I just found this video of Murray Freedman and the Westminster Presbyterian Church Chancel Choir singing my anthem, “As the Deer.” Good to know that my music has made it’s way to South Carolina!
Category: Congregational Songs
Last fall I was commissioned to write an arrangement of the Chinese folk song “Wen Ti” (聞笛) for the 2018 Calvin Worship Symposium. This beautiful tune often appears in hymnals with the benediction text “May the Lord, Mighty God.”
The idea for this concluding communion service was to weave the song throughout the service with new texts that fit different liturgical moments. Scroll through the video above to hear the different sections of the piece:
11:47 Call to Worship: “Lift Your Eyes unto the Hills” (based on Psalm 121 and 124)
21:44 Assurance of Pardon: “God Is Gracious to Forgive” (evoking Colossians 1:12-15)
1:22:56 Doxology “To the One Who’s Shown Us Love” (from Revelation 1:4-6)
I’m currently reworking this for publication in GIA’s Calvin choral series.
Two more recordings of yesterday’s “Close to My Heart.” Above is Jordan Clegg leading the Fellowship Reformed gang in a beautiful rendition that includes penny whistle (played by Jackson Nickolay). Below is yours truly in a stripped down acoustic version.
Update 12/11/21: Sheet music for this song can now be purchased at gregscheer.com.
Update 12/11/21: Sheet music for this song can now be purchased at gregscheer.com.
Psalm 131 is the third shortest Psalm, consisting of only three verses. So when Jordan Clegg commissioned me to write a song based on the Psalm for Fellowship Reformed in Holland, MI, I thought, “This’ll be a piece of cake!”
While this was certainly easier than a sprawling history Psalm like 78, the challenge is to write a song as concisely focused as the original. In this case, I felt the spirit of Psalm 131 is captured in the image of a child resting with her mother. That utter dependence and contentment is a metaphor for our trust in God’s care.
The song is short, simple, and heartfelt. (This is unusual for me; I tend toward long, complex, and nerdy.) My favorite thing about the song is the way the child/mother image places the child–and by extension, us–next to her mother’s (God’s) heart. That is not only a place of intimacy and comfort, but a place where we can listen for God’s “heart”–God’s desire and will for us–turning the song from statement to prayer.
I will still my soul
like a sleeping child
in a mother’s arms.
I’m content to be,
to be where you are,
to be close to your heart.
Close to your heart, my Lord,
close to your heart.
Update: Judith has requested the music and I am happy to oblige. Here is the PDF leadsheet. If you need the piano accompaniment, just email me.
William Walsham How is best known as the author of “For All the Saints,” but he wrote almost a hundred other hymns, including the focus of today’s post: “O One with God the Father.” It is a powerful Epiphany text that begins with the theme of Colossians 1:15, “The Son is the image of the invisible God.” It continues by focusing on the light of Christ, praying that Christ’s light would dispel the darkness or our lives. Beautiful.
He wrote the hymn in 1871 and I wrote new music for it on June 18, 2018. I needed a song to go with the theme “We believe in Jesus Christ his only Son” from the Apostles’ Creed series we’re doing here at Fuller Ave CRC. There are surprisingly few hymns that address the oneness of the Father and Son. This wonderful text has been paired with unmemorable tunes for years, so I decided to give it a fresh coat of (musical) paint.
1. O One with God the Father
in majesty and might,
the brightness of his glory,
Eternal Light of Light;
O’er this our home of darkness
your rays are streaming bright;
the shadows flee before you,
the waiting world’s true Light.
2. Yet, Lord, we see but darkly:
O heavenly Light, arise!
Dispel these mists that shroud us,
that hide you from our eyes!
We long to track the footprints
that you yourself have trod:
we long to see the pathway
that leads to you our God.
3. O Jesus, shine around us
the radiance of your grace;
O Jesus, turn upon us
the brightness of your face.
We need no star to guide us,
as on our way we press,
if you, your light would grant us,
O Sun of Righteousness.
At this summer’s Hymn Society meeting in St. Louis, I was approached by a publisher about composing some tunes to go with a new collection of hymn texts by Christopher L. Webber. I can never resist an opportunity to compose new music, so I got right to work.
Of the numerous texts I could have chosen, I gravitated toward, “We Break This Bread.” I love the way Webber connects the breaking of bread at communion to our human brokenness. What I don’t love is that almost every line elides into the next–and at different places in each verse. No melody could accommodate the text perfectly (or allow people to sing each phrase in one breath!) but I feel like I struck a good balance that holds up well to the shifts in each verse.
Update 12/11/21: Sheet music for this song is now available at gregscheer.com.
One of the fun things about doing music is that I get to meet people–virtually or in person–from all over the world. One of those musical friends is Jill Friend (actual name) from Sioux Center, Iowa. Jill periodically uses my arrangements for orchestra at her school and church. Below is a recording from Covenant CRC Church on May 20, 2018. I love to see videos like this, with all ages taking part in a church’s music. And I’m pleased that it was my arrangement of My Friends, May You Grow in Grace that enabled this intergenerational orchestra to play together. Thanks for sharing, Jill!
If you’d like to try this arrangement in your church, go to gregscheer.com to purchase the score.
“What’s with all the Christmas music in summer?” You may ask.
This March I joined two dozen other songwriters to explore the themes that are missing from common Christmas songs and to compose new songs that address those themes. During that week I had the privilege of getting to know Liz Vice, who is both a fine musician and human being.
We co-wrote “Tiny King” as an antidote to the no-crying-he-makes school of Christmas songs. How can the incarnation be astounding–or even true–if the baby Jesus didn’t cry or nurse or fill his diaper? This song explores the incarnation in a series of very human and very heavenly juxtapositions: the moans of labor and the angels’ choir, the King of Kings holding court in a barn, and a newborn baby as old as eternity.
This is just a rough demo to get the musical ideas across. I can’t wait to hear what it sounds like with the magic of Liz’s voice in the mix!
1. A mother’s labor fills the air;
with tears and moans the Godhead bears.
Angel’s echo everywhere: Gloria!
Christ fills his lungs, lets out a cry:
God’s first breath as humankind
thunders through all earth and time. Gloria!
Gloria, Gloria, Gloria!
2. Could this baby be a king?
The one of whom the angels sing?
Shepherds, Magi bow to him. Gloria!
His mother’s milk, a kingly feast.
His only robe is swaddling.
His court attendants, humble beasts. Gloria!
Gloria, Gloria, Gloria!
3. Gaze upon this newborn child;
eternity within his eyes.
Lays bare my soul with mercies kind. Gloria!
He opens up his tiny hand.
How can it be? My name, I see!
This tiny king, he came for me. Gloria!
Gloria, Gloria, Gloria!
Greg Scheer and Liz Vice, March 2018
Categories
Jesus, Be Enough
Update 9/23/20: Sheet music for this song is available for download here.
Most Christmas songs are all joy and confidence: Shepherds overwhelmed by angelic songs; Wisemen led by navigational stars. But if your life is at all like mine, those moments are rare. Instead, life is accompanied by a soundtrack of doubt, missteps, and loss. “Jesus, Be Enough” asks the question: Is Jesus a sufficient gift even when Christmas miracles don’t occur? Will we trust him even when our prayers seem to go unanswered? It is a Christmas carol for the rest of us.
The song was recorded with my boys, Simon and Theo, in our apartment music studio (i.e. my bedroom). I could not be more proud of the fine musicians they’ve become.
1. If there were no angel choirs, would it be enough?
If there were no Glorias, would it be enough?
If there were no Spirit dreams—
just silent nights and restless sleep.
If there were no ecstasies, would it be enough for me?
Jesus, be enough;
be enough for me.
Jesus, be enough;
be enough for me.
2. When there is no star to guide, will it be enough?
When there is no gift to bring, will it be enough?
Courage fades and wisdom fails;
the path is dark, the sky is pale.
Maybe I have lost my way. Will it be enough for me?
3. When tombs are filled before their time, Jesus be enough.
When wombs stay empty past their prime, Jesus be enough.
When you give and take away,
let my emptiness still praise you.
Meet me in this barren place. Jesus, be enough for me.
Update 10/6/20: Sheet music for this song can be downloaded here.
Let me tell you the history of Psalm 40. Well, not the complete history; that stretches back a few millennia. But I can tell you the history of my musical rendition of Psalm 40; that only goes back two decades. I wrote the song in 1998 and made a demo of it around that time. In 2012, while working with the Choral Scholars on Cry Out to God!, we recorded the song using a new SATB and piano arrangement. In 2017, I entered the song in the Church of the Servant New Psalm Contest; lo and behold, it won! For the premiere, I wrote an arrangement for SATB Choir, Congregation, Piano, Flute, Violin, Accordion, and Flugelbone. (Yes, flugelbone. It’s like a flugelhorn, but in trombone range.) Here’s what I wrote about it for the January 28, 2018 premiere:
You may think that U2 has the corner on the Psalm 40 song market, but I would humbly suggest that there’s room for one more.
I wrote “Patiently” while I was working at a church in Tallahassee. Frankly, it was something of a desert experience for me. Psalm 40 expressed well both my complaints and hope. I love how the Psalm ties together proclamations of God’s good deeds, prayers for salvation, confession of sin, and even a prayer that God would shame the Psalmist’s enemies.
Bible study usually leads to music for me, so I began working on an idea for a song based on the Psalm. It was the first time I had tried to set a whole Psalm to music. At the time I didn’t know much about metrical and responsorial psalmody, I just knew that I liked how the music fit each verse and that it sounded good when the chorus kept coming back. Even though this song is not likely to make its way to the top of the CCLI charts, I was pleased that the contest judges felt it was a faithful and helpful musical rendering of the scripture.
I have a fond memory of a difficult afternoon on which I took a long walk through the hot Florida woods with this song keeping me company. I hope you find it returning to your mind, as well.
You can listen above to the MP3 of the Church of the Servant musicians leading “Patiently.” Check out the revised leadsheet, the congregational piano part, or the full choral arrangement at the link above. If you want the congregational piano part or the full choral arrangement, just email me. There’s got to be some church out there with a flugelbone! (Okay, it can also be played by trombone.)