The Musical Diary of Greg ScheerYou know you’ve arrived when people start covering your tunes. And when the person doing the covers just happens to be Grand Rapids’ preeminent octave mandolin player, it’s total street cred.
Listen to Scott De Young play As the Deer and May the Mind of Christ.
As you know, I’m a song maven. I search high and low for good songs, and when I find them I make a point of creating accessible arrangements/editions and telling everyone I know about them. Here’s my latest find:
“Come to Me” (PDF, MP3) is a song that began it’s life at the turn of the last century when a woman by the name of Lizzie Akers wrote words for a hymn set to music by J.M. Black (best known for “When the Roll Is Called Up Yonder”). 109 years later Michael Bleecker and some folks at The Village Church in Texas wrote new music for Akers’ text and added a chorus.
It’s a simple song, and that’s one of the things I like most about it. Too many modern worship songs are difficult for churches who don’t rely on a praise team exclusively. This one is well-crafted and singable by a wide range of churches. It’s also heartfelt, but substantial. The Church needs more songs that combine the heart and mind.
I arranged the song in a four-part hymn-style. Nothing fancy–just enough to help the song jump the world of chord charts and enter into new church territory.
Update 1/15/22: Sheet music for this song is now available at gregscheer.com.
Has it really been a month since I last posted something to my blog? Shame on me!
I hope the slower rhythms of summer soon kick in, but for now all I have time for is a quick post. Follow the link above for a piano accompaniment for “All of My Heart.” I’m really pleased that my congregation loves this song. We’ll be singing it throughout the summer months.
And here is a link to the composers leading the song in Brazil recently: http://www.youtube.com/watch?v=jCQJlrPNeNU
Like “Kwake Yesu,” the Arabic Lord’s Prayer is something I’m really proud of. It just seems to capture people’s spiritual imagination. This is especially satisfying, given the fact that a hymn expert (who shall remain unnamed) declared that congregations would never sing it. A half dozen hymnals and recordings later, I think we can safely say that hymn experts don’t always predict what congregations will and won’t do!
But enough gloating. The version that appears in hymnals is an arrangement by me that makes heavy use of a drone in a hymn texture. That’s lovely, but not like the recordings I’ve heard of the song from Egypt. This SATB and Piano arrangement is more along those lines: almost Klezmer-like use of the harmonic scale, a rhythmic accompaniment with lots of rubato, and vocal harmonies that tend to move in thirds.
It’s stale Finale playback, but it’s the best I’ve got for now: MP3
My dad tells me that there’s a Spanish proverb that says something to the effect of, “Write a book. Have a son. Plant a tree.” I’ve done the first two and figure I’m covered on the third, because I have two of the second.
When I take stock of things I’ve done that I’m proud of and that are likely to outlive me, the song “Kwake Yesu Nasimama” is pretty high up on the list. I didn’t write the song–just translated it–but there’s no better feeling than finding a great song from Kenya (or elsewhere) and making it available to the larger Church. This Kenyan heartsong has already become the heartsong of lots of people in the English-speaking world.
In any case, the next step was to make choral arrangement of the song. And that’s just what I did. I’m not going to upload the score, because it’s under consideration by a publisher. And though this publisher rarely answers my email, I want to give them first crack at rejecting it before I blog it. But I’m sure I could be convinced to send you the PDF score if you ask me nicely via email…
For now take a listen to this sterile Finale playback, and imagine a heartfelt performance: MP3
Looking for that perfect Mother’s Day gift? I don’t have any advice on that. But if you’re looking for the perfect Ascension song, I can hook you up.
“A Hymn of Glory Let Us Sing” is the quintessential Ascension hymn, telling the story of Jesus’ ascent with the same kind of narrative arc you often find in Easter songs. Lots of tunes go with this long meter (8.8.8.8) text, but my favorite is DEO GRACIAS (sometimes called AGINCOURT). Its weighty minor melody is offset by a dancing rhythm.
It’s usually accompanied by organ, but I wanted to make this Medieval melody available to folk bands, worship teams, and early music consorts, so I wrote a new arrangement of it. Here’s the PDF leadsheet, and here’s an MP3 of the Guitarchestra playing the song.
I’m sure you’ve noticed that it’s been a few weeks since I last posted. (Please say you’ve noticed…) My excuse is that I was busy preparing for the 2013 Calvin Worship Symposium, which ended Saturday. Among other things, I led the music in a worship service with the Calvin Christian High School, under Erin De Young’s fine leadership.
You can check it out here: http://new.livestream.com/calvin-college/events/1738250.
It featured three of my arrangements of hymns/songs for orchestra. It was very satisfying to be sandwiched between a full string orchestra and a thousand some worshipers singing their hearts out. The whole service–which I helped Sue Rozeboom plan and in which Luke Powery preached–is worth watching. But if you’re just interested in hearing the music I wrote or arranged, fast forward to:
Update 1/15/22: Sheet music for this song is now available at gregscheer.com.
I’ve mentioned previously that I’ve taken it upon myself to introduce the Brazilian writing duo of Rubem Amorese and Toninho Zemuner. They write beautiful, singable, meaningful songs. In Portuguese. But with a resolute will and the help of Google translate, I forge on, transcribing and translating some of their songs.
The latest is a simple song called “Adoração.” Because the song is so simple, the translation was very difficult. Every word had to be just right. As a matter of fact, I’d like a little feedback. Here’s the first verse in Portuguese:
Te adorarei, te adorarei
Com todo o meu coração;
Com toda a sede do meu viver,
Com todo o meu ser.
Te adorarei, te adorarei
Com todo o meu coração;
Com toda a minha razão e amor,
Com todo o meu viver.
As you can see, the first two lines of each half verse are identical. Normally, the fourth line would rhyme with the second line, but in this song they’ve bound the two half verses by rhyming the last line in each half verse. This creates an unusually long wait for the rhyme completion for a simple song. I respected the integrity of the original and followed their pattern. At first it didn’t sound right to my ear, but after I spent some time recording it, it began to feel more natural. Yak, yak, yak. See for yourself.
Listen to their original: MP3
Look at the translation: PDF
Listen to my demo at the link above.
Look at the leadsheet at the link above.
Last week I posted a recording of my flute arrangement of “Good Christian Friends (Men), Rejoice.” Unfortunately, the flutist from that recording wasn’t available for the Christmas Eve service. But in a bad news/good news turn of events, recorder player par excellence, Cal Stapert, was willing to take over. Take a listen.
Added bonus: super sweet segue between the Good Christian prelude and the processional hymn “Once in Royal David’s City.”
I know you’re all dying to know how my new arrangement of “We Three Kings” went. Well, die no more! Here’s the MP3 from COS’s Christmas Eve service.