While it’s fun to have your music played on your home turf, there’s something special about learning that a church far away is using one of your songs or arrangements. My friends Phil and Sarah Majorins used my string arrangement of “We Sing the Mighty Power” (KINGSFOLD) at Christ Church in Davis, CA this Fall. As you’ll hear, they did a splendid job. While you’re checking out my song, make sure to take a listen to Sarah’s “Psalm 8,” “Sanctus,” and “Mystery of Faith.” I am a thorn among roses!
Category: Live
Update 1/11/22: Sheet music for this tune is now available at gregscheer.com.
A few months ago I wrote a tune for a text by Herman Stuempfle. Strangely, when I went searching for a text to accompany this week’s sermon on the Wedding in Cana, I was led again to Stuempfle. Even stranger? The new text, “Come, Join in Cana’s Feast,” fits the same tune!
Because yesterday’s service was led by the Joyful Noise Orchestra, I had some cool instrumental options. I’m a huge fan of jazz with orchestra, so I broke out my hollow body Ibanez and wrote some string parts, a la Wes Montgomery’s Bumpin’. Throw in Lauren Figueroa on vocals and Joel Klamer on tenor sax, I figure you can’t go wrong.
Here’s the the MP3 of the service. Below, for your listening pleasure is some real music: Wes Montgomery’s Bumpin’.
In 1971, Priscilla Wright wrote a song based on the prophesies of Joel. It was a scripture song like many of its era, with verses that quote a biblical passage verbatim and a music style that mimics Jewish folk song. We ended up singing it on a Joyful Noise Sunday, so I wrote a quick little arrangement for strings, brass, woodwinds, and percussion. Email me if you need a score.
Categories
Before Your Manger
Update 1/11/22: Sheet music for this song is now available at gregscheer.com.
A few years ago a woman in the church told me she’d love to sing a Christmas carol she remembered fondly from her childhood in Germany. Being a German speaker I was more than happy to oblige. However, I couldn’t find a translation that was completely satisfying or an arrangement that fit my church’s musicians.
It’s no wonder. The original German text is 15 verses long, and the musical arrangements span from Bach to German a cappella boy bands. This Fall I finally got serious about the song and dove headfirst into it with the goal of completing a new translation and arrangement for our Lessons & Carols service. It was insanely difficult to translate. The German rhyme scheme is extremely tight, leaving little flexibility. The melody plays itself over and over in your brain, but doesn’t behave like a “normal” melody. All in all it was one of the more difficult projects I’ve taken on in a long time.
Above is the recording from Church of the Servant’s 2015 Lessons & Carols service. Below is my translation of the four German verses I focused on.
1. Before your manger, here I stand;
dear Jesus, my life’s treasure.
A humble gift is all I have;
I pray it gives you pleasure.
O take my heart, my mind, my soul,
and take my life, I offer all
back to the One who gave it.
2. For even in my mother’s womb,
dear Jesus, you were calling.
You loved me long before I could
bow down to you, adoring.
Before I ever walked this earth,
you planned for me a second birth,
to win my love forever.
3. I gaze on you with joy and love;
I’m filled with adoration.
No song of praise could be enough
to voice my jubilation.
O that my heart, my soul could be
e’en deeper, wider than the sea,
to hold your love o’erflowing!
4. One thing I ask of you, my Lord,
dear Jesus, hear my prayer:
that you would make a humble home
within my heart forever.
O come to me and stay with me.
O let my heart your cradle be.
Fill me with joy unending.
1. Ich steh an deiner Krippen hier,
o Jesu, du mein Leben;
ich komme, bring und schenke dir,
was du mir hast gegeben.
Nimm hin, es ist mein Geist und Sinn,
Herz, Seel und Mut, nimm alles hin
und laß dir’s wohlgefallen.
2. Da ich noch nicht geboren war,
da bist du mir geboren
und hast mich dir zu eigen gar,
eh ich dich kannt, erkoren.
Eh ich durch deine Hand gemacht,
da hast du schon bei dir bedacht,
wie du mein wolltest werden.
3. Ich sehe dich mit Freuden an
und kann mich nicht satt sehen;
und weil ich nun nichts weiter kann,
bleib ich anbetend stehen.
O daß mein Sinn ein Abgrund wär
und meine Seel ein weites Meer,
daß ich dich möchte fassen!
4. Eins aber, hoff ich, wirst du mir,
mein Heiland, nicht versagen:
daß ich dich möge für und für
in, bei und an mir tragen.
So laß mich doch dein Kripplein sein;
komm, komm und lege bei mir ein
dich und all deine Freuden.
Update 10/1/20: Sheet music for this song can be downloaded here.
Two years after Naaman Wood and I began collaborating on “Restore Us, O God,” the song has finally been sung by an actual congregation. I think you’ll agree that it went swimmingly:
Of course, its success is due in part to the Church of the Servant Guitarchestra, which got its Klezmer on for this one. It’s also due to my congregation’s enthusiasm for singing. Listen to the way they dive right in when I invite them to sing.
All in all a successful debut of the Wood/Scheer writing team. What’s next, Naaman?
Can’t get enough? Take a look at the leadsheet (see link above) or listen to the first and second drafts.
Update 12/29/21: Sheet music for this song is now available at gregscheer.com.
A few years ago I co-wrote a song with Isaac Watts called “Arise, O King of Grace, Arise,” aka “O Savior Come.” I hadn’t thought much about it lately until one of my fellow worship planners here at the church chose the song for a Christ the King Sunday service. Watts teases out the Christological overtones of Psalm 132 so that it works beautifully in that service as well as during Advent. I decided to revisit the song, with a piano accompaniment and string arrangement. Listening to the way the congregation grabs ahold of the song, singing with more gusto each verse, makes me realize that this one’s a keeper.
Available from gregscheer.com:
- Leadsheet
- Piano
- Strings: Score, Violins, Viola, Cello
Update 1/24/22: Sheet music for this song is now available at gregscheer.com.
Yesterday was Church of the Servant’s monthly BES Combined Service. That’s the service that brings the “Basic English” congregation together with those in the “Standard English” service. I try to choose music that both congregations know or that uses simple lyrics, while still following the same liturgical movements and lectionary texts. Not an easy task.
Yesterday the lectionary called for the Benedictus (Luke 1:68-79; the song of Zechariah) as the “Psalm” for the day. The most accessible version I found was Michael Perry‘s 1973 text, “Blest Be the God of Israel.” (Although I changed the word “harbinger” to “messenger.”) It’s usually paired with MERLE’S TUNE by Hal Hopson. That’s a beautiful tune, but wasn’t quite in the groove of a BES Combo service, so I finished up an idea I had been working on a few weeks before. This new tune has a lot of similarities to the Peruvian Gloria, and could even use that as an extended Amen at the end of the song.
Download the leadsheet (see link above) and be the first to use it in your town!
Update 12/29/21: Sheet music for this song is now available at gregscheer.com.
Here is a new song co-written by Isaac Watts and me.
My pastor, Jack Roeda, is preaching through Hebrews and pointed out the other day that there are few songs that use the image of Jesus as high priest. Shepherd, Bread of Life, yes, but not high priest. Even though I knew he was baiting me, I took the hook and went off to find some good high priest songs. I fell in love with this text by Isaac Watts and wrote a new tune for it.
On thing I’ve been thinking about a lot in my writing lately is the “Occam’s Razor” principle, which basically states that the simplest answer is likely the simplest answer. Another way to state it might be “don’t gild the lily” or Antoine de Saint Exupéry’s famous, “Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away.”
I’ve spent most of my life trying to master the intricacies of putting notes together, and now I’m realizing that sometimes music sounds best in its simplest forms. This doesn’t take less mastery, but more. In any case, I kept reminding myself of this while writing the tune for this song, and I think I was able to strip it back to an extremely simple, clear form that sings well. Listen to the way the volume of the singing increases on each verse–that is music to a composer’s ears!
You can download the leadsheet or the string parts at the link above. If you’re a worship nerd, you can hear some more highlights from yesterday’s service. If you’re a hymn nerd, you can visit Hymnary.org to see how Watts’ original text was broken into two modern hymn texts: Join All the Glorious Names and Jesus, My Great High Priest. (And how I chose from his 12 verses to come up with my 4 verses and a refrain.)
Just a quick post from yesterday’s service, featuring the inimitable Joyful Noise Orchestra. If you are not familiar with JNO, it’s an ensemble (collective? flash mob? uprising?) of musicians that span from age 12 to 72, from beginner to pro. We lead worship every few months at Church of the Servant, and when we do I try to write something special to show them off. This time it was a contrapuntal introduction to the hymn tune DARWALL, which you may know as “Rejoice the Lord Is King.” (We sang it with the text “Join All the Glorious Names.”) If you want to verify that we were mostly playing the right notes, you can take a look at the score: PDF. If you want to verify that JNO is the best looking band in the business, check out this picture from Thanksgiving 2014.
Update 12/29/21: Sheet music for this song is now available at gregscheer.com.
A lot of music ministers lament the never-ending grind of planning worship services, week after week, without a break. Yeah, it’s easy to get a little jealous of school teachers with their summer breaks, but frankly I like the challenge each week brings. I enjoy digging into the service’s scriptures, teasing out themes in the music. I especially savor the search for settings of the lectionary Psalm that will fit both the congregation and the day’s music ensemble.*
Which brings us to today’s post. The lectionary called for Psalm 124 in yesterday’s service. You would think that Reformed folk would have lots of songs based on this one, because the Psalm includes the words that often begin Reformed worship: “Our help is in the name of the Lord, who made heaven and earth.”
Alas! There are a few songs based on those words, a few metrical Psalms, and my octavo for choir and narrator. But nothing that fit the Guitarchestra. So I wrote a new one to fit the occasion. The lyrics are below and the PDF leadsheet is downloadable on my website (see link above). In some ways this follows the lead of my recent setting of Psalm 137, using the basic themes and images of the Psalm as clay that is then molded into a somewhat different shape. Still faithful to the Psalm, but taking some creative license.
1. If God had not been on our side, When cornered by our foes;
When there was no place left to hide, To whom could we have gone?
If God had not been on our side, When anger flared like fire;
They would have swallowed us alive, If God had not been on our side.
2. If God had not been on our side, When troubles surged like floods;
We would have watched the water rise, And waves mount up like walls.
If God had not been on our side, We would have had no hope,
been swept away in deadly tides If God had not been on our side.
3. If God had not been on our side, When hunters laid their snares;
Their steely teeth would snap us tight, We wouldn’t have a prayer.
If God had not been on our side, We wouldn’t have escaped;
But our God made the earth and sky, our help is only in his name.
*I know this makes me sound super holy. Don’t feel bad. I get tired of the weekly grind, too.