Category: Congregational Songs

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Arrangement Church Congregational Songs Global

Arabic Lord’s Prayer, piano arrangement

One of the songs I arranged for Global Songs for Worship was the Arabic Lord’s Prayer (aka “Abana Alathi Fi Ssama,” also know as “Abana in Heaven”) from Egypt. For a song that I was told “would never be sung in North American churches,” it’s done pretty well for itself, appearing in Psalms for All Seasons, the forthcoming Lift Up Your Hearts, and churches and conferences across the country.

For those collections I arranged it with a drone that made the haunting melody sound even more, well, haunting. But Egyptians are more likely to sing it accompanied and in more of a folk style, so I decided to write a piano arrangement along those lines. We sang it a few weeks ago at COS, and it went swimmingly. Because this version has a stronger rhythmic backbone, it helps the congregation stay together. Take a listen: MP3. If you’re interested in seeing the music, just email me.

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Church Congregational Songs Psalms

Psalm 1: Blessed Are They

Update 10/6/20: Sheet music for this song can be downloaded here.

First of all, my humble apologies for letting 9 days go by without posting a new song. I’m sure some of you have spent more than a few sleepless nights wondering if the well had finally gone dry. Never fear, my friends. The well is still wet, but there just hasn’t been enough time to tell you about the latest, refreshing drinks from the cool waters of my musical mind. (How’s that for a metaphor?…)

On September 9 at Church of the Servant, Cindy VanderKodde led my new setting of Psalm 1, “Blessed Are They.” Yes, there are lots of very good settings of Psalm 1 that I could have used, but two things pushed me to write a new one: First, as I was going through my files in preparing the service, I found a draft I had written a few years ago. It was too much for me to resist. Second, Psalm 1 has lots of “blessed are they (read: me)” set against the wicked who reject God and curse themselves to destruction. This sort of thing is bitter medicine for moderns, who see things in far less binary terms. A spoonful of musical sugar can go a long way with a Psalm like this.

And so, I finished this new setting of Psalm 1 and we sang it the following Sunday. Take a listen to the MP3 or print out a PDF of the music (see link above).

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Church Congregational Songs Retuned hymn

Thou Hidden Source of Calm Repose

A friend sent me a text from Charles Wesley in response to the shootings in Aurora, Colorado. Wesley’s words are just as powerful and comforting today as they were when they were written in 1749.

Here’s a song I wrote this morning to go with that lovely text: MP3, PDF

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Congregational Songs Retuned hymn

Awake, Sweet Gratitude

Ascension Song coverThanks for bearing patiently with the sins of my youth. (I.e. the recent “Spring Cleaning” series.) There are more, but I’m going to give you a little break from that nostalgic tour de force, and introduce something brand new.

“Awake, Sweet Gratitude,” was written for the recently released Cardiphonia compilation Ascension Songs, a great collection of 18 retuned hymns by great songwriters around the USA and beyond. The text is by Augustus Toplady. It does a great job of exploring the role of Christ as the heavenly intercessor–we have a sympathetic advocate in Jesus, who lived among us and ascended in body to the Father’s side. Check out the PDF leadsheet to study the words more carefully.

I took a little different tack on this recording. I wanted it to be a group project, so I enlisted the help of a number of friends from Grand Rapids and beyond. Each contributed a track or two, then I combined them all into a mix that sounds surprisingly coherent given the variety of voices and instruments that went into it. Here’s who took part:

  • Jess Alldredge, backing vocal and violin
  • Luke Brodine, backing vocal and accordion
  • Michael van Patter, accordion
  • Bruce Benedict, mando
  • Dave Landrum, banjo
  • The Church of the Servant Zoombaphonics, choir
  • Greg Scheer, lead vocal, trumpet, trombone, guitars, mandolin, string bass, drums/percussion
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Church Congregational Songs Psalms

Spring Cleaning: Shout for Joy

I’m always surprised at how well things can turn out sometimes when you have no idea what you’re doing. This setting of Psalm 100 was really a matter of me reading the Psalm and thinking, “Hmm… It sounds like this one could use some music.” Out came “Shout for Joy.” It turned out pretty well, and I’ve even returned to it a few times since then, updating it and creating an arrangement for piano and choir.

One of my favorite memories of this piece is when I lived in Salzburg in 1988/89, I attended a big Christian youth conference in Aachen, Germany. It turns out their praise band needed a bass player, so I volunteered. A few days into it I showed a few people this song, and they asked me to sing it during worship. I wrote an incredibly hard violin solo which I gave to an incredibly good violinist, and we sang the piece in front of a few thousand people that night.

This Ostertreff gathering, by the way, was a real turning point for me, faith-wise. Kind of an adult conversion. I went from being a temporary agnostic who hung out with Christians because that’s who was friendly to me, to becoming a Christian. It was a good Easter.

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Choir Church Congregational Songs

Spring Cleaning: The Lord Bless You

One of my early church compositions, we also used “The Lord Bless You” at Pitt Men’s Glee Club concerts. Both this two-part choir and a leadsheet version are available. It’s a perky little thang, ain’t it?

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Arrangement Congregational Songs Finale demo Global

Soft Rains of Spring (Korea)

I am neck deep in the Holy Week flood of services and feeling pretty overwhelmed. What does Greg do when he’s feeling burned out and cranky? He writes music.

Today I was reading through a packet of Korean songs given to me by Paul Huh, and I came across this beautiful tune written by Paul and Seung Nam Kim. I wasn’t satisfied by the arrangement that accompanied the tune–though it was written by a composer with a far greater reputation than me–and so I wrote a new one. Although my version may not look especially simple on the page, it takes a direct, chordal approach to accompanying the melody, whereas the other one was quite “noodly.” To my ear this clarifies and strengthens the beauty of the melody. Added bonus: it will sound good with guitar, too.

This is part of a project that Paul and I are working on to translate and arrange some of the core repertoire of the Korean church.

Look. Listen.

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Arrangement Church Congregational Songs Demos Psalms

Psalm 125: All Those Who Trust

Update: Sheet music for this song is now available at gregscheer.com.

A while back, I was looking for a musical setting of Psalm 125 to fit with our church’s series on the Psalms of Ascent. Like any good researcher, I went to YouTube. There, I found a video of two Brazilians playing a song called Proteção. I had no context for the music, but I couldn’t get the song out of my mind.

A little poking around brought me to a treasure trove of newly composed songs in Portuguese, written primarily by Rubem Amorese, but often co-written with others, most notably the other man in the video, Toninho Zemuner. Toninho has also recorded many of these songs. The man has golden ears and works with extremely talented musicians! You can hear the studio recording of Proteção at Amorese’s website or at their church’s website.

I wasn’t able to finish a translation in time for the sermon series that first led me to the song, but recently returned to it. A few days ago I completed a translation and piano score, and yesterday recorded a demo.

I hope to work with more of these songs in the future, and have been dropping hints at the CICW that a trip to Brazil would be an appropriate–no, necessary–part of my work. For now I’ll have to settle for this being a long distance collaboration, bringing more of Rubem’s songs to English speakers and making my presence in Brazil felt only through “Povo do senhor,” the Portuguese translation of my song “People of the Lord.”

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Choir Church Congregational Songs Live Psalms

Road-testing two songs

I usually reserve this blog for premieres, but as you know, a composition’s success is measured by repeat performances. In the case of a congregational song, there’s a big difference between what’s on the page, how it sounds when a congregation sings it, and how well it settles in after repeated singing.

So here are two songs that Church of the Servant has sung a few times each. Deeper than the Sea is published as a choral anthem, but that doesn’t mean that it sings well when given to a congregation. In this recording, it’s led by the Guitarchestra. From the Dust was rejected by the same publisher, but once again, that doesn’t mean much in terms of its worth as a congregational song. In this particular case, the COS choir sings the choral anthem version of the song, but the congregation is invited to join in on the refrains.

What do you think? Do these two have that undefinable it that makes a great congregational song? If there were a musical cage fight between the two songs, which one would win?

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Arrangement Church Congregational Songs Live

WALY WALY: O Blessed Spring

I’ve loved the folk tune WALY WALY for years. I used to sing “The Water Is Wide” with guitar and violin back in my coffeehouse days. I’ve annoyed congregation members by using the tune with the text “When I Survey the Wondrous Cross.” (It’s a better pairing, but people don’t seem to care about the facts when it comes to church music.) More recently I arranged the tune for piano and used it with the text “As Moses Raised the Serpent Up.”

But my favorite so far is Susa Palo Cherwein’s text “O Blessed Spring.” The wistfulness of WALY WALY brings out the seasons-of-life theme of Cherwein’s text beautifully. The added strings and Erin De Young’s solo are icing on the cake. If you can listen to it without crying, you need a heart transplant.