Categories
Demos FAWM 2025 Quirky Rock and/or Roll

Tip of the Iceberg

I’ve had the idea of writing a love song about the tip of the iceberg for years. But FAWM 2025 finally gave me the kick in the bummock I needed to finish it.*

Discerning listeners will note overtones of They Might Be Giants’ “Don’t Let’s Start.” Indeed, TMBG have been a big influence on me. Mostly, it’s just a fun song that I could bang out quickly.

And that’s what FAWM is all about: 14 songs in 28 days. Over the years, FAWM has taught me to write quickly, reserving initial judgment. There’s always a chance to go back and edit a song–or even throw it in the rubbish–but you can’t do anything with a song you haven’t written. Ditto for the recording process. I could spend weeks on each demo I record, but instead I work ten times as quickly as most people and learn ten times as many valuable lessons that I can apply to “real” recordings.

But maybe I’m just trying to validate a kind of stupid idea. Your call.

1. Oh, Valentine, I just can’t hide
all the passion that I have inside me.
It makes me sigh–I don’t know why.
How do you woo me when you don’t even seem to try?

2. Hey, Valentine, I have to confide:
I never thought I’d fall for the brainy type.
We were friends and that was grand
and that is all it was when all of this began.

I wanted love that was firm and lasting
and I didn’t know
if I was being stupid and just typecasting.
And then you showed me that

That was just the tip
of the iceberg.

2. I don’t know, maybe I thought you were cold,
but soon my heart was melting what I thought was frozen.
I don’t want to make the point too fine,
but sometimes it felt you showed me only 12.5

percent of the real you–were you leading me on?
Below the surface there was so much more,
and I loved what I saw.

When you showed me the tip
of the iceberg.

BRIDGE

Oh, Valentine, it was all a surprise.
now that I’ve seen below the surface I’m ready to take a dive.

*Iceberg joke.

Categories
Demos FAWM 2025 Quirky Rock and/or Roll

It Could Have Been Worse

This song started when a single line popped into my head: “It could have been worse, but I’m not sure how.” Certainly a promising opening, right? As I played with it, “worse” rhymed with “hearse” and suddenly it turned into a song about a guy who has died, yet remains hopeful. What can I say? I go where the music leads.

If you love yourself some Ataris, this one’s for you.

1. It could have been worse,
but I’m not sure how.
We all arrived in a hearse
and they won’t let me out.

They said it’s all up from here,
but now I’m not so sure,
‘cause I’m gasping for air
and they’re shoveling dirt.

It’s been a year.
It’s all up from here.

I try to see things on the bright side
even when they’re looking bleak.
What’s the point in dramatizing
everything?

2. Things are looking up
even though I’m down.
I thought I’d had enough,
when it was just starting out.

But it’s not so bad.
(It’s also not so great.)
Maybe I should be sad,
but that can probably wait.

Chorus

3. As the crowd dispersed,
I realized
it was so well rehearsed
that nobody cried.

But it could have been worse
though I’m not sure why.
And even though it still hurts.
I’ll just give it some time.

Chorus

Categories
Demos electronic FAWM 2025 Quirky Rock and/or Roll

Only Good Vibes

Now for something completely different…

I decided to (kind of) take part in FAWM 2025. That is, I’m not committing to writing all 14 songs (or the ensuant mania required to complete that task). However, I’m dipping in and out, contributing when I can.

The other day, I came across a cool lyric by Cindy Prince that was in need of music. I pounded out a dance ditty in about two hours, start to finish. I quite like how it turned out!

Categories
Demos FAWM 2025 Quirky Rock and/or Roll

Maybe

I’m going to be vulnerable and let you hear a song I’ve had rattling around in my brain for a while. You might assume that a person who has composed over 100 Psalm settings and has dozens of songs in hymnals would be a person of bullet-proof faith. The sad fact is that I, too, have my seasons of doubt.

The full title of this song is “Maybe (Hymn for a Reconstructing Friend).” There’s been a lot of talk about people “deconstructing” faith, often decried by those who claim it’s heresy to mature beyond the simplicity of Sunday School faith. I think it’s better to talk about “reconstructing” faith. But first, you have to lament the doubt that comes before rebuilding.

  1. I wish I had more faith in faith,
    but of late it’s hard believing.
    It’s not like it was in simpler days
    when the answer was always “Jesus.”
    But now life’s gotten so complex
    and I keep looking for some answers.
    But the answers never seem to fit,
    except, I guess, for “maybe.”

Maybe simple answers aren’t enough.
Maybe a hallelujah is too much.
Maybe honest doubt is my song of love.

  1. Oh, the devil was a wily snake
    when he offered Eve the apple.
    Were she and Adam wrong to want a taste
    of the fruit of truth and wisdom?
    And is it really such a sin
    to be curious and naked?
    Do we have to run and hide again,
    as if being human’s shameful?

Maybe simple answers aren’t enough.
Maybe a hallelujah is too much.
If I knew the tune, I would sing along.

  1. I would love to hear that still, small voice
    cutting through the constant chatter.
    Have I grown deaf or has God gone hoarse?
    I’m still listening for an answer.
    What once enflamed my eager heart
    no longer seems to move me.
    Oh, I’d give everything I’ve got
    to simply have some feeling.

Maybe simple answers aren’t enough.
Maybe a hallelujah is too much.
I can only sing the song I know.

Categories
Jazz Live Rock and/or Roll

Christmas in Michigan (Sax & Violins Edition)

Beer City Saxes and St. Sinner Orchestra joined forces for a Night of Sax & Violins on November 8, 2024 at The Stray. One of the songs we played together was a brand-new tune celebrating the magic of the holidays in the Mitten State: “Christmas in Michigan.”

Categories
Jazz Live Rock and/or Roll

Broken (Sax & Violins Edition)

On November 8, 2024, the St. Sinner Orchestra teamed up with Beer City Saxes for an Evening of Sax & Violins at The Stray. It was an amazing evening of traditional jazz, rock and roll, and a bunch of stuff in between. I want to call it a “historic” or “ground-breaking” collaboration, but I’ll settle for “unprecedented” or “highly unusual.” The 22 musicians involved played beautifully and went home content.

Here is one of the five songs we played together: “Broken,” from our 2024 release, Synonyms for Goodbye.

Categories
Demos Rock and/or Roll

The It and I

You’re likely familiar with Freud’s theory that the psyche is structured in three parts: the Id, Ego, and Superego. The Ego is the you you think of when you think of you. The Id is your animal nature: the part of you that wants immediate gratification with food, sex, and violence. The Superego is the angel sitting on your shoulder reminding you to have patience, plan ahead, or take the high road.

What you might not know about Freud’s theory is that the German words he chose were everyday words, rather than Latin: Das Es, Ich, and Über-Ich. That is, “The It,” “I,” and “Over-I.”

From Jekyll and Hyde to Nick Lowe’s “The Beast in Me” to St. Paul’s “For what I want to do I do not do, but what I hate I do,” people have been trying to figure out what this thing is that rears its ugly head when we least expect it. Freud would call it The It.

With that in mind, I wrote “The It and I.” The song laments the shadow side that accompanies us all our days. Neither the song–nor I–have come to any conclusions about this ugly part of ourselves. Make peace with The It, my friend–It is you.

1. The It and I.
The It and I.
By night or in the day,
I cannot get away;
my shadow never leaves my side.
The It and I.

2. The It and I.
The It and I.
I feed it or I starve
this beast inside my heart
and yet it seems he’ll never die.
The It and I.

3. The It and I.
The It and I.
Why won’t it let me be?
Oh, will it ever leave?
Or will it hound me til I die?
The It and I.

I’m starting to believe it’s me.

Categories
Demos Jazz Rock and/or Roll

All for Love

Forever ago, Outside Pocket played a show for which Olivia Vargas was the opener. The week of, she posted a video of a new song she had written for the concert. I had hoped to surprise her with a companion tune–something that echoed the bluesy feel of her new song–but I just couldn’t bring things together in time for the show.

That draft has been sitting in my idea folder for months. After a few false starts, I finished the song today. I’m still not sure what to think about it: It’s instrumental, but not jazz in the traditional sense. I could hear it being performed by a jazz/blues sax player backed up by a gritty, groovin’ Soul/R&B rhythm section. But I didn’t have that at my disposal today, so I recorded the demo with electric guitar, Rhodes, nylon string guitar, bass, and programmed drums.

And yes, the opening riff is from Three Dog Nights’ “One Is the Loneliest Number.”

Categories
Commissions Demos Rock and/or Roll

Tuesday Was Behind You (w/ TL Moody)

This is the second “slice of life” song co-written with Tammy Moody. This time Tammy turned to Philippians 3:13 for her inspiration: “I do not consider myself yet to have taken hold of it. But one thing I do: Forgetting what is behind and straining toward what is ahead, I press on…” One of the things I especially like about the lyrics are that you wouldn’t necessarily know the song was based on a scripture–it works on its own as a song about a down-on-her-luck woman who chooses to look forward in hope rather than backward with regret.

I was really excited to write the music for this one because I got to channel my inner Los Lobos. That is not an everyday request! It felt good to plug in my Strat and get out my tambourine to create a jangly roots rock recording.

1. glancing back,
you saw tuesday standin’ there
peering out the opened red door
on the right
empty candy wrapper held
cigarette-like, tight

turned around
only reminders you got
turned around
failure is followin’ you
turned around burnt out cinders
there is nothin’ left for you

2. glancing back,
you saw tuesday standin’ there
lips pursed thin and folding
in to the slightest smirk
dancing bony fingers
tap on your new plaid skirt

turned around
only reminders you got
turned around
failure is followin’ you
turned around burnt out cinders
there is nothin’ left for you

turn it down, this noise inside my head
tell me now is any of it true?
Lord, turn it down, down,
the noise inside my head,
shoutin’ there is nothing left for you.

3. glancing up ahead
and sunday’s standin’
there you look straight at chaos
stop starin’ at the ground
tune inside is hummin’ girl,
don’t look back now

in front of you
only reminders
in front of you
mercy is waitin’ you
in front of you God’s hot embers
there’s a fire lit inside of you

Categories
Demos Jazz Rock and/or Roll

Mr. McFunkypants

It all started with a bass line played into my phone. It was a deep enough groove that it merited further attention. I began filling out those initial four bars with a bona fide melody and an ABAC form. Voila! Mr. McFunkypants was born! Mr. MFP is second cousin-in-funk to the Average White Band’s “Pick Up the Pieces,” but he’s something of a “Chameleon” and has always dreamed of being a “Watermelon Man.”

I left a verse free for anyone who would like to add a solo on top of this demo.

We want the funk!