Category: Finale demo

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Arrangement Church Congregational Songs Finale demo

All of My Heart – piano score

Update 1/15/22: Sheet music for this song is now available at gregscheer.com.

Has it really been a month since I last posted something to my blog? Shame on me!

I hope the slower rhythms of summer soon kick in, but for now all I have time for is a quick post. Follow the link above for a piano accompaniment for “All of My Heart.” I’m really pleased that my congregation loves this song. We’ll be singing it throughout the summer months.

And here is a link to the composers leading the song in Brazil recently: http://www.youtube.com/watch?v=jCQJlrPNeNU

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Art Music Church Finale demo Hallel Psalms

Hallel Postlude

With a Hallel rehearsal looming in my near future, it’s about time I wrapped this thing up. And nothing wraps up a piece of music like a postlude, eh?

MP3, PDF

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Arrangement Choir Church Finale demo Global

Abana – SATB & Piano

Like “Kwake Yesu,” the Arabic Lord’s Prayer is something I’m really proud of. It just seems to capture people’s spiritual imagination. This is especially satisfying, given the fact that a hymn expert (who shall remain unnamed) declared that congregations would never sing it. A half dozen hymnals and recordings later, I think we can safely say that hymn experts don’t always predict what congregations will and won’t do!

But enough gloating. The version that appears in hymnals is an arrangement by me that makes heavy use of a drone in a hymn texture. That’s lovely, but not like the recordings I’ve heard of the song from Egypt. This SATB and Piano arrangement is more along those lines: almost Klezmer-like use of the harmonic scale, a rhythmic accompaniment with lots of rubato, and vocal harmonies that tend to move in thirds.

It’s stale Finale playback, but it’s the best I’ve got for now: MP3

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Arrangement Choir Church Congregational Songs Finale demo Global

Kwake Yesu for SATB/piano

My dad tells me that there’s a Spanish proverb that says something to the effect of, “Write a book. Have a son. Plant a tree.” I’ve done the first two and figure I’m covered on the third, because I have two of the second.

When I take stock of things I’ve done that I’m proud of and that are likely to outlive me, the song “Kwake Yesu Nasimama” is pretty high up on the list. I didn’t write the song–just translated it–but there’s no better feeling than finding a great song from Kenya (or elsewhere) and making it available to the larger Church. This Kenyan heartsong has already become the heartsong of lots of people in the English-speaking world.

In any case, the next step was to make choral arrangement of the song. And that’s just what I did. I’m not going to upload the score, because it’s under consideration by a publisher. And though this publisher rarely answers my email, I want to give them first crack at rejecting it before I blog it. But I’m sure I could be convinced to send you the PDF score if you ask me nicely via email…

For now take a listen to this sterile Finale playback, and imagine a heartfelt performance: MP3

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Church Congregational Songs Finale demo Retuned hymn

I Place Myself in Jesus’ Hands

Last summer, an email arrived at Hymnary.org from Germany. A woman there was working on a translation project and was looking for an English translation of “Ich steh in meines Herren Hand” by Philipp Spitta. Interestingly, she was translating the diaries of a German woman at the request of her grandson. The grandson had moved with his parents to America, and shortly after their arrival both parents died. The newly orphaned boy was raised by an American family and soon forgot how to speak German. Now he is learning about his family’s history through the diaries he inherited from his grandmother.

Spitta’s hymn was especially meaningful to his grandmother during the turbulence of the war, and through the process of researching the hymn, I’ve fallen in love with it, too. Here is my new tune for Richard Massie’s English translation, “I Place Myself in Jesus’ Hand“: MP3, PDF.

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Art Music Church Finale demo Hallel Psalms

Hallel Post Rest

I know it’s Holy Week, but that doesn’t mean I can’t post to my blog, right? Actually, the week before Easter is usually pretty relaxed at church because the bulk of the planning and preparation is already done. So I take the opportunity to catch up on projects I’ve been putting off.

Here is the second to last movement of my slowly emerging Hallel Psalm cycle. Well, second to last to be written. It’s actually the 8th movement, coming after the song “Be At Rest” (Psalm 116) and before “All You Nations” (Psalm 117).

I gotta admit that I’m fond of this one: MP3, PDF.

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Arrangement Church Congregational Songs Finale demo

O Bless the Lord, My Soul (ST THOMAS)

Update 12/11/21: Sheet music for this song is now available at gregscheer.com.

I don’t know how I forgot to post this earlier, but a few weeks ago I finished a string orchestra arrangement of the hymn tune ST THOMAS, using the text “O Bless the Lord, My Soul.” These hymn tune arrangements give me the opportunity to squeeze as much counterpoint and harmonic variation as I can from an 8 measure tune. It’s both challenging and satisfying, and I was quite happy with how this turned out.

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Choir Church Congregational Songs Finale demo

Bless the Lord, O My Soul – rehearsal version

I just got out of choir rehearsal. The singers were real troopers, learning Liszt’s “Pater Noster” and my new setting of Psalm 103 in one rehearsal. But even troopers can you use some back up sometimes, so I’m posting an MP3 of the Finale playback of the piece so they can practice between now and Sunday. Here it is folks: MP3.

By the way, you’ll hear some strange stuff at the end of the MP3. I’m pretty sure that Finale’s “human playback” is programmed with the principle that to err is human. Therefore, it inserts random errors in the file. Thanks Finale…

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Arrangement Choir Church Congregational Songs Demos Finale demo

One Generation, orchestra demo

Today’s post swerves from the musical valley of last week’s deacon dance ditty into the higher ground of a majestic orchestral arrangement. Aesthetic whiplash? You betcha.

One Generation is one of my big hits. “Big,” “hit,” and perhaps even “one of” are relative, of course, but it has been published a few times and even sung at weddings, so I count it as my “Freebird.” In any case, there are a few events coming up where they plan to sing One Generation and have large ensembles on hand, so I thought it was time to orchestrate it. I wanted to dress it up so that it felt more majestic than the everyday praise song, so I added a fanfare and splashes of color throughout. Also, knowing that most people won’t have full orchestra, I created multiple options (choir/piano, congregation/strings/piano, etc).

Here’s a rough demo as performed by Finn Alley: MP3. If you want the score and parts, just let me know.

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Art Music Finale demo

Spring Cleaning: Vocal Invention #1

Inspired by Bach, I wrote a series of instrumental and vocal “Inventions.” Some of the instrumental inventions ended up getting rolled into other compositions, but I haven’t done much with the vocal inventions. Vocal Invention #1 is based entirely on a phrase I read in a newspaper article about a local art gallery: “‘People,’ she said, ‘want, and need to have their souls fed'” Here it is simply played back through the Professional Composer software that I used before I began my long and frustrating relationship with Finale.