Brush Your Teeth

On Thursday, I’ll lead an assembly called “Help Me Write a Jazz Song” at a local elementary school. I’ll tell them what a composer does and what it takes to write a song. Then I’ll tell them about my plan to release a jazz album for children named Just Kidding. I’ll play them a few songs I’ve already written, then enlist their help finding subjects they’d like to hear songs about. Finally, we’ll take one of their ideas and start writing a song.

illustration courtesy of https://www.wannapik.com/

In preparation for Thursday, I’m feverishly finishing some song ideas that have been hanging around for far too long. Case in point: “Brush Your Teeth.” This delightful little ode to oral hygiene includes the word “gingivitis” and a melodica solo. Pretty much a slam dunk by any estimation.

1. Brush your teeth.
They are the only ones you’ve got.
Brush your teeth.
You think it’s hard, but it’s not.

You might think it hurts,
but dentures are far worse!
Brush your teeth, brush your teeth, brush your teeth.

2. Brush your teeth,
‘cause gingivitus is a drag.
Brush your teeth.
You need to listen to your mom and dad.

‘Cause, when you brush and floss
your mouth feels like a boss.
Brush your teeth, brush your teeth, brush your teeth.

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Psalm 28: My God, the Rock (tune: ROCKY)

As I explained in a previous blog post, Kate Bluett’s rendition of Psalm 28 was so good that it needed two musical versions to bring out the nuances of the text.

I named this hymn tune “ROCKY” because of its sturdy musical feel and the references to God as the Rock in the text. It made sense that the other tune–so shifty and slippery–should be called “SANDY.” I still can’t decide which I like better. ROCKY is muscular and to the point, and likely easier for congregations to sing. SANDY is more sophisticated musically but may be more suited to a soloist.

I will let you decide. Feel free to leave a comment explaining which is your favorite and why.

1. My God, the Rock on which I stand,
I cry to you in need.
My refuge, see me lift my hands:
Do not be deaf to me!
Not silent as the stony ground,
unmoving when I cry:
Into the pit I shall go down
if stone-like you stand by.

2. Do not cast me away, O Lord,
with those whose tongues are sharp,
who speak of peace and long for war
within their hardened hearts.
Give them instead what they deserve,
and tear their evil down.
Let them and all their wicked works
lie scattered on the ground!

3. But you, O God, are stone and strength;
our refuge never fails.
You bear us up the breadth and length
of all our days and cares.
Blest be the Lord who heard my cry:
my strength, my shield, my Rock.
Oh, let my song rise up on high
to praise the might of God!

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Psalm 28: My God, the Rock (tune: SANDY)

I asked Kate Bluett if she would be willing to write a new Psalm text on one of the Psalms I haven’t yet set to music. She came through with skill and style!

Psalm 28 is a three-part prayer. It begins with a plea to help the righteous, continues by contrasting the fate of the wicked, and ends with preemptive praise to the God who saves. Kate follows this structure in her beautiful rendition of the Psalm. Notice how she teases out the image of God the Rock, as opposed to the stony silence of a god who doesn’t hear people’s prayers.

I actually wrote four tunes for Kate’s text as I tried to imagine how to bring the song to life. I quickly threw out two of them, but I simply couldn’t decide between the other two. The first (this one) is a jazzy melody that never quite comes to rest in relation to the chords. This gives the song a mournful, prayerful character that brings out the pathos of Kate’s text. The other tune (wait for a separate blog post) is more rustic and forceful, which gives the song confidence in the midst of a trial.

1. My God, the Rock on which I stand,
I cry to you in need.
My refuge, see me lift my hands:
Do not be deaf to me!
Not silent as the stony ground,
unmoving when I cry:
Into the pit I shall go down
if stone-like you stand by.

2. Do not cast me away, O Lord,
with those whose tongues are sharp,
who speak of peace and long for war
within their hardened hearts.
Give them instead what they deserve,
and tear their evil down.
Let them and all their wicked works
lie scattered on the ground!

3. But you, O God, are stone and strength;
our refuge never fails.
You bear us up the breadth and length
of all our days and cares.
Blest be the Lord who heard my cry:
my strength, my shield, my Rock.
Oh, let my song rise up on high
to praise the might of God!

Posted in Church, Congregational Songs, Demos, Jazz, Psalms | 1 Comment

Judah’s Jam

In honor of Judah Guerra’s inaugural Jazz Jam at the Rez, I wrote a little tune called “Judah’s Jam.” As you can hear from this video, he assembled a stellar group of musicians who slayed it all night long!

I obsessed about the tune all weekend long, thinking I should do a major re-write, but it went so well that I think I’ll just leave it as is.

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Psalm 119: Gimel

A quick refresher: Psalm 119 is the longest Psalm, an acrostic poem with 22 sections, one for each letter of the Hebrew alphabet. This third movement is “Gimel.” As with the previous two movements, the music is all about transformation. Sometimes you turn a corner and suddenly a new vista opens before you; other times the transformation takes place slowly, like a sunrise.

All of this was recorded by me, “in the box.” That is, anything that isn’t my voice, guitar, bass, or the upright piano 8th notes is a sample from Logic Pro. I would have loved to record two classical violin soloists, a jazz/fusion pianist, a ton of percussion, and strings in the studio, but alas… “Done,” as they say, “is the new great.” Even with so many digitized parts, I hope you can hear a little spark of what I was hearing in my head.

ג Gimel

Reward your servant
that I may live to treasure your Word.
Open my eyes
that I may gaze upon the wonders of your law.

I am a stranger on this earth.
Oh, do not conceal your commands from me!
I am consumed—
consumed with longing for your law.

You scorn the scornful—
those who disregard your way.
Remove the disgrace of the arrogant
for I have followed your path.

Though a council of the mighty speaks against me,
your servant will dwell upon your Word.
Your words are my delight.
Your law is my counsel.

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Psalm 119: Beth

Continuing our series from Psalm 119, here is Beth. Beth is not only a woman’s name and the title of a ballad by Kiss; it is also the second letter of the Hebrew alphabet. In this second section of Psalm 119 the Psalmist continues an acrostic meditation on God’s law.

Musically, this is my favorite of the three movements. There is just a lot of interesting stuff going on, with twists and turns throughout. You wouldn’t think that rock, slinky funk, choral, classical piano, the Chinese erhu, and minimalism could hang together coherently in the same 11-minute musical frame, but somehow they do.

All the tracks were recorded by me in my home studio using Logic Pro.

ב Beth

How can the young remain on the path of the pure?
By walking in the way of your Word.

With all my heart I seek you. 
Let me not wander from your way.
Within my heart, I treasure your Word.
Let me not sin against you.

Blessed are you, my Lord.
Oh, that I would learn your law.

I recount with my lips
all the words of your mouth.
I rejoice in the way 
of your Word more than wealth.

I meditate upon your precepts
and gaze upon your paths.
I will delight in your law.
I will not neglect your Word.

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Psalm 119: Aleph

For the last three years, I have been quietly chipping away at a composition of behemoth proportions. It is now time to release it. And I mean “release” in two senses of the word: Over the next few days, I will release the recordings of the first three movements; I will also release the project in the sense that I need to let it go so I can turn my attention to other music that is waiting to be written.

Here is how I described the project in its early stages:

Psalm 119—often called “The Great Psalm”—is the longest Psalm, an acrostic poem on God’s law, with one eight-line verse for each of the 22 letters of the Hebrew alphabet. 

For setting Psalm 119 to music, I’ve decided on a different path than I’ve used with previous Psalm settings. This will not be congregational or choral; instead, it will be a recorded meditation weaving words and music together in a mesmerizing, ever-transforming musical mosaic. Each of the 22 sections will be a 5–10-minute musical movement that will be both independent and interlocking with the movements around it. 

What will the music sound like? Imagine Mike Oldfield, J.S. Bach, and Steve Reich collaborating while on retreat at a monastery, composing music to be performed by the Penguin Café Orchestra, Pinback, and Polyphonic Spree and sung by Taizé, the Bulgarian Women’s Choir, and Keur Moussa. Like that. 

I am writing my own translation of Psalm 119 that attempts to honor the original text while remaining accessible to modern ears. My version is unmetered and unrhymed, but with a latent inner rhythm. 

Here is the first movement, Aleph. Most of the tracks were recorded by me in my home studio; additional tracks were recorded at Local Legend Recording with the help of these musicians:

  • Clara Becksvoort (9 years old)
  • Men’s Trio: Chris Snyder, Paul Ryan, Jordan Clegg
  • Theo Janga Ndawillie, drums
  • Josh Kaufman, guitar and mixing

א Aleph

Blessed are those whose way is pure,
who walk in the Word of the LORD.
Blessed are those who keep God’s will
and seek the LORD with all their heart—
who do no wrong,
for they follow God’s way.

You have established your Word
to be followed wholeheartedly.

Oh, that my path would be built on your Word;
then will the whole of your law bring no shame.

I will praise you with a pure heart,
for I learn from your righteousness.
I will walk in the Word of the LORD.
O God, do not leave me alone.

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Psalm 21: The Coronation of the King

This is the Psalm that almost ended my relationship with the Psalms.

I mean, I’ve made songs out of some pretty difficult Psalms, but this one almost did me in. No, it didn’t have hateful imprecations. (I’m looking at you, 137:9!) It didn’t have laundry lists of historical events. (It’s okay 105, that stuff is important.) Psalm 21 was just…uninspiring. (Am I allowed to say that?)

The Psalm is composed of two broad sections. The first establishes that the king was anointed by God and relies on God for strength and victory. This is no small thing in a theocracy–the fortunes of the people are tied to the fortunes of the king. The second section basically says, “God will kill all our enemies.”

For months, I studied the Psalm and wondered how I could recast this for today. It finally occurred to me that the Psalm could be understood through a Christological lense. In Psalm 21, a great king is celebrated. In Israel’s context, the first great king is David and the final king will be the Messiah. Things began to fall into place. Christ is the King of kings who sits at God’s right hand and has all authority on heaven and earth. Read this way, the felling of foes in the original Psalm can be understood as Jesus enduring the crucifixion and claiming the final victory in the resurrection.

This theme of crowning Jesus and celebrating his victory makes this song appropriate for Christ the King or Ascension Sunday.

1. The coronation of the King
in matchless majesty
resounds throughout the earth and heaven,
and spreads from sea to sea.

The One who reveled in God’s strength
and waited on God’s grace
has now been crowned the King of kings,
a never-ending reign.

2. This King has known his people’s pain,
the rage of enemies.
Though humbled for a time, he rose
to claim the victory.

Your people sing to you, our King,
exalted in God’s might.
For now you reign eternally,
enthroned with God on high.

Those who trust in God Almighty
find a love that is unfailing.

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Your Soul Lives On

This is the last of the demos I recorded with Steve Talaga on an afternoon in September. While most of these tunes fall under the umbrella of jazz, this one…doesn’t.

And that’s okay. I just want to write good music, letting the labels sort themselves out later. What I really like about this one is the lyrics. It imagines an aging woman looking in the mirror and realizing all the good things the years have brought. Our culture is so fixated on youth and beauty that it leaves lots of us feeling like time has passed us by. But there are so many beautiful things that come with age: wisdom, experience, memories, and resilience for whatever will come next.

1. As you look in the mirror,
the lines you once had feared
now seem like signs marking
where the road still might lead.

The final chapters may be nearer,
but that just makes it sweeter
to read the stories that are
etched in your skin.

2. The eyes looking back remind you
of all the life you hold inside you;
there’s still a little girl
within.

She is older and wiser,
slower and kinder,
and richer for all the beauty
years can bring.

See how the time has flown!
But your soul, it still lives on.
See how the time has flown!
But your soul lives on.

3. You could try to leave it all behind you,
but the past will always find you;
and now it almost
feels like a friend.

You will need it to guide you;
the path ahead is winding
and will lead to places
you have never been.

The years that have long gone by
still lay deep inside.
The years that have long gone by–
let them be your guide.

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The Gospel Truth

I have a certain ambivalence about this tune. It is So. Freaking. Happy.

And happy can easily be trite.

I will let you, dear listener, decide if this little bonbon of a tune is happy, trite, or both. (Or neither?)

That’s the thing about creativity. You need to stay open as ideas come to you. If you don’t you’ll find yourself writing the same song over and over again. (Yes, Keith Getty and Mumford & Sons, I’m looking at you!) Certainly, there are a lot of ideas that I don’t end up using or that die on the vine. But I’d rather develop three ideas and see which one produces good fruit than cut ideas off at the root because they don’t fit a particular agenda. Play the song a few times for an audience and it will sort itself out.

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