Category: Live

Categories
Art Music Live

Inventions for Orchestra, movt 1

I’m slowly trying to digitize my collection of cassette recordings. Here is the first fruit:

For a long time I’ve been obsessed with M.C. Escher. My question has always been, “what would Escher have created were he a musician?” Well, he would have been J.S. Bach, of course. But what would Escher/Bach have created today, specifically if they were me?

I set about answering that question with a year of counterpoint lessons in 1993 and lots of piano sketches. Three of those sketches became Inventions for Orchestra. Movement #1 begins with the marking “Haydnesque,” but it soon morphs into something entirely different. And that’s the point. It continues to morph–like a fugue, but a fugue adrift at sea.

Special thanks to Roger Zahab for having the vision and fortitude (and lack of discretion?) to program music by unknown composers before it has even been composed.

Inventions for Orchestra, movt 1 (MP3)

Categories
Art Music Demos Live

Budapest

Having just returned from two weeks in Ukraine, with flight arrival and departure from Budapest, Hungary, I thought it would be appropriate to post a recording of a composition inspired by my last visit to Budapest.

This is a demo of the University of Pittsburgh Jazz Band playing “Budapest.” The song comes from a set of songs called the European Suite, which I wrote after returning from a year in Salzburg and vicinity in 1989. The following year I scored the movement “Budapest” for a jazz arranging class.

I would be entirely willing to score the entire set of songs for jazz band. (Yes, jazz band directors, that’s a hint.) Until that time, you’ll need to satisfy your European cravings with this aural bon bon: Budapest MP3.

Categories
Arrangement Art Music Live

A Christian’s Farewell, pro recording

A few weeks ago, I posted the video of “A Christian’s Farewell.” I just got the professional recording of the performance at Baylor, and it sounds great. Listen to the MP3 on headphones and you’ll hear the piano, solo, children’s choir, fiddle, string quartet and barbershop quartet in all their stereophonic glory. Better yet, program the piece the next time you host a concert featuring piano, solo, children’s choir, fiddle, string quartet and barbershop quartet so that you can hear it in all its live acoustical glory!

Categories
Arrangement Congregational Songs Live

The God of Abraham, live at Calvin College

In a previous post, I tantalized you with the premiere date of The God of Abraham Praise. That date has come and gone, and now I’m pleased to present you with a recording from the event. Without further ado, I give you the Calvin College Orchestra playing The God of Abraham Praise.

Categories
Live

A few videos

Just a few quick links to some videos. The first is a small group of Brazilian pastors teaching “Povo do senhor,” which, for those of you who don’t speak Portuguese is a translation of my song “People of the Lord.” The second is the same song sung by the good people of the Catedral Evangélica de São Paulo. And finally, the fugato that I told you about a few weeks ago is now online. Visit the WCRC Vimeo site,  and at 2:30 into the June 23 morning worship service video , you’ll hear the strings playing my fugal introduction to the tune “Shout to the North.”

Categories
Congregational Songs Live Psalms

Rest in the Lord, at Calvin Chapel

My friend Paul Ryan asked me to lead one of the “Sing a New Song” chapels at Calvin College this Fall. I had originally thought I’d introduce one of the songs from the “Global Songs for Worship” collection I’m editing, but as the date got closer I decided to teach my song based on Psalm 127–“Rest in the Lord, My Soul.” This decision wasn’t based (solely) on shameless self-promotion. It’s just that I realized it would be a good opportunity to lead a group of non-musicians through the process of transplanting a Psalm into a particular musical context. In the allotted 25 minutes we talked about the themes and difficulties of the original text, Michael Morgan’s metrical version of the Psalm, and my musical setting of Morgan’s text.

Don’t believe me? Then watch the video! Go to the Calvin Chapel web page, then choose the November 9, 2009 chapel in the scroll bar on the right. At about 4 minutes and 30 seconds into the video I begin my talk.

Categories
Congregational Songs Live Retuned hymn

The King Shall Come

Last week at gregscheer.com I introduced the Advent song “The King Shall Come.” Actually, it was a reintroduction, as the song has been available at my site for a few years, but I recently made substantial changes to the lyrics (what we call improvements in the business) and wrote a piano accompaniment. Of course, the whole thing is based on a hymn by John Brownlie written in 1907, making it a re-reintroduction. (And Brownlie is said to have based it on a Greek Orthodox hymn, which would make it a re-re-reintroduction, but I digress…)

Hurry! There are only two more weeks in Advent to enjoy The King Shall Come.

Categories
Choir Church Live Psalms

Psalm 114: The Hills and Mountains Tremble

This Sunday at Church of the Servant we sang a brand new song of mine, Psalm 114. I was really pleased with the way it turned out, especially in light of the fact that I had studied the Psalm for quite a while before I really connected with it.

The Psalm tells the story of the exodus in poetic form. Once I latched onto the idea that Israel’s history is not just the events of a long ago people but part of the living story of all of God’s people, I quickly arrived at a way to represent this musically: the first half of each verse tells Israel’s story as it appears in Psalm 114, the second half of each verse reflects on ways in which God continues to work in similar ways today, and the refrain answers with overarching them of the Psalm: “The hills and mountains tremble, the rivers stand in awe, for in this pilgrim people is the presence of the Lord.”

Listen to the recording of the service or email me for the score.

Categories
Choir Church Live

Creator of the Stars of Night

Here’s a recording of “Creator of the Stars of Night” from last year’s Lessons and Carols service at Church of the Servant. The choir processed from the back of the sanctuary singing this beautiful 9th century chant, while the strings interjected tropes that I had composed a few weeks before. Now that’s ancient/future!

Categories
Live Rock and/or Roll

55 Feet

I just finished converting my Live and Thinking cassette of 1986 (ish) to digital format. Much of it you will never be allowed to hear, but one song still holds up fairly well. “55 Feet” was born from a convergence of two fears: a fear of heights and fear of drowning. Here’s how the two came together. I was offered a job painting houses with a guy from my brother’s church. He made it clear from the start of the day that he was…unstable. For one thing, he forced us to listen to Christian radio the whole day. But that’s not all. He also never offered my coworker and me a break, even though we were climbing up and down rickety ladders from 8am until well past noon. As I stood up on the ladder painting, I thought of how quickly I would die if I fainted and fell off the ladder. With that thought, my mind turned to other gruesome deaths, specifically a story I had heard about two divers losing their way in the immense network of underground rivers that run below the ground in northern Florida. In my song, the story is told from the point of view of the rescue diver who found their bodies. He is so jolted by what he finds that he loses all hope in humanity, and is standing at a precipice preparing to jump to his death.

Gruesome? Yes. But it makes for a riveting story. Take a listen to “55 Feet.”

By the way, the day ended with crazy Mr. Painter guy asking if we could take a “quick stop” at his house on the way home. He proceeded to take a shower and get ready for a date. I sat in his house for about an hour with nothing to do, exhausted from my near-death painting experience, waiting to finally get home. I declined the next time he offered me a job…