I’ve been making my music available online for two decades; in fact, I was one of the first church music publishers online. And Richard Janzen was there from the beginning. Richard directs the choral program at Rosthern Junior College in Saskatoon where he has been programming my pieces every few years since before his students were in diapers. Indeed, he has the distinction of premiering more of my works than anyone else in his country. The latest is his choir’s recent rendition of my “We Three Kings.” Thank you, Richard and others like him who support independent artists!
Category: Live
Psalm 82 live at COS
Update 10/1/20: Sheet music for this song can be downloaded here.
It is so rewarding when a song goes from something that was in your head or dots on paper and becomes something people can hear and sing. It never gets old.
This Sunday my most recent Psalm setting “Gathered in the Judgment Hall” was premiered at Church of the Servant. Special thanks to Erin De Young for singing and Scott Yonkers for pianoing.
If you’re interested in reading the dots on paper or the lyrics, see the link above.
Another Foothold
Update 10/2/20: Sheet music for this song can be downloaded here.
I recently posted a quick demo of a new tune I wrote for Debra Rienstra’s sweet setting of Psalm 25. Yesterday we introduced the song to the congregation. It went swimmingly, in part due to the leadership of the Rienstra Clan Band (Deb on viola, Ron on bass, Philip on sax).
It’s not a foregone conclusion that a jazzy piece will work with congregation. It may end up sounding too lounge lizardy or it may simply be too complex for a congregation to sing. I feel like we struck a good balance, keeping it from excess and caricature.
I’m pretty sure this song will soon become a staple of jazz worship services all over the world. All two of them.
For those of you who are considering using the song, see the link above for the most recent version.
Update 12/11/21: Sheet music for this song is now available at gregscheer.com.
Recently I recorded a pop punk retune of a hymn text by Bessie Porter Head. Naturally, the idea was met with some skepticism. Don’t let the style throw you off! Beneath the hood is a perfectly singable congregational song. How do I know? Because I taught it to my congregation this Sunday. By rote.
Sometimes communion takes longer than expected, so I always plan to have a few extra songs ready to go just in case. Normally I just call out a number for the people to look up in the hymnal. Other times I lead a song by rote–either something they’re likely to know by heart or a repeated call-and-response style song that doesn’t need written music.
This week I taught them the chorus of “O Breath of Life” by rote and then sang the verses for them. You can hear the congregation gain steam with each returning chorus. You see? Songs are just like people. Sometimes beneath a prickly punk facade is a placid heart of gold.
Only 5 months after the fact, here’s a video from the concluding worship service at the 2016 Calvin Worship Symposium. I led the service with my Church of the Servant home team, which made it really special. http://worship.calvin.edu/resources/resource-library/new-heavens-and-new-earth/
New Heavens and New Earth from Calvin Worship Institute on Vimeo.
Some of my contributions (beyond my welcoming hand gestures):
- 5:20 Let the Spirit of the Lord Come Down (Nigeria, one that I arranged last year)
- 8:18 Sing Praise to the Lord (SweeHong Lim, Singapore, with a new string arrangement)
- 47:40 Canticle of the Turning with dance (I didn’t do anything, but I like what the COS dancers do with the song)
- 1:04:40 Abana In Heaven” (my GIA anthem, led by choir and sung by the whole assembly)
- 1:13:49 Fear Not, Rejoice and Be Glad (a new arrangement)
- 1:23:26 May the Love of the Lord (SweeHong, string parts I’ve been using for a few years)
In 1987* I wrote a 3 movement piece for brass quintet. If I remember correctly it won a contest and was played at a horn festival in New Hampshire. Also in the “if I remember correctly” department, it received its Michigan premiere at a 2006ish Calvin College composer’s concert. Here is the proof:
*1987? That was almost 30 years ago!
Just for fun, here’s a cellphone recording of my friend Cathrin Campo singing “In a Still, Small Voice” at a baptism service in Emden, Germany. If you would like to sing this song in your country, you can download the music for free, just like Cathrin did. Thanks for sharing, Cathrin!

Update 12/11/21: Sheet music for this song is now available at gregscheer.com.
Wendell Kimbrough won the Church of the Servant New Psalm Contest a few years ago with his setting of Psalm 104, “Oh Rejoice in All Your Works.” Since that time it has become a favorite of our congregation. Psalm 104 was the lectionary Psalm for Pentecost and I had a string ensemble available, so I took the opportunity to write a string arrangement for the service. It turned out splendidly, if I don’t say so myself.
If you want to hear the song in context (along with Pastor Jack Roeda’s exclamation at the end of the singing) visit the COS website.
Update 10/2/20: Sheet music for this song can be downloaded here.
If necessity is the mother of invention, the lectionary is the muse of new Psalm settings.
I already composed one setting of Psalm 67, but that was a complicated choir, organ, brass, and percussion anthem. What I needed for yesterday was a simple, solid setting that all but sang itself. A first attempt was…frothy. My second attempt put me on a path I knew would be more fruitful.
The song is in what I’ve dubbed a “modern medieval” style–stately but with a strong rhythmic spine. Lately, I’ve been thinking a lot about how music can dignify or trivialize a congregation’s humanity, and this feels like something an adult could sing without being trite on the one hand or elitist on the other.
One of the cool features of the song is that the verse mirrors the chorus, but one step up. This modulatory slight of hand makes each return of the chorus sound inevitable, but surprising. It also allows for Taizé style layering of verse on top of chorus or men singing the chorus underneath the women singing the verse. I love that Escher stuff!
To feast your eyes on the dignified modern medieval Taizé-style Escheresque goodness, see the link above.
