Category: Demos

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Contests Demos Finale demo

Mr. March

I’m sure most of you have read the press release by now, verifying yours truly as the award winning composer of the Illinois Central College’s fight song “We Are the Cougars.” This got me to thinking about other fight songs and marches I’ve written in the past. I don’t really think of myself as much of a march person, but the fact is that I’ve written a number of other songs in the style. One could categorize me as “nipping at Sousa’s heels.” Or maybe not…

In any case, let’s take a tour of songs leading up to “We Are the Cougars.” First came “Interesting Thing” (MP3, PDF) in 1995. It became somewhat of a theme song for the Rascals, Rogues & Rapscallions, and each year I added new verses based on presentations that had been given throughout the year. They will mean nothing to you if you weren’t there–perhaps even if you were. After that came “The Bethlehem Steel Soccer Club Fight Song” (MP3, PDF) composed at the request of Dan Morrision in 2000 to honor the rich history of The Bethlehem Steel Soccer Club. One could even argue that the 1st and 3rd movements of my Brass Quintet, written in 1987, were just elaborate deconstructions of marches. Or one could opine, with my wife Amy, that “all marches sound the same.” All I know is that I’m $1000 richer, and I can now fulfill a lifelong dream of adding “composer of a college fight song” to my resume.

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Church Demos Psalms

Psalm 81: Sing a Psalm of Joy

Psalm 81 starts with a call to worship, then the rest of the Psalm is God recounting Israel’s unfaithfulness and calling them back. Marie J. Post has a good metrical rendering of the Psalm in the Psalter Hymnal. But you know Greg–he can’t leave well enough alone–he just had to compose a new melody for the text. I decided to emphasize the dialog between the people and God. So the people’s call to worship (Post’s verse 1) becomes the refrain, and the rest (Post’s verses 3-7) become cantor verses.

At the same time I was writing this, I was playing around with GarageBand. Lo, and behold, I ended up turning it into an easy listening pop recording. Kind of anachronistic, I know…

In any case, here’s the MP3. Actually, it’s an M4A, which I guess is the newest generation of MP3. Let me know if you have trouble playing it. Oh wait, I figured out how to make an MP3 in GarageBand. Here’s the real MP3.

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Church Demos

Guitarchestra

At Church of the Servant, there’s a little thing we do called “Guitarchestra.” We bring together as many guitarists, mandolinists, and banjists (is that a word?) as we can into one glorious glob of worship-leading stringiness. This post is for all the members of the COS Guitarchestra who missed rehearsal this week. It’ll give you an idea of how each song sounds. I’m sorry the recordings are so bad–I’m having some serious computer issues. Here are the songs to learn for Sunday, August 5, in order:
Gather Us In, Joyful, Joyful We Adore You, What the Lord Has Done in Me, Thanks Be to God Our Savior, I Will Hide Your Word Inside My Heart, Gracias Señor, Holy, holy, holy Lord (Bell), Come, Ye Sinners, Here I Am to Worship, Before the Throne of God Above, What a Friend We Have in Jesus, Blessed Assurance

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Church Congregational Songs Demos Psalms Retuned hymn Rock and/or Roll

Psalm 82: Stick it to the Man

Update: For sheet music or to adopt this orphan tune, head over to gregscheer.com.

This Sunday at Church of the Servant we sang the Psalter Hymnal version of Psalm 82, “There Where the Judges Gather.” After the service Ron and Deb Rienstra commented that the tune which accompanied the text was too nice. What it really needed was a tune that got across the “stick it to the man” tone of the Psalm.

How could I resist?

I spent the next few days writing and recording this new version of “There Where the Judges Gather.” The tune, appropriately enough, is called “STICK IT TO THE MAN.” Do punk rock and metrical Psalms go together? You be the judge. Listen to the MP3 here.

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Church Congregational Songs Demos Finale demo Psalms

Psalm 30: Sing to God That All May Hear You

Update 10/1/20: Sheet music for this song can be downloaded here.

Once again, I’ve turned to Michael Morgan’s 1999 Psalter for Christian Worship as the starting point for a new Psalm setting, this time Psalm 30. I like the way Morgan places the joyous sentiments of the Psalm text in the first half of each verse, and the lament and supplication in the second half. That allows the musical setting to reinforce the meaning of the text in each verse.

Morgan recommends the tune ABBOT’S LEIGH (“God Is Here”) for the text. That’s a beautiful tune, but I just couldn’t leave well enough alone. I wrote a draft of a new tune one afternoon last week, obsessed about it the rest of the evening, revised it the next morning, got some helpful feedback from my friend David that afternoon, then finished it by dinner time.

We’ll sing it at COS as the lectionary Psalm this Sunday. In the meantime, you can download a PDF file of the music (see link above) or listen to a cheesy Finalefied MP3.

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Colin Demos Finale demo

20+ with Colin

Colin and I have now written over 20 songs together! That’s a pretty decent output seeing as we started in October. The latest two are “Come, Stay with Me Tonight” (MP3, PDF) and “The Happy Song” (MP3, PDF).

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Colin Demos Finale demo

Perfect Love Song

Paul McCartney can have his silly love songs, Colin and I have written the perfect love song. Okay, there’s probably no such thing as a perfect love song, but that’s the title of our new one. Check out the PDF file or the MP3 demo played by Mr. Finale.

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Demos Live

Recordings from Uganda

As you may know, I recently returned from a 2 week trip to Uganda to train East African worship leaders. Over the next few weeks I’ll be creating 8 audio reports from the trip–kind of NPRish things, with narration and music. Eventually, the reports, photos, and unedited recordings from the trip will be housed on their own web page at the CICW site. For now, here are links to the first 2 reports: report 1, report 2.

As a special bonus for you, my loyal musicblog subscribers,  here is a little tune I recorded one afternoon at the Humble School where the worship training took place. The recording is a bit windy at first, but it gets better.

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Demos Rock and/or Roll

Greg Scheer, Live at the Morris Inn, volume 2

Here are the rest of the songs I recorded last weekend while at Notre Dame. Please listen with gracious ears–there are lots of musical warts.

“Everything to Me” is a song I’ve sung a million times at coffee houses and such. I often start a set with it because I could sing it in my sleep. Also, I like the way the first line gives voice to what most people are probably thinking: “That’s just what we need–another song.” “Hope and Humor” is another song that’s seen well over a decade of action. I wrote it at the end of my year in Austria as a travelogue of an itinerant musician. Strangely, I told the staff of COS one of the stories from this song (“Standing in the rain for hours”) yesterday at our staff retreat. “Have I Gone Too Far?” is another one of my many songs about songs. In this particular case, I was obsessing about the fact that my music is usually to complex for the pop world and too simple for the art music world. My rendition here doesn’t really capture the jazz ballad style I’d like it to have. (As a matter of fact, there are certain chords I didn’t capture at all.) Finally, “Five Days without You” is a goofy song I wrote the first time my wife and I were apart for more than a day.

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Demos Rock and/or Roll

Greg Scheer, Live at the Morris Inn

I attended a conference at Notre Dame this weekend. In my spare time I annoyed people at the Morris Inn by recording some songs in my room. I’ve only had time to gussy up two of them so far: “Silent Star” and “Let It Go.” They’re just rough, one-take demos, but they get the idea across. I’d love to hear some feedback on these, because I’m thinking about making some “real” recordings of a few of them in the future.

Two technical sidenotes: 1. A few people have said that they can’t get the mp3 links to work. Are other people having that problem? I tried a different linking system for the above songs, so let me know if it solves the problem. 2. When I mixed these songs in Audacity I got a muddy, slightly overblown sound. It sounds fine in Audacity, but when I play the mix in iTunes it’s much louder. Anyone have any ideas?

Addendum: Here’s another one along the same lines–“Happy Birthday, Goodbye.”