The Musical Diary of Greg ScheerOn Christmas Eve we’ll sing my brand spanking new arrangement of “O Holy Night.” To help the musicians prepare, here’s an MP3, score and parts (choir/piano, strings, brass, percussion). Strings–get cracking on that high part in the refrain!
Last night at Church of the Servant we had our Lessons & Carols service. (You can read more about the service at the COS worship blog.) One of the songs the choir sang was my composition “Every Valley.” This is one that I’ve done before, but it was great to do it again, especially because Jordan Clegg was singing the solo part. He rocked, as did Carol and “The Little Choir that Could.”
Every Valley is part of a set of pieces tentatively titled The Christmas Canticles that are written for solo, choir, piano, rhythm section and horns. I’ve already completed Every Valley, Blessed Be, and My Soul Will Magniy the Lord. Someday I hope to complete the canticles with a Gloria and Nunc Dimittis, but it will have to wait until some imaginative and well-endowed choir commissions me. (Hint, hint)
Until then, take a listen to Jordan Clegg, the COS Choir and Carol Rienstra (piano) performing Every Valley.
Here’s a little something I whipped up this afternoon: Come, Thou Fount of Every Blessing. Okay, “whipped up” and “this afternoon” makes it sound too easy. I’ve actually been carrying around a rough draft of this in my backpack for the last 6 months and finally got a chance to complete it yesterday and today. The recording is one of my trademark cheesy Finale playback renditions, but it gets the point across.
Due to popular demand (okay–one request) I just wrote a piano accompaniment for my Christmas song “A Great and Mighty Wonder.” I also took the opportunity to update the text a little and write out a descant. The descant is kind of cool in a musically geeky sort of way–it uses the refrain of “O come All You Faithful” as counterpoint to this song’s refrain. (Do I smell a Christmas medley?) You can hear a demo MP3 here or download the lead sheet and piano score at my main site.
In an earlier post I introduced a song called “Jesus, Precious Jesus” and promised a choral arrangement. Here it is. I don’t know if it’s a good or bad trait, but this song can range in performance style from a simple praise chorus accompanied by acoustic guitar to slow and funky Black Gospel. In this choir arrangement I took somewhat of a middle road, using the lush harmonies of Gospel but keeping the rhythms fairly straight. It’s a little sweeter and flashy than more typical style, but it’s growing on me.
This Sunday at Church of the Servant we sang a brand new song of mine, Psalm 114. I was really pleased with the way it turned out, especially in light of the fact that I had studied the Psalm for quite a while before I really connected with it.
The Psalm tells the story of the exodus in poetic form. Once I latched onto the idea that Israel’s history is not just the events of a long ago people but part of the living story of all of God’s people, I quickly arrived at a way to represent this musically: the first half of each verse tells Israel’s story as it appears in Psalm 114, the second half of each verse reflects on ways in which God continues to work in similar ways today, and the refrain answers with overarching them of the Psalm: “The hills and mountains tremble, the rivers stand in awe, for in this pilgrim people is the presence of the Lord.”
Listen to the recording of the service or email me for the score.
Last week I finished an arrangement of “Joyful, Joyful, We Adore You” for use in my church. How dare I mess with Beethoven, you ask? Indeed. A few years back I decided that I could no longer bear to hear praise bands butcher Beethoven’s fine tune. And since it had already been adapted for the hymnal, I thought I’d arrange something that would work for praise band. Since then I’ve written a lead sheet, a piano accompaniment, and string parts. You can find the piano music at my main website for a short time, and the demo you can find right here.
At Church of the Servant the theme verse of this year’s Girls’ Club is Micah 6:8. They found a few songs that worked pretty well (PsH 293, Schmit), but none that fit like a glove. And you know I can’t leave well enough alone, so I took it upon myself to compose my own by the end of the day. I like how it turned out. It’s simple to sing or play, and more importantly it turns the verses into a prayer. Sung justice scriptures often sound so heavy handed, so I like the way these lyrics convey a sense of aspiration rather than obligation. Listen to the MP3 or print off the PDF and take it to the nearest piano for a careful read-through.
Here’s a recording of “Creator of the Stars of Night” from last year’s Lessons and Carols service at Church of the Servant. The choir processed from the back of the sanctuary singing this beautiful 9th century chant, while the strings interjected tropes that I had composed a few weeks before. Now that’s ancient/future!