Category: Retuned hymn

Historic hymn texts set to new music.

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Church Congregational Songs Finale demo Retuned hymn

I Place Myself in Jesus’ Hands

Last summer, an email arrived at Hymnary.org from Germany. A woman there was working on a translation project and was looking for an English translation of “Ich steh in meines Herren Hand” by Philipp Spitta. Interestingly, she was translating the diaries of a German woman at the request of her grandson. The grandson had moved with his parents to America, and shortly after their arrival both parents died. The newly orphaned boy was raised by an American family and soon forgot how to speak German. Now he is learning about his family’s history through the diaries he inherited from his grandmother.

Spitta’s hymn was especially meaningful to his grandmother during the turbulence of the war, and through the process of researching the hymn, I’ve fallen in love with it, too. Here is my new tune for Richard Massie’s English translation, “I Place Myself in Jesus’ Hand“: MP3, PDF.

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Church Congregational Songs Retuned hymn

There’s a Wideness in God’s Mercy

Six years ago I was standing in the parking lot of a hotel in Uganda, waiting for the group to gather. It was a beautiful East African morning–the kind that is going to burn like a furnace at mid-day, but is dawn-of-creation perfect until 10am–and I began to fiddle around with a little idea on the guitar. Somehow that riff paired up with the text “There’s a Wideness” in my head, and I’ve been trying consummate the union ever since.

Many songs I write come out fully formed, whether because I tapped into some well-spring of creativity or because a pressing deadline forces quick completion. But this one just wouldn’t settle down. I have a theory that things are harder to articulate the more they mean to you, so maybe it was the combination of beautiful hymn text, fond African memories, and can’t-get-it-out-of-my-mind melody that was tripping me up. In any case, I was definitely breaking my Write Once/Edit Twice rule of composing.

We’re singing various settings of “There’s a Wideness” at Church of the Servant during Lent, so I said, “Enough’s enough. I need to finish this thing!” Instead of continuing to hem and haw about minute changes that could be made, I decided to trust my instincts and bring my editing to a close. Here are three ways/places the song has been sung in the last two weeks:

COS Guitarchestra: MP3, PDF

COS choir: MP3, PDF

Calvin LOFT, via COS intern Laura de Jong. (Thanks Laura, Paul, and the LOFT team!) Go to minute 29:10 of the video.

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Arrangement Church Congregational Songs Live Retuned hymn

Peace, Perfect Peace

Update 10/6/20: Sheet music for my arrangement of this song can be downloaded here.

This is one of my favorite hymns. Ever. I found it in the old maroon Presbyterian Hymnbook in my first church position back in Pittsburgh, but have only had the opportunity to use it a few times over the last 20 years.

We sang it a few months ago at COS when Jack preached the “blessed are the peacemakers” part of the Sermon on the Mount, and it is sadly relevant again this weekend in the aftermath of the Sandy Hook shootings.

Read more about the hymn at Hymnary or listen to the MP3: Peace, Perfect Peace

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Church Congregational Songs Retuned hymn

Thou Hidden Source of Calm Repose

A friend sent me a text from Charles Wesley in response to the shootings in Aurora, Colorado. Wesley’s words are just as powerful and comforting today as they were when they were written in 1749.

Here’s a song I wrote this morning to go with that lovely text: MP3, PDF

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Congregational Songs Retuned hymn

Awake, Sweet Gratitude

Ascension Song coverThanks for bearing patiently with the sins of my youth. (I.e. the recent “Spring Cleaning” series.) There are more, but I’m going to give you a little break from that nostalgic tour de force, and introduce something brand new.

“Awake, Sweet Gratitude,” was written for the recently released Cardiphonia compilation Ascension Songs, a great collection of 18 retuned hymns by great songwriters around the USA and beyond. The text is by Augustus Toplady. It does a great job of exploring the role of Christ as the heavenly intercessor–we have a sympathetic advocate in Jesus, who lived among us and ascended in body to the Father’s side. Check out the PDF leadsheet to study the words more carefully.

I took a little different tack on this recording. I wanted it to be a group project, so I enlisted the help of a number of friends from Grand Rapids and beyond. Each contributed a track or two, then I combined them all into a mix that sounds surprisingly coherent given the variety of voices and instruments that went into it. Here’s who took part:

  • Jess Alldredge, backing vocal and violin
  • Luke Brodine, backing vocal and accordion
  • Michael van Patter, accordion
  • Bruce Benedict, mando
  • Dave Landrum, banjo
  • The Church of the Servant Zoombaphonics, choir
  • Greg Scheer, lead vocal, trumpet, trombone, guitars, mandolin, string bass, drums/percussion
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Church Congregational Songs Live Retuned hymn

Jesus, Lord of Life and Glory – two recordings

Update 2/15/22: Sheet music for this song is now available at gregscheer.com.

A few weeks ago, I told you the exciting story of writing this song. (It was exciting, wasn’t it? I mean, when I got to the part about the 4/4 measure, I bet you were on the edge of your seat.) Now I’ve had a chance to test drive it twice.

The first time was at the Ash Wednesday service. There we used the piano accompaniment I wrote for the occasion, and added a few recorders for good measure (MP3, Ash Wed). The next time was during a Sunday morning service in which the Guitarchestra led the singing (MP3, Guitarchestra). It’s interesting to hear how the music takes on a different feel with the different accompaniment. The Ash Wednesday version brings out the plaintive, lamenting character of the melody, while the guitars make it sound more like an urgent prayer.

Which do you like better?

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Church Congregational Songs Demos Retuned hymn

Jesus, Lord of Life and Glory

Update 2/15/22: Sheet music for this song is now available at gregscheer.com.

If you aren’t a musician, you might be led to believe that composers just pluck ripe songs from the muses’ orchard of musical delights.

You would be wrong.

This composition stuff is actual work. Take, for example, my latest creative endeavor. I came across the 1839 text “Jesus, Lord of Life and Glory” by James John Cummins and wasn’t convinced by the tunes written for it. So I wrote one. That was easy enough. But then I tweaked and tweaked until it sang more smoothly. (What–you think that single 4/4 measure is an accident?) And then I entered it into Finale. And then I tweaked a few more things as I saw it on the page. And then I made the best demo I could in the last 35 minutes of my Friday afternoon. (Yes, my voice does crack in verse 4. Cut me a little slack–I did it in one take.) And then I realized that in taking out the Thees and Thous I had messed up one of the rhymes. And then I added a cool echo that Theo really liked. And then I realized that it wouldn’t work without a bass line and maybe some percussion. And then I remembered that Logic Pro got all out of whack when I got a new computer, so I didn’t have a quick way to add more stuff. And then I took out the cool echo that Theo liked. And then it became 9pm on Sunday night and I said “I’m going to upload this thing, warts and all!”

So here it is, straight from muses’ the orchard of musical delights (just not quite ripe), Jesus, Lord of Life and Glory: MP3.

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Church Congregational Songs Psalms Retuned hymn

Revenge of the Killer Bs: Psalm 107, Thanks Be to God

Update 2/11/22: Sheet music for this song is now available at gregscheer. com.

This setting of Psalm 107 came about when the Psalm came up in the lectionary on a Sunday that the Guitarchestra was playing. I couldn’t find a workable version of the Psalm, so I took David Diephouse’s metrical text which is found in the Psalter Hymnal and paired it with a tune I composed to be guitar friendly. For such utilitarian beginnings, it’s had a surprisingly good run. Currently it’s sitting pretty in Psalms for All Seasons, 107D. Take a listen to the recording that didn’t make the CD: MP3.

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Arrangement Church Congregational Songs Live Retuned hymn

Praise to the Lord, the Almighty/Praise the Lord, O My Soul

I found an MP3 on my computer the other day, and to tell you the truth I don’t know what it’s from. It’s my arrangement of “Praise to the Lord, the Almighty” that includes the added refrain “Praise the Lord, O My Soul.” I’m pretty sure it’s played by Church of the Servant’s Guitarchestra, because it features the soulful accordion stylings of Kurt Schaefer. But is it a service recording? Something I recorded during rehearsal? I really don’t know.

But I liked its relaxed vibe, so I thought I’d share it: MP3

You can find a list of my hymn arrangements here. I’m in the process of uploading the whole lot to hymnary.org, but I will accept email requests in the meantime.

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Church Congregational Songs Demos Hymn tunes Retuned hymn

Long-weary Earth

I don’t know who Alexandra Fisher Willis is, but she’s written a beautiful Advent text, “Long-weary Earth in Darkness Groans.” From what I gather, she’s in Lester Ruth’s Theology of Songwriting at Duke Divinity, and she wrote this as one of her assignments. Dr. Ruth, give this woman an A+!

Alexandra wrote this text to the tune LASST UNS ERFREUEN (“All Creatures of Our God and King,” etc). This is a perfectly good choice. It is a tune that the Church has sung and cherished for many years–388 to be exact–but somehow I don’t feel the weight of history like perhaps I should.

I wrote a new one: MP3.