Yesterday, we sang a new setting of Psalm 5 that I composed for two narrators and congregational refrain. I was quite pleased with the way it sounded, though I’ll probably raise the key and make a few minor changes. If you want the music, just email me. Otherwise, take a listen.
Category: Church
What is a blog but a slice of one’s life? So you want a fresh slice of music from Greg’s life? I thought so.
Here are a few things we sang at Church of the Servant this Sunday. We’ll start with a choir piece called “Ride On.” It was published as a vocal solo piece by Augsburg Fortress a while back, and I thought I’d see how it would work for SATB choir. I kind of have a love/hate relationship with this piece–I love it, but everyone else hates it. Just kidding. It started as a pop/gospel setting of the old text “Ride On, Ride On in Majesty” for congregation. But then I realized it was too hard for congregation, so I gave another go at it as a vocal solo. But then I realized that the archaic text was at odds with the contemporary music (you just can’t groove words like “strewn”), so I wrote a new text based on the same theme and meter. But then I realized that if was writing something for vocal solo, I should vary the verses a little, so I turned verse 3 into a bridge. But then I was planning choir music for Palm Sunday, and I realized that I could turn that the vocal solo into a choir version. But then we tried it in rehearsal and I realized that it was much harder for a choir to sing all the syncopations than a single vocalist. Or a married vocalist, but it really depends on the vocalist more than their marital status. But that’s really beside the point. The point is that I have a love/hate relationship with the song, and I’ll be glad to hear your opinion. So without further ado, click to listen to Ride On.
Next up on our three slice meal of worship wurst is Sanna & All Glory, Laud and Honor. These two songs were used during the palm procession. Nothing too fancy, but it gives an idea of our style at COS. I like the way the South African “Sanna” (which is a shortened version of the word “Hosanna”) sits alongside the traditional “All Glory.” And the drums and strings really make things festive. Try to ignore the cantor. He’s not really as big of a windbag as he sounds on this recording, it just happens that his mic was high in the mix.
Finally, what church service recording would be complete without a child crying in the background? What makes this recording so exquiste is that this particular little screamer has such impeccable timing. You’ve got to love it: “This is the day the Lord has made (waaaaaaah!!!!) Hallelujah!” And of course the juxtaposition of the seren Taize chant with the primal scream is priceless. Give a listen: This Is the Day.
Having trouble with the above links? Try these: Ride On, Sanna & All Glory, This Is the Day.
This Sunday the choir sang “Feed Us, Lord” (see Feb 2 post) at Church of the Servant. Here’s a recording, complete with babies crying.
Feed Us, Lord
Brand-spanking new (as of 2 mintues ago), here’s a communion anthem for SATB choir and piano. As usual, I have virtually guaranteed that it won’t be published by composing a simple anthem with an unusually difficult piano part.
There’s a story about Beethoven in which he turns to a violinist who is complaining about some fingerings and he says, “Do you think I worry about fingering when the muse strikes me?” I wouldn’t go that far, but I think there’s certainly some room to challenge the church pianist a bit. Let me know if I’m being unreasonably cruel to the pianist in this piece. Come to think of it, we’re doing this song at COS on February 11, so I’ll let you know if I have a pianist mutiny.
Feed Us, Lord (pdf)
Feed Us, Lord (mp3)
Deeper than the Sea
I wrote this setting of Psalm 36:5-9 for the CRC sesquicentennial hymn contest. I lost. But then the Psalm came up in the lectionary, so I decided to create an arrangement for choir, piano and congregation that we’ll use January 14 at Church of the Servant. Chords are included so it can be accompanied by guitar and bass to get that “folk choir” kind of sound.
Here is the score: (I had to remove it–it’s now published by GIA)
Don’t have a choir? Don’t despair! Here’s the leadsheet for praise band: (pdf-praise)
And a rough demo in a somewhat Chris Tomlin style: (mp3-praise)
When I worked at Wildwood Presbyterian Church in Tallahassee, Florida, we had an annual “Festival of Carols” service during Advent. (Can I really call something “annual” when it only happened twice?) Basically, this was a lessons and carols service, but I knew that would sound too high church, so I called it a “Festival of Carols.” In any case, in 1999 the theme of the service was “An American Christmas.” It featured Christmas songs from Canada to New Mexico, with lots in between.
The first song of the evening came from the shape-note (Sacred Harp) singing tradition. Instead of singing it in shape-note style, though, we performed it with solo voice (me), mandolin (me) and guitar (Mike Houghton). This isn’t a particularly good performance–I botch a note in the first few measures–but it’s a great song. In fact, I like the song so much that I used it again this year at Church of the Servant’s lessons and carols service. This time we sang it in proper shape-note style, with bright chest voice and men and women doubling the soprano and tenor lines. But I don’t have a recording of that.
Without further ado, here is “The Babe of Bethlehem.”