Update: Sheet music for this song is now available at gregscheer.com.
My friend Wendell Kimbrough and I co-wrote a song for the Calvin Worship Symposium. Go to 40:03 in this video to hear it.
Category: Live
Thanks to the work of my new friend Christopher Mazen, my translation/arrangement of “Kwake Yesu Nasimama (Here on Jesus Christ I Will Stand)” made its way to the International Baptist Church of Singapore. It’s not only a beautiful rendition of the song but very encouraging to see such a rich cultural exchange, from Africa to America to Asia.
Update 10/11/22: Sheet music for this song is now available at gregscheer.com.
This year, Church of the Servant (my “alma mater” church) commissioned me to arrange a lovely “Magnificat” by Keur Moussa. I don’t know a lot about the Keur Moussa Abbey, but my impression is that they are something like the Taizé of Senegal. The Keur Moussa community has developed its own style of singing that combines the beautiful austerity of Catholic chant with the insistent rhythms of West Africa.
If you listen to the original recording you’ll hear a simple perfection that is irresistible, with the vocals and rhythms held in perfect balance. You’ll also hear what I found most difficult about writing this arrangement: the more “interesting” my arrangement was, the more it betrayed the original song. I must have reminded myself a hundred times while working on it: “Greg, don’t gild the lily!” But it was not easy to remain simple when writing for choir, string orchestra, guitars, and a smattering of percussion!
In the end, I felt that I struck a good balance. The arrangement is complex, but not flashy; exciting, but still mesmerizing. But I am hardly an impartial observer. You be the judge. The above recording is from the December 15, 2019 premiere at COS’s annual Lessons & Carols service.
This fall I visited Baylor University, giving the “Hearn Innovator” lecture, speaking in classes, and enjoying rich conversations with students and faculty. One of my favorite events was leading a chapel of Psalm singing. The band was tight and the students were (mostly) enthusiastic. My part begins at 11:47.
On October 28, I was privileged to lead Calvin University’s chapel with the Campus Choir. We focused on Psalm 103–my favorite–singing four different versions of the Psalm as a way of “preaching with song.” We sang Taizé’s “Bless the Lord My Soul,” Matt Redman’s “Ten Thousand Reasons,” and the classic hymn “Praise, My Soul, the King of Heaven.” We concluded with my anthem, “Bless the Lord, O My Soul!” which begins at 17:23. A good time was had by all. (As far as I could tell.)
Last year I attended a songwriting retreat that focused on writing Christmas songs for too often overlooked themes. Great writers like Liz Vice, Matt Papa, Eddie Espinosa, and Latifah Alattas applied their skills to theological ideas like the union of heaven and earth in the person of Christ and the dark side of the Christmas story such as the slaughter of the innocents and the flight to Egypt.
It was at this retreat that I wrote “Jesus, Be Enough.” In the year since, I’ve wondered what this song wants to be when it grows up. Now, just in time for Christmas, it has decided that it would like to be a choral anthem! Above, you can listen to a rough demo I recorded at choir rehearsal this evening. To download it for your choir you can visit my website: https://gregscheer.com/product/jesus-be-enough/.
Singing Scheer Psalms in Indonesia translation is certainly a niche interest. Nonetheless, I wanted to make this video available for all the people who might be interested. Both of you…
I’m making self-deprecating jokes, but this was a really wonderful evening. The GKY Manggabesar is a singing congregation. I was pleasantly surprised to find that my friend (and GKY pastor) Lucky Samuel had already taught many of these songs to his congregation. What a gift to hear them singing songs I had written half a world away in their own language!
I was privileged to receive a commission from Baylor University to compose a piece on the Gerard Manley Hopkins poem, “Binsey Poplars.”
The poem is an ode to Hopkins’ once-favorite, now-felled trees, but it is also a meditation on the environment and the ways humans interact with it. Ultimately, it is a poem of loss and grief.
The premiere took place at Baylor’s Armstrong Browning Library on September 20, 2019, with Karen Hogue, soprano, the Ensemble from First United Methodist, Weatherford, and Carlos Colón on the piano.
You know you can email me to peruse the score, right?
felled 1879
My aspens dear, whose airy cages quelled,
Quelled or quenched in leaves the leaping sun,
All felled, felled, are all felled;
Of a fresh and following folded rank
Not spared, not one
That dandled a sandalled
Shadow that swam or sank
On meadow & river & wind-wandering weed-winding bank.
O if we but knew what we do
When we delve or hew —
Hack and rack the growing green!
Since country is so tender
To touch, her being só slender,
That, like this sleek and seeing ball
But a prick will make no eye at all,
Where we, even where we mean
To mend her we end her,
When we hew or delve:
After-comers cannot guess the beauty been.
Ten or twelve, only ten or twelve
Strokes of havoc unselve
The sweet especial scene,
Rural scene, a rural scene,
Sweet especial rural scene.
I was commissioned by Calvin College to arrange Wendell Kimbrough’s fabulous song “Rejoice in All Your Works (Psalm 104)” for their 2018 graduation ceremony. The song is arranged for choir, wind ensemble, praise band, and 5,000 singers.
It was a lot of notes. (Which means a lot of work and a lot of time.) But it was worth it to hear the Van Noord arena reverberate with the sound of praise coming from joyful graduates and their grateful families.
An octavo of the choral anthem (with more modest instrumental forces) will be published by GIA in the coming year.
If you missed Western Seminary’s performance of my “Prayer of Jonah,” just click below. The song starts at 20:57, but the whole service is well worth watching.
Oh, if you happen to be looking for a scripture song accompanied by 5 electric basses (and really, who isn’t?) just contact me for the music.