Category: Congregational Songs

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Arrangement Church Commissions Congregational Songs Demos Global

與主合 / One with the Lord

A friend sent me this lovely Chinese communion song and a literal translation by a missionary/translator. There is no better way to procrastinate than to translate, arrange, and record a new global hymn, so I set to work!

The key to translating a song is to get the spirit of the song, rather than just the words. Is the song highbrow or heartfelt? What is the rhyme scheme in the original language–or is there one? Is the music simple or complicated? All these questions come into play when “transplanting” a song from one culture to another.

“One with the Lord” is a simple chorus with no surprises or sophisticated nuances. And yet, in its simplicity it is lovely and immensely singable. You’ll notice that the lyrics are all in first person. I’m not always a fan of “Jesus and me” communion songs, but I’ll make an exception for this authentic expression of personal prayer. One of the difficulties was that meter is 6.6.6.4. With lines that short–and distinct breaks between each line–it’s hard to fit all of the Chinese lyric’s meaning into so few English syllables. In cases like this, I always choose singability over correct grammar.

I would love to hear from anyone who has sung the song in its original language or know where the song originated!

1. Christ gave himself for me–
body and blood for me.
The bread and cup I see
come from our Lord.

Christ broke the bread of life,
poured out salvation’s wine.
I eat and drink and I’m
one with the Lord.

2. I have been crucified.
My sin is dead in Christ.
And yet I am alive–
alive for God.

I am made new in Christ.
Darkness gives way to light.
Christ has become my life.
Glory to God!

Categories
Church Congregational Songs Demos Psalms

Psalm 26: Upheld

Psalm 26 is like the prayer version of Psalm 1. Whereas Psalm 1 states “Blessed is the one…” (who does not walk, stand, or sit with the wicked), Psalm 26 makes it personal: “I do not…” (sit or associate with evildoers). On the one hand, it is not flattering to hear someone extol their own virtues. On the other hand, the Psalmist is praying an honest prayer many of us have prayed: “God, I really try to do the right thing–please save me from the trouble I’m in!”

What drew my attention most as I poured over Psalm 26 is the final verse: “My feet stand on level ground.” Many Psalms talk about God putting them on solid rock, but only this and Psalm 143 use the phrase “level ground.” It echoes the words of Isaiah 40: “Every valley shall be raised up, every mountain and hill made low; the rough ground shall become level, the rugged places a plain.” To me, the image says that God is making a way, clearing a path for us. I like that.

This “level ground” image seemed to ask for confident, relaxed music. I chose a 6/8 gospel groove which allows for a bit of crooning while still having some twists and turns that keep things from getting schmalzy. I especially like how verse 4 shifts harmonically, mirroring the impassioned cry for mercy, then returns to the level ground of the final chorus.

You have set my feet upon steady ground.
I am standing firm in my refuge strong.
Let the saints join in, let their praise resound.
We are upheld by our God.

1. Uphold me, O God, for I’ve trusted in you.
Test me, for my faith has not faltered.
You know me, and my heart is forever true. Chorus

2. Uphold me in your love, for I’m living in you.
You’re faithful and you keep me from evil.
It beckons, but you always have led me through. Chorus

3. Lord, cleanse me again and your wonders I will tell.
I’ll praise you in the midst of your people,
proclaiming your great love where your glory dwells. Chorus

4. Lord, don’t leave my soul to strangers
who scheme throughout the night.
Lord, redeem me, keep me blameless,
have mercy on my life! Chorus

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Choir Church Congregational Songs Contests Demos

The Nicene Creed

The World Council of Churches recently put out a call for musical settings of The Nicene Creed for their 2025 conference which will commemorate the 1700 years since the gathering at Nicea that produced this creed.

How could I say no?

I composed a setting of the Apostle’s Creed years ago but have never tackled the much longer Nicene Creed. Writing a song based on a text like this is daunting: there are no metrical patterns or rhymes to guide the music–just words.

I started by composing a very simple refrain of “We believe” to be sung before and after each section of the creed. This gives a congregation an easy way to engage the song right away. Each section–God the Father, Jesus Christ, and the Holy Spirit–uses the verbatim text of the creed.

To shape this prose text into something singable I utilized lots of melodic sequences that are easy to follow even upon first hearing–this is no time for clever melodies with wide intervals! Music coherence is achieved by chains of harmonic progressions that give the music forward motion and repeated harmonies that give the ear some structure. Even though the setting is based on repetition and simplicity, I was able to throw in some interesting twists and turns that keep things fresh.

Who knows? Maybe this will be my big hit. I’m sure no one expected Malotte’s “Lord’s Prayer” would be so successful!

We believe in one God,
the Father, the almighty,
maker of heaven and earth,
of all that is,
seen and unseen.

We believe in one Lord, Jesus Christ,
the only Son of God,
eternally begotten of the Father,
God from God, Light from Light,
true God from true God,
begotten, not made,
of one being with the Father.
Through him all things were made.
For us men and for our salvation
he came down from heaven;
by the power of the Holy Spirit
he became incarnate of the Virgin Mary, and was made man.
For our sake he was crucified under Pontius Pilate;
he suffered death and was buried.
On the third day he rose again
in accordance with the scriptures;
he ascended into heaven
and is seated at the right hand of the father.
He will come again in glory
to judge the living and the dead,
and his kingdom will have no end.

We believe in the Holy Spirit,
the Lord, the giver of life,
who proceeds from the Father and the Son.
With the Father and the Son he is worshipped and glorified.
He has spoken through the Prophets.
We believe in one holy catholic and apostolic Church.
We acknowledge one baptism for the forgiveness of sins.
We look for the resurrection of the dead,
and the life of the world to come. Amen.

Categories
Church Congregational Songs Demos Psalms

Psalm 41: Blessed Are the Weak

Unlike its neighbors, Psalm 40 (“I waited patiently”) and 42 (“As the deer”), Psalm 41 has no memorable catchphrases or popular songs based on it. But that doesn’t mean it should be ignored!

Psalm 41 is a prayer for healing. It seems even the Psalmist believes the illness is due to sin. The dire circumstances cause the Psalmist to pray fervently, trusting God to forgive and heal. Unfortunately, others use this as an opportunity to kick him while he’s down. You can almost feel the Schadenfreude as enemies wait for him to die, cheerfully gossiping and expecting even the Psalmist’s memory to vanish. Even his friends take part in the hate-mongering. Still the Psalmist trusts, announcing a miraculous restoration even on what appears to be a death bed.

My setting of the Psalm focuses on the weak: “Blessed are those who have regard for the weak; the Lord delivers them in times of trouble.” This strikes me as very similar to Jesus’ words in the Beatitudes: “Blessed are the poor in spirit, for theirs is the kingdom of heaven.” God has always sided with the poor, the weak, and the outsiders. Psalm 41 indicates that God will care for those who help the weak when they experience their own time of need.

1. Have mercy, O my God!
I’ve sinned, but you can heal.
My enemies encircle me
to watch me disappear.

Blessed are the weak,
and those who care for the weak.
God will care for them in their time of need.
God bless the weak.
God bless the weak.

2. I hear them whispering now:
“He earned this grave disease.
He’ll never rise from where he lies.”
And even friends agree.

3. But you, my one true friend–
you’ve heard and will restore.
You’ll raise me up in power and love
and keep me evermore.

Blessed be the One
who hears our deep lament.
Eternal, everlasting God:
Amen. Amen.

Categories
Church Congregational Songs Demos Jazz Psalms

Psalm 63: You Are My God

I was surprised to discover I hadn’t set Psalm 63 to music yet. Perhaps I shied away because I thought the competition would be fierce for a Psalm like this; it is a Psalm full of beautiful sentiments that fairly beg to be sung:
“I thirst for you.”
“My whole being longs for you.”
“Your love is better than life.”
“I sing in the shadow of your wings.”

Interestingly, there are relatively few songs based on Psalm 63 given its popularity:
“Step by Step,” made famous by Rich Mullins
“O God, You Are My God Alone” by the Iona Community
“My Soul Is Thirsting” by Michael Joncas (my favorite)

As I sat down with the Psalm, I was immediately struck by its yearning tone. There is a strong sense of longing throughout. Too often, our faith is fueled by duty, guilt, or habit. It is refreshing to hear the Psalmist expressing faith in such a passionate way. I decided the best musical style to portray this passion would be jazz. Jazz has juicy chords and unresolved melody notes that make it a rich emotional palette. In fact, in the first 6 bars, the melody is made up almost entirely of notes that don’t match the chord. This creates a sense of longing that never quite resolves. I know this elusive quality will make the song hard for congregations to sing; it may be more appropriate sung by the music leaders only.

1. You, O God, you are my God.
With all my heart I’m seeking you.
My thirsty soul, it longs for you.

I have beheld your glory.
My life is filled with your love.
With every breath I am singing.
My hands, I am lifting.
I’ll never stop praising you.

2. For you, O God, you are my God.
Throughout the night I dwell on you.
And though I sleep, I dwell with you.

I shelter here in the shadows,
secure beneath your wing.
I cling to you for my safety
from all those who hate me.
I’ll never stop praising you.

3. For you, O God, you are my God.
With all I am, I rejoice in you.
O God, my joy is found in you.

Categories
Church Congregational Songs Demos Psalms

Psalm 31: In Your Shadow Is My Refuge

Psalm 31 has a place in Holy Week worship because Jesus quoted it from the cross: “Into your hands I commit my spirit.” Though verses 9-13 give a glimpse into the terror of the cross, much of the Psalm focuses on trust in God’s deliverance with images like refuge, fortress, trust, and (safe in your) dwelling. It ends with the admonition: “Be strong and take heart, all you who hope in the Lord.” It is a great comfort to me to know that I can meditate and hope in the same scriptures that Jesus recited in his time of deepest distress.

I asked Kate Bluett to work with me on this Psalm and she wrote a lovely setting of the text. It captures not only the heart of the Psalm, but also the structure, from plea for help, to description of affliction, to final words of hope.

Kate had mentioned to me her surprise at how triumphal the Psalm is, given its place in the passion narrative. I assumed this triumph would manifest itself in a rousing, sturdy melody. Instead, I found myself writing a flowing, confident tune that is full of quiet courage.

1. In your shadow is my refuge–
let me not be put to shame.
In your righteousness, my shelter–
listen and make haste to save!
In your name, what joy to hear it,
all my trust, O guard and guide.
In your hands I place my spirit:
O God of truth, redeem my life!

2. I have not served gold or idols;
no, I place my trust in you.
You who see my pain and trials,
surely you will see me through.
Though my days wear out in sorrow,
though my years wind down in sighs,
still you hold all my tomorrows.
O God of truth, redeem my life!

3. See my brothers and my sisters
turn away from me in fear.
Every day I hear their whispers;
shame surrounds me everywhere.
Yet I trust in you forever–
yes, your light on me will shine.
They forget, but you remember:
O God of truth, redeem my life!

4. In your goodness to your children,
I sit down as to a feast.
In your presence I am hidden,
safe from all my enemies.
Though I said in fear and hurting,
I was cut off from your sight,
yet you heard me in your mercy:
The God of truth redeemed my life!

Categories
Church Congregational Songs Demos Psalms

Psalm 28: My God, the Rock (tune: ROCKY)

As I explained in a previous blog post, Kate Bluett’s rendition of Psalm 28 was so good that it needed two musical versions to bring out the nuances of the text.

I named this hymn tune “ROCKY” because of its sturdy musical feel and the references to God as the Rock in the text. It made sense that the other tune–so shifty and slippery–should be called “SANDY.” I still can’t decide which I like better. ROCKY is muscular and to the point, and likely easier for congregations to sing. SANDY is more sophisticated musically but may be more suited to a soloist.

I will let you decide. Feel free to leave a comment explaining which is your favorite and why.

1. My God, the Rock on which I stand,
I cry to you in need.
My refuge, see me lift my hands:
Do not be deaf to me!
Not silent as the stony ground,
unmoving when I cry:
Into the pit I shall go down
if stone-like you stand by.

2. Do not cast me away, O Lord,
with those whose tongues are sharp,
who speak of peace and long for war
within their hardened hearts.
Give them instead what they deserve,
and tear their evil down.
Let them and all their wicked works
lie scattered on the ground!

3. But you, O God, are stone and strength;
our refuge never fails.
You bear us up the breadth and length
of all our days and cares.
Blest be the Lord who heard my cry:
my strength, my shield, my Rock.
Oh, let my song rise up on high
to praise the might of God!

Categories
Church Congregational Songs Demos Jazz Psalms

Psalm 28: My God, the Rock (tune: SANDY)

I asked Kate Bluett if she would be willing to write a new Psalm text on one of the Psalms I haven’t yet set to music. She came through with skill and style!

Psalm 28 is a three-part prayer. It begins with a plea to help the righteous, continues by contrasting the fate of the wicked, and ends with preemptive praise to the God who saves. Kate follows this structure in her beautiful rendition of the Psalm. Notice how she teases out the image of God the Rock, as opposed to the stony silence of a god who doesn’t hear people’s prayers.

I actually wrote four tunes for Kate’s text as I tried to imagine how to bring the song to life. I quickly threw out two of them, but I simply couldn’t decide between the other two. The first (this one) is a jazzy melody that never quite comes to rest in relation to the chords. This gives the song a mournful, prayerful character that brings out the pathos of Kate’s text. The other tune (wait for a separate blog post) is more rustic and forceful, which gives the song confidence in the midst of a trial.

1. My God, the Rock on which I stand,
I cry to you in need.
My refuge, see me lift my hands:
Do not be deaf to me!
Not silent as the stony ground,
unmoving when I cry:
Into the pit I shall go down
if stone-like you stand by.

2. Do not cast me away, O Lord,
with those whose tongues are sharp,
who speak of peace and long for war
within their hardened hearts.
Give them instead what they deserve,
and tear their evil down.
Let them and all their wicked works
lie scattered on the ground!

3. But you, O God, are stone and strength;
our refuge never fails.
You bear us up the breadth and length
of all our days and cares.
Blest be the Lord who heard my cry:
my strength, my shield, my Rock.
Oh, let my song rise up on high
to praise the might of God!

Categories
Church Congregational Songs Demos Psalms

Psalm 21: The Coronation of the King

This is the Psalm that almost ended my relationship with the Psalms.

I mean, I’ve made songs out of some pretty difficult Psalms, but this one almost did me in. No, it didn’t have hateful imprecations. (I’m looking at you, 137:9!) It didn’t have laundry lists of historical events. (It’s okay 105, that stuff is important.) Psalm 21 was just…uninspiring. (Am I allowed to say that?)

The Psalm is composed of two broad sections. The first establishes that the king was anointed by God and relies on God for strength and victory. This is no small thing in a theocracy–the fortunes of the people are tied to the fortunes of the king. The second section basically says, “God will kill all our enemies.”

For months, I studied the Psalm and wondered how I could recast this for today. It finally occurred to me that the Psalm could be understood through a Christological lense. In Psalm 21, a great king is celebrated. In Israel’s context, the first great king is David and the final king will be the Messiah. Things began to fall into place. Christ is the King of kings who sits at God’s right hand and has all authority on heaven and earth. Read this way, the felling of foes in the original Psalm can be understood as Jesus enduring the crucifixion and claiming the final victory in the resurrection.

This theme of crowning Jesus and celebrating his victory makes this song appropriate for Christ the King or Ascension Sunday.

1. The coronation of the King
in matchless majesty
resounds throughout the earth and heaven,
and spreads from sea to sea.

The One who reveled in God’s strength
and waited on God’s grace
has now been crowned the King of kings,
a never-ending reign.

2. This King has known his people’s pain,
the rage of enemies.
Though humbled for a time, he rose
to claim the victory.

Your people sing to you, our King,
exalted in God’s might.
For now you reign eternally,
enthroned with God on high.

Those who trust in God Almighty
find a love that is unfailing.

Categories
Arrangement Church Congregational Songs Live

Refugee King, string arrangement live at Rosewood

A few years ago, I helped write a song called “Refugee King (Away from the Manger).” This year, I used it in a service accompanied by The All Saints Orchestra (St. Sinner’s holier half), so I decided to write a string arrangement for the ensemble. It’s very difficult to avoid gilding the lily on a song like this, but I think this arrangement strikes a good balance of background “string halo” and foreground string writing. I was especially pleased with the “running” figure in the instrumental verse.

Enjoy the dulcet tones of Lindsey Burkey singing with the All Saints Orchestra at Rosewood Church, Jension, MI.

Edit: I cannot for the life of me figure out how to make the video play from a particular spot, so if you’re interested in hearing “Refugee King,” go to 30:30 in the video below.