Category: Congregational Songs

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Church Congregational Songs Contests Finale demo

A Humble Mass

A while back NPM (National Pastoral Musicians) held a contest  for new musical settings of the English Mass which was recently approved by the US Roman Catholic bishops. For those of you who aren’t Catholic, even small changes in the language of the mass can be a pretty big deal, with publishers scrambling to release new versions of mandated text.

Of course, you know how I am about composition contests. You’ll remember that in the calm before the storm of this year’s Calvin Worship Symposium, I completed a Robot Dance Music contest entry (I won) and started a mass. I made enough progress on the mass before the symposium started that I was able to complete it during the event. This was helped along by my friend Kelly at GIA who was gracious enough to give me excellent feedback from her symposium vendor’s booth, and by Jeremy Begbie, who was kind enough to overlook that guy in the back who was editing a mass while he gave a lecture.

Fast forward a few months. I lost the NPM contest, which is not entirely unexpected. But I can’t just let 13 pages of music languish because of something as benign as losing a contest. So I did what any reasonable person would do–I asked for a second opinion in the form of YouTube. That’s right. I’ve published a “bouncing ball” version of the mass on YouTube so you can sing along while watching the music scroll by.

I named this setting “A Humble Mass” not because I think it’s a cool name like… I don’t know–Missa Lunesta or Mass of the Proletariat–but because I just couldn’t find a great name. I wanted to convey that this is a simple mass that is quite usable in congregations that only have a keyboard available to them. And it’s quite singable, with a few themes tying the whole mass together. But you never really know how effective a piece is until it’s sung by a living, breathing congregation.

If any of you would like to give this mass a go in your congregation, let me know and I’ll get you a PDF file of the mass.

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Church Congregational Songs Hymn tunes Retuned hymn

Filled with the Spirit’s Power

Just trying to catch up on recent compositions:

During Pentecost, John Phiri from Sierra Leone preached at COS. The text “Filled with the Spirit’s Power” (Psalter Hymnal #417) fit well with his sermon thematically, but musically it left something to be desired. (Sorry Henry Lawes.) So I wrote a new tune. Check out the PDF or the MP3.

If you’re looking for a 10.10.10.10 tune, give this a try.

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Psalms Retuned hymn

The Making of Psalm 29

I’ve been composing a new setting of Psalm 29, and decided that I’d create a video of the process. “Oh boy,” you say. “That sounds exciting.” Indeed.

My compositional conundrum is that I have three different versions of the same song, and there are pros and cons to each version. I’m hoping you will listen to the MP3 (version 3) or download the PDF of version 1, version 2, or version 3 and give me some help. What is the best version of the song? Are there parts that you would change or different versions that you would combine? Maybe I should scrap the song entirely?

Feel free to leave your editorial suggestions here or at YouTube. Heck, maybe some of you will want to sing and play your ideas in a video response at YouTube. Have at it people–this is your chance to co-write a song with Greg!

Watch the video: http://www.youtube.com/watch?v=rRvsPz-pL2o

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Congregational Songs Live Psalms

Rest in the Lord, at Calvin Chapel

My friend Paul Ryan asked me to lead one of the “Sing a New Song” chapels at Calvin College this Fall. I had originally thought I’d introduce one of the songs from the “Global Songs for Worship” collection I’m editing, but as the date got closer I decided to teach my song based on Psalm 127–“Rest in the Lord, My Soul.” This decision wasn’t based (solely) on shameless self-promotion. It’s just that I realized it would be a good opportunity to lead a group of non-musicians through the process of transplanting a Psalm into a particular musical context. In the allotted 25 minutes we talked about the themes and difficulties of the original text, Michael Morgan’s metrical version of the Psalm, and my musical setting of Morgan’s text.

Don’t believe me? Then watch the video! Go to the Calvin Chapel web page, then choose the November 9, 2009 chapel in the scroll bar on the right. At about 4 minutes and 30 seconds into the video I begin my talk.

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Congregational Songs Retuned hymn Uncategorized

There’s A Wideness in God’s Mercy

When I was in Uganda I was doodling on the guitar one day and I came up with a cool little guitar riff. Somehow it seemed to match up in my mind with the hymn text “There’s a Wideness in God’s Mercy.” Like all promising musical ideas that come to me, it kept playing in my head and I kept fussing with it on paper. But then it just got too fussy. I was over thinking it until all its charm was gone. So I decided to take a break from looking at it on paper and just get back to how the started–with me doodling on guitar. Over the last few days I’ve just been playing with it and now I feel like it’s once again becoming that simple, charming song that I met in Uganda. Here’s me playing it straight into the mic on my MacBook Pro: There’s a Wideness in God’s Mercy MP3.

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Church Demos Retuned hymn

Jesus Calls

Jack Roeda is preaching on the calling of  Samuel (1 Samuel 3:1-10), Philip, and Nathanael (John 1:43-51) next week. As I was searching for songs to fit the theme, I came across the hymn “Jesus Calls O’er the Tumult” in the Hymnary. I liked the text, but wasn’t convinced by the tune that accompanied it in the Psalter Hymnal. So I wrote a new one and took the opportunity to learn more about Logic Studio by recording a demo of it. Here it is: Greg, the band of Greg, and the Greg choir performing “Jesus Calls.”

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Congregational Songs Live Retuned hymn

The King Shall Come

Last week at gregscheer.com I introduced the Advent song “The King Shall Come.” Actually, it was a reintroduction, as the song has been available at my site for a few years, but I recently made substantial changes to the lyrics (what we call improvements in the business) and wrote a piano accompaniment. Of course, the whole thing is based on a hymn by John Brownlie written in 1907, making it a re-reintroduction. (And Brownlie is said to have based it on a Greek Orthodox hymn, which would make it a re-re-reintroduction, but I digress…)

Hurry! There are only two more weeks in Advent to enjoy The King Shall Come.

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Church Congregational Songs Finale demo Retuned hymn

A Great and Mighty Wonder

Due to popular demand (okay–one request) I just wrote a piano accompaniment for my Christmas song “A Great and Mighty Wonder.” I also took the opportunity to update the text a little and write out a descant. The descant is kind of cool in a musically geeky sort of way–it uses the refrain of “O come All You Faithful” as counterpoint to this song’s refrain. (Do I smell a Christmas medley?) You can hear a demo MP3 here or download the lead sheet and piano score at my main site.

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Congregational Songs Retuned hymn Uncategorized

Abba Father

Calvin College’s chaplain Andy De Jong is doing a chapel series on the Lord’s Prayer. He asked if I would compose a new tune for a text by Thomas Troeger called “Let All Who Pray the Prayer Christ Taught.” It turned out to be quite a challenge. It’s quite a thick text which doesn’t lend itself naturally to the meditative spirit you’d expect from a song about praying. So I put Troeger’s text in the mouth of the leader and gave the congregation a simple “Abba, Father” as a response. Here’s the demo. I hope you like it. More importantly, I hope that Thomas likes it, because I’ll be working with him next summer at Lake Junaluska. I can just imagine our first meeting: “Greg Scheer. (silence) So you’re the guy who ruined my song.”

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Church Congregational Songs Demos Psalms Retuned hymn Rock and/or Roll

Psalm 82: Stick it to the Man

Update: For sheet music or to adopt this orphan tune, head over to gregscheer.com.

This Sunday at Church of the Servant we sang the Psalter Hymnal version of Psalm 82, “There Where the Judges Gather.” After the service Ron and Deb Rienstra commented that the tune which accompanied the text was too nice. What it really needed was a tune that got across the “stick it to the man” tone of the Psalm.

How could I resist?

I spent the next few days writing and recording this new version of “There Where the Judges Gather.” The tune, appropriately enough, is called “STICK IT TO THE MAN.” Do punk rock and metrical Psalms go together? You be the judge. Listen to the MP3 here.