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Choir

A Christmas Tradition

One of our Christmas traditions here in the Scheer household is for me to force the whole family to listen to Joel Cohen and the Boston Camerata’s lovely CD “An American Christmas.” If you’re tired of syrupy Christmas crooners, this is the CD for you. It’s a great collection of full-blooded songs from the Sacred Harp and other early American traditions.

If you’re not tired of syrupy Christmas crooners, then you might enjoy the Scheers other Christmas listening tradition–the 3WS “Home for the Holidays” CD. The recording starts off with Lou Christie singing “O Holy Night” and ends with my arrangement of “God Rest Ye Merry, Gentlemen.”  The Pitt Men’s Glee Club sang on both tracks, conducted by yours truly.

When 3WS contacted us to be a part of the “Home for the Holidays” CD, we were told that our musical contributions were going to charity. So I happily donated my arrangement of “God Rest Ye” that we had just sung in our Christmas concert and quickly wrote the choir parts for the Glee Club to sing with Lou Christie. And that’s the end of the story, right?

Wrong. About five years later, I was walking through a mall in Tallahassee when I heard the familiar strains of “O Holy Night” playing as I shopped. But it wasn’t just any “O Holy Night,” it was the one we recorded with Lou Christie. It seems that once the charity phase of the project was complete, the song was marketed to a number of other radio stations as part of “The Ultimate Christmas Album, vol 3.”

Someone, somewhere, is collecting royalties from my work this Christmas. Whoever you are, you’re welcome. And now, for some more giving: here’s Lou Christie and the Pitt Men’s Glee Club singing “O Holy Night.”

Categories
Choir Contests Live

Spring and Fall at the ICDA

I just received a recording of my choral composition “Spring and Fall: to a young child” which was performed at the Iowa Choral Directors Association in July. It’s being performed again today in Bettendorf, Iowa by the Chamber Singers and University Chorale of  St. Ambrose University under the direction of Keith Haan. So send out your good vibes to Maestro Haan and take a listen to the MP3 while reading the text below.

SPRING AND FALL:
to a young child

Márgarét, are you gríeving
Over Goldengrove unleaving?
Leáves, líke the things of man, you
With your fresh thoughts care for, can you?
Àh! ás the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you wíll weep and know why.
Now no matter, child, the name:
Sórrow’s spríngs áre the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It ís the blight man was born for,
It is Margaret you mourn for.

-Gerard Manley Hopkins

Categories
Choir Church Live

Peace in the Valley

As I finally get serious about putting together Christmas music at the church, I came across a recording from Christmas past. On this recording Charlotte Kerce and the men from the Wildwood church choir sing “Peace in the Valley.” It’s a beautiful song that fits perfectly with the traditional Lessons and Carols reading from Isaiah 11:1-9. Charlotte is not only unique in her ability to wrap her rich alto voice around this lovely melody, but also bears the distinction of being the only person I know who has run over her own foot with her car.

Categories
Choir Church Live

Palm Sunday at COS, 2007

What is a blog but a slice of one’s life? So you want a fresh slice of music from Greg’s life? I thought so.

Here are a few things we sang at Church of the Servant this Sunday. We’ll start with a choir piece called “Ride On.” It was published as a vocal solo piece by Augsburg Fortress a while back, and I thought I’d see how it would work for SATB choir. I kind of have a love/hate relationship with this piece–I love it, but everyone else hates it. Just kidding. It started as a pop/gospel setting of the old text “Ride On, Ride On in Majesty” for congregation. But then I realized it was too hard for congregation, so I gave another go at it as a vocal solo. But then I realized that the archaic text was at odds with the contemporary music (you just can’t groove words like “strewn”), so I wrote a new text based on the same theme and meter. But then I realized that if was writing something for vocal solo, I should vary the verses a little, so I turned verse 3 into a bridge. But then I was planning choir music for Palm Sunday, and I realized that I could turn that the vocal solo into a choir version. But then we tried it in rehearsal and I realized that it was much harder for a choir to sing all the syncopations than a single vocalist. Or a married vocalist, but it really depends on the vocalist more than their marital status. But that’s really beside the point. The point is that I have a love/hate relationship with the song, and I’ll be glad to hear your opinion. So without further ado, click to listen to Ride On.

Next up on our three slice meal of worship wurst is Sanna & All Glory, Laud and Honor. These two songs were used during the palm procession. Nothing too fancy, but it gives an idea of our style at COS. I like the way the South African “Sanna” (which is a shortened version of the word “Hosanna”) sits alongside the traditional “All Glory.” And the drums and strings really make things festive. Try to ignore the cantor. He’s not really as big of a windbag as he sounds on this recording, it just happens that his mic was high in the mix.

Finally, what church service recording would be complete without a child crying in the background? What makes this recording so exquiste is that this particular little screamer has such impeccable timing. You’ve got to love it: “This is the day the Lord has made (waaaaaaah!!!!) Hallelujah!” And of course the juxtaposition of the seren Taize chant with the primal scream is priceless. Give a listen: This Is the Day.

Having trouble with the above links? Try these: Ride On, Sanna & All Glory, This Is the Day.

Categories
Choir Contests

Spring and Fall

A few days ago, I finished a commissioned choral composition on a text by Gerard Manley Hopkins: “Spring and Fall: to a young child.” I couldn’t bear to post it here in its Finale playback form because it sounds so robotic, so you’ll just have to wait until the premiere at the Iowa Choral Directors Association conference July 23-26.

Just thought you’d want to know. I’ll post some more recordings later this week.

Categories
Choir Church Live

Feed Us, Lord

This Sunday the choir sang “Feed Us, Lord” (see Feb 2 post) at Church of the Servant. Here’s a recording, complete with babies crying.

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Choir Church Finale demo

Feed Us, Lord

Brand-spanking new (as of 2 mintues ago), here’s a communion anthem for SATB choir and piano. As usual, I have virtually guaranteed that it won’t be published by composing a simple anthem with an unusually difficult piano part.

There’s a story about Beethoven in which he turns to a violinist who is complaining about some fingerings and he says, “Do you think I worry about fingering when the muse strikes me?” I wouldn’t go that far, but I think there’s certainly some room to challenge the church pianist a bit. Let me know if I’m being unreasonably cruel to the pianist in this piece. Come to think of it, we’re doing this song at COS on February 11, so I’ll let you know if I have a pianist mutiny.
Feed Us, Lord (pdf)
Feed Us, Lord (mp3)

Categories
Choir Live

New recordings from Canada

Richard Janzen (www.musicshare.sk.ca) just sent me recordings from his Christmas concert, which included two of my choral pieces. Richard directs the Rosthern Junior College choirs in Saskatoon, Saskatchewan. RJC is an independent Mennonite church high school (grades 10-12). His 35 voice choral sang Lo, How A Rose, and the 100 voice concert choir (which he lovingly refers to as his “mob” choir) sang We Three Kings. Listen to the recordings, then head on over and download the pieces from www.gregscheer.com so you, too, can pay a mere $30 for 135 octavos.

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Choir Church Contests Finale demo

Deeper than the Sea

I wrote this setting of Psalm 36:5-9 for the CRC sesquicentennial hymn contest. I lost. But then the Psalm came up in the lectionary, so I decided to create an arrangement for choir, piano and congregation that we’ll use January 14 at Church of the Servant. Chords are included so it can be accompanied by guitar and bass to get that “folk choir” kind of sound.

Here is the score: (I had to remove it–it’s now published by GIA)

Don’t have a choir? Don’t despair! Here’s the leadsheet for praise band: (pdf-praise)

And a rough demo in a somewhat Chris Tomlin style: (mp3-praise)