You heard “Den Armen” in a previous spring cleaning post in its original form as part of a cantata for choir and organ. Later, I returned to this movement and turned it into an anthem for women’s choir and piano, ably sung by the University of Pittsburgh Women’s Chorale: MP3. (I also have a version for women, strings and harp if anyone’s interested.)
Category: Psalms
Easter is always a big day for church music, and this year was no exception. What was an exception was the difficulty level of the piece I wrote for the day’s Psalm. I actually wrote this setting of Psalm 118 a few years ago, but this time around I got a good recording of it.
Psalm 118 is a sprawling, rhapsodic Psalm of emotional valleys and mountains. I wanted the composition to reflect that, but I also wanted to make it accessible to the congregation. What I came up with is a short, tuneful refrain that the congregation sings repeatedly throughout the piece. The choir, on the other hand, is given a number of episodes, each mirroring the feelings of the different parts of the Psalm. Put Laura de Jong on soprano, support her with strings, and throw in a timpani–and you’re in business!
Listen to the MP3 from Sunday, or visit the karaoke version of the score on YouTube.
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Hallel Post Rest
I know it’s Holy Week, but that doesn’t mean I can’t post to my blog, right? Actually, the week before Easter is usually pretty relaxed at church because the bulk of the planning and preparation is already done. So I take the opportunity to catch up on projects I’ve been putting off.
Here is the second to last movement of my slowly emerging Hallel Psalm cycle. Well, second to last to be written. It’s actually the 8th movement, coming after the song “Be At Rest” (Psalm 116) and before “All You Nations” (Psalm 117).
Update 12/11/21: Sheet music for this song is now available at gregscheer.com.
I’ve had this song hanging around for over a decade, and due to a contest sponsored by Fuller Seminary (Brehm Center/Fred Bock Inst. of Music) finally decided to polish it up and send it out the door.
Psalm 148 is a call to praise three parts, starting with the heavenly realms, moving to the creatures of the earth, and finally calling all people on earth to praise the Lord. I’m not the first to write a three verse setting of this Psalm, but I’m probably the first to use a hip hop/black gospel style and an alternate third verse that modernizes the kings, princes, young and old of the original Psalm to scientists, theologians, bards and politicians!
This is a one-hour demo (that is, a 2.5 minute demo that took me about an hour to record), so try to be forgiving: MP3. (I know what you’re thinking: “couldn’t you have spent a few more of those 60 minutes tuning your guitar?…”)
Categories
Hallel Post-Nations
“What’s up with the goofy name–“Hallel Post-Nations?” you say. Indeed.
As promised, I continue to chip away at my multi-movement work based on the Hallel Psalms. All the Psalm songs are done, and now I just have a few instrumental movements to finish before bringing the composition to completion and setting a date for a premiere. This movement comes right after the Psalm 117 song, “All You Nations,” hence “post-nations.” (Now that I hear the title by itself, it sure sounds apocalyptic. No matter, I’ll change the title in the end.)
Astute listeners will hear that this movement is a fugue. Or as one person put it, I’m “channeling my inner Bach.” The big difference being that Bach improvised fugues, whereas this took me many hours. One of the fun things about this movement is that it combines the folk style of the songs with the classical style of the instrumental interludes. That is, this fugue will segue directly from “All You Nations” and the guitar and bass will continue to lay down a folkish boom/chunk-a-chunk groove throughout the fugue.
You won’t hear that very well on this mock up MP3, but you’ll see it in the PDF score.
A few weeks ago I posted a refrain based on Psalm 114. On February 28 I had a deadline for turning in a recording of said Psalm. I completed the recording at 5:30am that morning. Now my sleepless night can be enjoyed in a compact musical form on the new Cardiphonia compilation, Hallel Psalms.
My promise to Bruce Benedict, the wizard behind the Cardiphonia curtain who asked me to contribute to his project, was that it would be “Philip Glass meets Brother Roger, performed by Mike Oldfield.” There might be a bit of Tom Waits and Monks of Solesmes in there as well. Decide for yourself. Better yet, listen to the whole Hallel Psalms CD. It’s great.
Update 3/12/22: Sheet music for this song is now available at gregscheer.com.
This is it, people. This is the last of the Hallel Psalms; that is, 118 of 113-118. Now that all the songs are completed, I still need to write two more instrumental sections to complete the whole cantata thingy I’ve been working on.
A word on Psalm 118. When you’re turning a Psalm into a song, there are a million ways you could go. In the case of Psalm 118, it is all over the place thematically, ranging from “this is the day the Lord has made” to “open the gates of righteousness” to “I will exult over my enemies.” Really, the Psalm deserves a rhapsodic composition rather than a simple song. Which is exactly what I did a few years ago: http://www.youtube.com/watch?v=gKXjkRaEZ8M.
But this time I wanted something more congregational. I pulled two major themes from the Psalm: death/imprisonment versus life/freedom, and the eternal nature of God versus the fleeting nature of human power. It still makes for somewhat of a sprawling song, but manageable by a cantor and congregation.
MP3 (By the way, Psalm 118 is the lectionary Psalm for Palm Sunday and Easter. Hint, hint…)
Categories
Hallel Post-Glory
I spent the day writing just as fast as I could and spent the evening doing a read-through of my Hallel Psalms with some friends. Here is part of the fruit of our labors. Once again, I’ll come up with a better title for the piece at some point in the future. For now, the name “Hallel Post-Glory” identifies it as the movement in the larger Hallel piece that comes after the song “For the Glory of Your Name.”
It’s always fun to hear a composition played by real musicians (as opposed to Finale’s robotic playback) for the first time. That just never gets old.
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Hallel Post Sunrise
For those of you just tuning in, my FAWM project is a cantata of sorts. I’m writing a congregation-friendly song for each of the Hallel Psalms (113-118) and filling it out with instrumental interludes and hallelujahs. This is one of those interludes, written for alto recorder, flute, two violins and a continuo of bass and guitar.
Why the title “Post Sunrise”? It is the interlude that comes after (“post”) Psalm 113: From the Rising of the Sun. This is just a working title. Once the whole cantata is assembled I’ll give each movement a proper name.
Hear Finale play the score (MP3) and follow along with the ears of your eyeballs (PDF). (It comes just before Tremble before the Lord if you’d like to hear it in sequence.)
This is my second attempt at Psalm 115. (The first is here.) It’s interesting to see the two different directions one Psalm can go musically. The first version was prettier and more compact, but I like the earthiness of this one better and it will fit into my Hallel Psalm collection better. All that’s left from my Hallel project is a song for Psalm 118 and some instrumental connective tissue!