giggly bop
summer’s sticky night litup
face as sweet as soda pop
face as sweet as soda pop
firefly

3. skipping, rhyming free and wild
let the children come to me
wonder, joy jump double dutch
twirling, twirling all the while
every twinkling firefly
lights the stars in heaven’s smile
lights the stars in heaven’s smile
firefly

firefly lights the stars in heaven’s sky

Categories
Church Congregational Songs Demos Psalms

Psalm 31: In Your Shadow Is My Refuge

Psalm 31 has a place in Holy Week worship because Jesus quoted it from the cross: “Into your hands I commit my spirit.” Though verses 9-13 give a glimpse into the terror of the cross, much of the Psalm focuses on trust in God’s deliverance with images like refuge, fortress, trust, and (safe in your) dwelling. It ends with the admonition: “Be strong and take heart, all you who hope in the Lord.” It is a great comfort to me to know that I can meditate and hope in the same scriptures that Jesus recited in his time of deepest distress.

I asked Kate Bluett to work with me on this Psalm and she wrote a lovely setting of the text. It captures not only the heart of the Psalm, but also the structure, from plea for help, to description of affliction, to final words of hope.

Kate had mentioned to me her surprise at how triumphal the Psalm is, given its place in the passion narrative. I assumed this triumph would manifest itself in a rousing, sturdy melody. Instead, I found myself writing a flowing, confident tune that is full of quiet courage.

1. In your shadow is my refuge–
let me not be put to shame.
In your righteousness, my shelter–
listen and make haste to save!
In your name, what joy to hear it,
all my trust, O guard and guide.
In your hands I place my spirit:
O God of truth, redeem my life!

2. I have not served gold or idols;
no, I place my trust in you.
You who see my pain and trials,
surely you will see me through.
Though my days wear out in sorrow,
though my years wind down in sighs,
still you hold all my tomorrows.
O God of truth, redeem my life!

3. See my brothers and my sisters
turn away from me in fear.
Every day I hear their whispers;
shame surrounds me everywhere.
Yet I trust in you forever–
yes, your light on me will shine.
They forget, but you remember:
O God of truth, redeem my life!

4. In your goodness to your children,
I sit down as to a feast.
In your presence I am hidden,
safe from all my enemies.
Though I said in fear and hurting,
I was cut off from your sight,
yet you heard me in your mercy:
The God of truth redeemed my life!

Categories
Demos Jazz Quirky

Brush Your Teeth

On Thursday, I’ll lead an assembly called “Help Me Write a Jazz Song” at a local elementary school. I’ll tell them what a composer does and what it takes to write a song. Then I’ll tell them about my plan to release a jazz album for children named Just Kidding. I’ll play them a few songs I’ve already written, then enlist their help finding subjects they’d like to hear songs about. Finally, we’ll take one of their ideas and start writing a song.

illustration courtesy of https://www.wannapik.com/

In preparation for Thursday, I’m feverishly finishing some song ideas that have been hanging around for far too long. Case in point: “Brush Your Teeth.” This delightful little ode to oral hygiene includes the word “gingivitis” and a melodica solo. Pretty much a slam dunk by any estimation.

1. Brush your teeth.
They are the only ones you’ve got.
Brush your teeth.
You think it’s hard, but it’s not.

You might think it hurts,
but dentures are far worse!
Brush your teeth, brush your teeth, brush your teeth.

2. Brush your teeth,
‘cause gingivitus is a drag.
Brush your teeth.
You need to listen to your mom and dad.

‘Cause, when you brush and floss
your mouth feels like a boss.
Brush your teeth, brush your teeth, brush your teeth.

Categories
Church Congregational Songs Demos Psalms

Psalm 28: My God, the Rock (tune: ROCKY)

As I explained in a previous blog post, Kate Bluett’s rendition of Psalm 28 was so good that it needed two musical versions to bring out the nuances of the text.

I named this hymn tune “ROCKY” because of its sturdy musical feel and the references to God as the Rock in the text. It made sense that the other tune–so shifty and slippery–should be called “SANDY.” I still can’t decide which I like better. ROCKY is muscular and to the point, and likely easier for congregations to sing. SANDY is more sophisticated musically but may be more suited to a soloist.

I will let you decide. Feel free to leave a comment explaining which is your favorite and why.

1. My God, the Rock on which I stand,
I cry to you in need.
My refuge, see me lift my hands:
Do not be deaf to me!
Not silent as the stony ground,
unmoving when I cry:
Into the pit I shall go down
if stone-like you stand by.

2. Do not cast me away, O Lord,
with those whose tongues are sharp,
who speak of peace and long for war
within their hardened hearts.
Give them instead what they deserve,
and tear their evil down.
Let them and all their wicked works
lie scattered on the ground!

3. But you, O God, are stone and strength;
our refuge never fails.
You bear us up the breadth and length
of all our days and cares.
Blest be the Lord who heard my cry:
my strength, my shield, my Rock.
Oh, let my song rise up on high
to praise the might of God!

Categories
Church Congregational Songs Demos Jazz Psalms

Psalm 28: My God, the Rock (tune: SANDY)

I asked Kate Bluett if she would be willing to write a new Psalm text on one of the Psalms I haven’t yet set to music. She came through with skill and style!

Psalm 28 is a three-part prayer. It begins with a plea to help the righteous, continues by contrasting the fate of the wicked, and ends with preemptive praise to the God who saves. Kate follows this structure in her beautiful rendition of the Psalm. Notice how she teases out the image of God the Rock, as opposed to the stony silence of a god who doesn’t hear people’s prayers.

I actually wrote four tunes for Kate’s text as I tried to imagine how to bring the song to life. I quickly threw out two of them, but I simply couldn’t decide between the other two. The first (this one) is a jazzy melody that never quite comes to rest in relation to the chords. This gives the song a mournful, prayerful character that brings out the pathos of Kate’s text. The other tune (wait for a separate blog post) is more rustic and forceful, which gives the song confidence in the midst of a trial.

1. My God, the Rock on which I stand,
I cry to you in need.
My refuge, see me lift my hands:
Do not be deaf to me!
Not silent as the stony ground,
unmoving when I cry:
Into the pit I shall go down
if stone-like you stand by.

2. Do not cast me away, O Lord,
with those whose tongues are sharp,
who speak of peace and long for war
within their hardened hearts.
Give them instead what they deserve,
and tear their evil down.
Let them and all their wicked works
lie scattered on the ground!

3. But you, O God, are stone and strength;
our refuge never fails.
You bear us up the breadth and length
of all our days and cares.
Blest be the Lord who heard my cry:
my strength, my shield, my Rock.
Oh, let my song rise up on high
to praise the might of God!

Categories
Jazz Live

Judah’s Jam

In honor of Judah Guerra’s inaugural Jazz Jam at the Rez, I wrote a little tune called “Judah’s Jam.” As you can hear from this video, he assembled a stellar group of musicians who slayed it all night long!

I obsessed about the tune all weekend long, thinking I should do a major re-write, but it went so well that I think I’ll just leave it as is.

Categories
Art Music Psalms

Psalm 119: Gimel

A quick refresher: Psalm 119 is the longest Psalm, an acrostic poem with 22 sections, one for each letter of the Hebrew alphabet. This third movement is “Gimel.” As with the previous two movements, the music is all about transformation. Sometimes you turn a corner and suddenly a new vista opens before you; other times the transformation takes place slowly, like a sunrise.

All of this was recorded by me, “in the box.” That is, anything that isn’t my voice, guitar, bass, or the upright piano 8th notes is a sample from Logic Pro. I would have loved to record two classical violin soloists, a jazz/fusion pianist, a ton of percussion, and strings in the studio, but alas… “Done,” as they say, “is the new great.” Even with so many digitized parts, I hope you can hear a little spark of what I was hearing in my head.

ג Gimel

Reward your servant
that I may live to treasure your Word.
Open my eyes
that I may gaze upon the wonders of your law.

I am a stranger on this earth.
Oh, do not conceal your commands from me!
I am consumed—
consumed with longing for your law.

You scorn the scornful—
those who disregard your way.
Remove the disgrace of the arrogant
for I have followed your path.

Though a council of the mighty speaks against me,
your servant will dwell upon your Word.
Your words are my delight.
Your law is my counsel.

Categories
Art Music Psalms

Psalm 119: Beth

Continuing our series from Psalm 119, here is Beth. Beth is not only a woman’s name and the title of a ballad by Kiss; it is also the second letter of the Hebrew alphabet. In this second section of Psalm 119 the Psalmist continues an acrostic meditation on God’s law.

Musically, this is my favorite of the three movements. There is just a lot of interesting stuff going on, with twists and turns throughout. You wouldn’t think that rock, slinky funk, choral, classical piano, the Chinese erhu, and minimalism could hang together coherently in the same 11-minute musical frame, but somehow they do.

All the tracks were recorded by me in my home studio using Logic Pro.

ב Beth

How can the young remain on the path of the pure?
By walking in the way of your Word.

With all my heart I seek you. 
Let me not wander from your way.
Within my heart, I treasure your Word.
Let me not sin against you.

Blessed are you, my Lord.
Oh, that I would learn your law.

I recount with my lips
all the words of your mouth.
I rejoice in the way 
of your Word more than wealth.

I meditate upon your precepts
and gaze upon your paths.
I will delight in your law.
I will not neglect your Word.

Categories
Art Music Psalms

Psalm 119: Aleph

For the last three years, I have been quietly chipping away at a composition of behemoth proportions. It is now time to release it. And I mean “release” in two senses of the word: Over the next few days, I will release the recordings of the first three movements; I will also release the project in the sense that I need to let it go so I can turn my attention to other music that is waiting to be written.

Here is how I described the project in its early stages:

Psalm 119—often called “The Great Psalm”—is the longest Psalm, an acrostic poem on God’s law, with one eight-line verse for each of the 22 letters of the Hebrew alphabet. 

For setting Psalm 119 to music, I’ve decided on a different path than I’ve used with previous Psalm settings. This will not be congregational or choral; instead, it will be a recorded meditation weaving words and music together in a mesmerizing, ever-transforming musical mosaic. Each of the 22 sections will be a 5–10-minute musical movement that will be both independent and interlocking with the movements around it. 

What will the music sound like? Imagine Mike Oldfield, J.S. Bach, and Steve Reich collaborating while on retreat at a monastery, composing music to be performed by the Penguin Café Orchestra, Pinback, and Polyphonic Spree and sung by Taizé, the Bulgarian Women’s Choir, and Keur Moussa. Like that. 

I am writing my own translation of Psalm 119 that attempts to honor the original text while remaining accessible to modern ears. My version is unmetered and unrhymed, but with a latent inner rhythm. 

Here is the first movement, Aleph. Most of the tracks were recorded by me in my home studio; additional tracks were recorded at Local Legend Recording with the help of these musicians:

  • Clara Becksvoort (9 years old)
  • Men’s Trio: Chris Snyder, Paul Ryan, Jordan Clegg
  • Theo Janga Ndawillie, drums
  • Josh Kaufman, guitar and mixing

א Aleph

Blessed are those whose way is pure,
who walk in the Word of the LORD.
Blessed are those who keep God’s will
and seek the LORD with all their heart—
who do no wrong,
for they follow God’s way.

You have established your Word
to be followed wholeheartedly.

Oh, that my path would be built on your Word;
then will the whole of your law bring no shame.

I will praise you with a pure heart,
for I learn from your righteousness.
I will walk in the Word of the LORD.
O God, do not leave me alone.