Categories
Choir

A Christmas Tradition

One of our Christmas traditions here in the Scheer household is for me to force the whole family to listen to Joel Cohen and the Boston Camerata’s lovely CD “An American Christmas.” If you’re tired of syrupy Christmas crooners, this is the CD for you. It’s a great collection of full-blooded songs from the Sacred Harp and other early American traditions.

If you’re not tired of syrupy Christmas crooners, then you might enjoy the Scheers other Christmas listening tradition–the 3WS “Home for the Holidays” CD. The recording starts off with Lou Christie singing “O Holy Night” and ends with my arrangement of “God Rest Ye Merry, Gentlemen.”  The Pitt Men’s Glee Club sang on both tracks, conducted by yours truly.

When 3WS contacted us to be a part of the “Home for the Holidays” CD, we were told that our musical contributions were going to charity. So I happily donated my arrangement of “God Rest Ye” that we had just sung in our Christmas concert and quickly wrote the choir parts for the Glee Club to sing with Lou Christie. And that’s the end of the story, right?

Wrong. About five years later, I was walking through a mall in Tallahassee when I heard the familiar strains of “O Holy Night” playing as I shopped. But it wasn’t just any “O Holy Night,” it was the one we recorded with Lou Christie. It seems that once the charity phase of the project was complete, the song was marketed to a number of other radio stations as part of “The Ultimate Christmas Album, vol 3.”

Someone, somewhere, is collecting royalties from my work this Christmas. Whoever you are, you’re welcome. And now, for some more giving: here’s Lou Christie and the Pitt Men’s Glee Club singing “O Holy Night.”

Categories
Rock and/or Roll

Walking

I’ve been taking walk down my musical memory lane as I digitize some old recordings I made on reel to reel and cassette. One of my favorites is a song called “Walking.” The song was written 1985ish and recorded 1987ish with my good friend Stephen Brown under the name Canon Tallis. Though it features all the over-introspection and the mimicked British accent that you’d expect from a college student of that time, I think the song holds up quite well even today. Listening to this reminded me of all the things I wanted to do with music before I learned what you were supposed to do. Maybe I can regain my youthful wide-eyed wonder about the craft while retaining what wisdom and experience I’ve grown since then.

In any case, this is dedicated to Stephen’s mom, Nancy, who wants us to play it at her funeral.

Categories
Live

River

In 1987, when I was just a fresh-faced lad attending the University of Rhode Island, I wrote a piano piece called “River.” I had the good fortune of living in a very small state, so it was chosen to be performed the following year at the Rhode Island Composers Festival at URI and Brown. The main thing I remember about the performance is that I was very excited and felt a bit like a real composer. I also remember that in one of the performances the page-turner turned a page too early, but the pianist Arlene Cole flipped it back without missing a note. I thought that was pretty impressive.

So here on its 20 year anniversary is a recording of River.