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Psalms

Spring Cleaning: Psalm 139

I think every Christian musician is attracted to the Psalms. First of all, it’s the one place in the Bible we can point to as validating our profession. Music can’t be that big of a waste of time–there’s a whole book of songs in the Bible! Plus, David was a stud. A singer/songwriter who fights lions–how cool is that?

In any case, way back before I had any thought of becoming a music minister (more accurately: back when I had specific thoughts about NOT becoming a music minister) I would find myself periodically writing songs based on Psalms I was reading. Here is one such song, Psalm 139.

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Arrangement Church Congregational Songs Demos Psalms

Psalm 125: All Those Who Trust

Update: Sheet music for this song is now available at gregscheer.com.

A while back, I was looking for a musical setting of Psalm 125 to fit with our church’s series on the Psalms of Ascent. Like any good researcher, I went to YouTube. There, I found a video of two Brazilians playing a song called Proteção. I had no context for the music, but I couldn’t get the song out of my mind.

A little poking around brought me to a treasure trove of newly composed songs in Portuguese, written primarily by Rubem Amorese, but often co-written with others, most notably the other man in the video, Toninho Zemuner. Toninho has also recorded many of these songs. The man has golden ears and works with extremely talented musicians! You can hear the studio recording of Proteção at Amorese’s website or at their church’s website.

I wasn’t able to finish a translation in time for the sermon series that first led me to the song, but recently returned to it. A few days ago I completed a translation and piano score, and yesterday recorded a demo.

I hope to work with more of these songs in the future, and have been dropping hints at the CICW that a trip to Brazil would be an appropriate–no, necessary–part of my work. For now I’ll have to settle for this being a long distance collaboration, bringing more of Rubem’s songs to English speakers and making my presence in Brazil felt only through “Povo do senhor,” the Portuguese translation of my song “People of the Lord.”

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Choir Church Congregational Songs Live Psalms

Road-testing two songs

I usually reserve this blog for premieres, but as you know, a composition’s success is measured by repeat performances. In the case of a congregational song, there’s a big difference between what’s on the page, how it sounds when a congregation sings it, and how well it settles in after repeated singing.

So here are two songs that Church of the Servant has sung a few times each. Deeper than the Sea is published as a choral anthem, but that doesn’t mean that it sings well when given to a congregation. In this recording, it’s led by the Guitarchestra. From the Dust was rejected by the same publisher, but once again, that doesn’t mean much in terms of its worth as a congregational song. In this particular case, the COS choir sings the choral anthem version of the song, but the congregation is invited to join in on the refrains.

What do you think? Do these two have that undefinable it that makes a great congregational song? If there were a musical cage fight between the two songs, which one would win?

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Church Congregational Songs Psalms

Psalm 80: O Faithful Shepherd

Update 10/1/20: Sheet music for this song can be downloaded here.

Diephouse/Scheer strike again!

A month ago, I decided that Psalm 80’s vine themes would fit perfectly with a sermon on “I am the Vine.” But I wasn’t sold on any of the versions I found. The closest thing to something that excited me was a stodgy metrical text paired with a great Genevan tune that I hadn’t heard before, O PASTEUR D’ISRAEL, ESCOUTE.

So I sent David Diephouse an email: I think there could be some kind of rich ties between God clearing a place to plant a vine (Israel), Jesus ingrafting us into himself the Vine, and perhaps even the fruit of the vine and the Tree of Life. Play with it and see what you come up with, whether it’s a literal metrical setting or a looser hymn that treats Psalm 80 through New Testament eyes.

He, like me, works best when a songwriting project is a diversion from a pile of “real” work, and he quickly sent me a first draft. He would insist that the bulk of the final draft is my words, but the fact is he established the basic structure and set up key phrases like “graft us into the Living Vine.” Add a bit of advice on Goudimel’s harmonization from our church’s local music historian, Cal Stapert, and you end up with a really solid metrical Psalm that revives an overlooked, but beautifully singable Genevan tune.

MP3

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Church Congregational Songs Demos Psalms

WTS Bless the Lord

My friend Ron, knowing that I can’t say No to a quirky commission asked me to write a short refrain based on Psalm 103 for use at Western Theological Seminary’s graduation. What can I say? Not no, that’s for sure.

The graduation will be held in the massive Dimnent Chapel which has the reverb of the Grand Canyon, so I decided I needed to go easy on syncopations and quick rhythms. Instead, all the rhythms lay pretty flat from the congregation’s point of view, with ample opportunity for a good gospel pianist to put some life in between the notes. Speaking of gospel, the MP3 features the Gospel of Greg Mass Choir. Righteous!

Bless the Lord, MP3

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Psalms Quirky

Revenge of the Killer Bs: Ridiculous Outtake

The Choral Scholars, Norma de Waal Malefyt and I produced a CD with 22 tracks (Cry Out to God!). But we also recorded all the “B Sides” you’ve been enjoying here over the last few weeks, as well as reading 200 some Psalm settings in preparation for the recording. That’s pretty exhausting stuff, and there are bound to be some moments in which things get giddy.

Here, in a “choral scholars gone wild” moment, is our reading of Psalm 2. We were chanting through the Psalm and it occurred to me how funny it would be to not only chant the text “The God whose throne is in heaven is laughing,” but to also chant the laughing itself. You can hear the ridiculous result here.

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Choir Church Congregational Songs Psalms

Revenge of the Killer Bs: Psalm 145, One Generation

If I were to have a big hit, this would be it. It sort of won the CRC Sesquicentennial hymn contest, then appeared in Contemporary Songs for Worship, and can now be found in Psalms for All Seasons, #145G. But there were already too many of my songs and arrangements on the PfAS CD, so this got cut. After all, you don’t want to overdose on Greg. But here’s a small fix to hold you over until my next blog post.

And thus, my loyal readers, concludes my 16 song series of songs that didn’t make the cut for one reason or another. But don’t lament the one that got away. No, just head on over to the Psalms for All Seasons website, where you can buy the book and CD so you can get all the songs and recordings that did make the cut.

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Arrangement Choir Church Congregational Songs Psalms

Revenge of the Killer Bs: Psalm 133, How Very Good

I added verses to Barbara Boertje’s “How Good It Is,” but I’ve never posted a recording of the full choral arrangement. Until now.

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Choir Church Congregational Songs Psalms

Revenge of the Killer Bs: Psalm 124, If the Lord Had Not Been on Our Side

This choral anthem will be coming out on GIA soon. Six years in production, it’s gonna be good… Here’s a recording of a read-through of the choral anthem, sans narration sections.

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Church Congregational Songs Psalms

Revenge of the Killer Bs: Psalm 127 Rest in the Lord

I finally met Michael Morgan, the author of this text, at the 2012 Calvin Worship Symposium. He’s a friendly guy and a fine organist as well as the author of a mother load of metrical Psalm settings. Here’s a new recording of our collaboration* on Psalm 127, “Rest in the Lord.”

*”Collaboration” in this case means “I took his text and put new music to it and he was nice enough to say he liked it.”