Category: Psalms

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Church Congregational Songs Hallel Psalms Psalms

Psalm 118: Everlasting to Everlasting

Update 3/12/22: Sheet music for this song is now available at gregscheer.com.

This is it, people. This is the last of the Hallel Psalms; that is, 118 of 113-118. Now that all the songs are completed, I still need to write two more instrumental sections to complete the whole cantata thingy I’ve been working on.

A word on Psalm 118. When you’re turning a Psalm into a song, there are a million ways you could go. In the case of Psalm 118, it is all over the place thematically, ranging from “this is the day the Lord has made” to “open the gates of righteousness” to “I will exult over my enemies.” Really, the Psalm deserves a rhapsodic composition rather than a simple song. Which is exactly what I did a few years ago: http://www.youtube.com/watch?v=gKXjkRaEZ8M.

But this time I wanted something more congregational. I pulled two major themes from the Psalm: death/imprisonment versus life/freedom, and the eternal nature of God versus the fleeting nature of human power. It still makes for somewhat of a sprawling song, but manageable by a cantor and congregation.

MP3 (By the way, Psalm 118 is the lectionary Psalm for Palm Sunday and Easter. Hint, hint…)

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Art Music Church Hallel Psalms

Hallel Post-Glory

I spent the day writing just as fast as I could and spent the evening doing a read-through of my Hallel Psalms with some friends. Here is part of the fruit of our labors. Once again, I’ll come up with a better title for the piece at some point in the future. For now, the name “Hallel Post-Glory” identifies it as the movement in the larger Hallel piece that comes after the song “For the Glory of Your Name.”

It’s always fun to hear a composition played by real musicians (as opposed to Finale’s robotic playback) for the first time. That just never gets old.

Listen and look.

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Hallel Psalms Psalms

Hallel Post Sunrise

For those of you just tuning in, my FAWM project is a cantata of sorts. I’m writing a congregation-friendly song for each of the Hallel Psalms (113-118) and filling it out with instrumental interludes and hallelujahs. This is one of those interludes, written for alto recorder, flute, two violins and a continuo of bass and guitar.

Why the title “Post Sunrise”? It is the interlude that comes after (“post”) Psalm 113: From the Rising of the Sun.  This is just a working title. Once the whole cantata is assembled I’ll give each movement a proper name.

Hear Finale play the score (MP3) and follow along with the ears of your eyeballs (PDF). (It comes just before Tremble before the Lord if you’d like to hear it in sequence.)

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Church Congregational Songs Hallel Psalms Psalms

Psalm 115: For the Glory of Your Name

This is my second attempt at Psalm 115. (The first is here.) It’s interesting to see the two different directions one Psalm can go musically. The first version was prettier and more compact, but I like the earthiness of this one better and it will fit into my Hallel Psalm collection better. All that’s left from my Hallel project is a song for Psalm 118 and some instrumental connective tissue!

MP3, PDF

 

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Art Music Church Hallel Psalms Psalms

Hallel Prelude

Now that I’ve got most of the Hallel Psalm songs done, I can begin working on the instrumental parts of the piece. This “Hallel Prelude” (also known as “Hallel? Ooh Yah!”) is the lead off piece and will segue directly into the previously written “From the Rising of the Sun.”

All of the instrumental movements will be played by friends: alto recorder, flute, 2 violins, and a continuo of guitar/bass. The ensemble’s name is tentatively “The Grand Rapids Greg Scheer Consort of Old-Sounding New Music.” I’m open to other suggestions, though…

Sorry about the MP3 demo. I’m using Finale’s “Export to Audio File…” feature, and there’s something funky going on with it. Usually it just sounds robotic. This time it sounds robotic and distorted.

MP3, PDF

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Church Congregational Songs Hallel Psalms Psalms

Psalm 117: All You Nations

This, the shortest of Psalms, is made up of two, diminutive sections. The first is a call to all people of the world to praise God, the second gives the reason for praise: God’s steadfast love. In a process very unlike rocket science, I have dedicated a verse to each of those themes. I was pleased that I was able to get all the lines of the first verse to begin with the word “all” and the second with “great.” It’s not a big deal, but little touches like this help tighten up a song.

 MP3, PDF
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Church Congregational Songs Hallel Psalms Psalms

Psalm 116: Be at Rest, Once More, O My Soul

For the record, I no longer equate lots of notes with good writing. There’s a time to explore the thresholds of complexity.* But there’s also a time to keep pruning until nothing remains but the simplest, most pure form of what you want to say. Nowadays I’m more concerned about pacing than showing off my chops. That is, does the music unfold at the right pace? Does each new moment seem simultaneously inevitable and refreshing? At the end, do you feel both satisfied and left wanting more?

This is one of those heavily pruned pieces. I have 3 or 4 completely different sketches for this one, and this version is the result of 3 or 4 rigorous pruning sessions. A song whose theme is “be at rest” needs to feel restful. But not boring. It’s a fine line.

Walk the line: PDF, MP3

*My first composition professor, Dr. Gibbs, used to get a delighted look on his face if I handed in a lot of music at my lesson. He would take out a pair of reading glasses, look over the music and say, “That’s what I like to see: lots of notes!”

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Church Congregational Songs Hallel Psalms Psalms

Psalm 116: The Land of the Living

My FAWM challenge continues. I’m writing a piece based on the Hallel Psalms (113-118). Nine days in and I’ve got four of the six Psalms done, with sketches for the fifth. Once that foundation is laid, I can begin writing Hallelujahs and interludes.

Psalm 116 is a study in the contrast between death and life. The Psalmist had just about slipped into the pit of death when God restored him to the land of the living. And what better way to portray the depths to which the Psalmist had sunk than an accompaniment of basses?

I took quite a loose approach to the lyrics on this one. As a matter of fact, my goal isn’t to be literal or complete on any of these Hallel settings. There are plenty of metrical settings out there for people who want to sing something that sticks close to the Psalm text. I’m writing these more as musical reflections, meditations or a distillations of the spirit of the text. Is it working?

PDF, MP3

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Church Congregational Songs Demos Hallel Psalms Psalms

Psalm 115: Not to Us, O Lord

My head is in the Hallel Psalms (113-118), so this morning a little praise chorus just sort of began singing in my mind. I had to write it down.

Now, if this were the early 90s I would have a hit rocketing its way up the CCLI charts to shine like a star next to the songs of Graham Kendrick and Geoff Bullock. But this is not the 90s. And I’m still not sure if I’m going to include it in this project.

The trick is that the songs need to be sung reflections on the Psalms that can sit alongside complex instrumental interludes, something like Bach’s chorale preludes. So I don’t know if a sweet little bon bon of praise will be the right thing for this project. I’m happy to be convinced one way or the other. Take a listen and let me know if you think it’s a keeper: MP3, PDF.

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Church Congregational Songs Demos Hallel Psalms Psalms

Psalm 114: Tremble Before the Lord

A few years ago I wrote a setting of Psalm 114 called “The Hills and Mountains Tremble.” I liked it, especially compared to the settings of Psalm 114 that are available. (There aren’t many.) I didn’t want to use the same setting in my new Hallel Psalm music, but I also didn’t want to close that door entirely, so I wrote something in the same key and with lots of echoes to the previous song. Here is my Taizé-like refrain, a musical summary of the major theme of Psalm 114: MP3, PDF.