Before I became the music director at Bellefield Presbyterian Church in Pittsburgh, I was just a lowly grad student in the composition program at Pitt. But the people of Bellefield were took pity and asked me to compose a choral anthem for a sanctuary rededication. I chose Psalm 118:19 as my text and wrote an extremely difficult anthem. Bellefielders must also be long-suffering folks; if I were the choir director, I would have pulled the plug on this after one read-through. I’m glad they didn’t, though, because it ended up sounding pretty good: MP3
Category: Psalms
Update 10/6/20: Sheet music for this composition can be downloaded here.
Sometimes spring cleaning can get downright dirty. In this case, my men’s choir composition based on Psalm 142, “I Cry Aloud to the Lord,” is sung by Greg, Greg, Greg, and Greg. I apologize in advance. On the other hand, it’s pretty fun to hear what I did 20 years ago when I got a hold of a 4 track cassette recorder.
Listen to the MP3. You may want to look at the score to have any idea of what the piece is supposed to sound like!
Update 10/2/20: Sheet music for this song can be downloaded here.
In preparation for the Cry Out to God! CD, The Choral Scholars and I read through hundreds of Psalms. Literally, hundreds. We’d read through 40 songs in an evening, making quick recordings as we went, and after many of these mammoth sight-reading sessions we eventually winnowed it down to the 22 songs that appeared on the final CD.
One of the songs that didn’t make the CD was “Lead Me to the Rock,” my setting of Psalm 61. It’s just a first read through, so go easy on us. If you want the leadsheet, piano accompaniment, or a different demo, see the link above. If you want the MP3, click on the word “MP3.” (That’s how the Internet works, you know.)
I can’t believe I’ve never uploaded my setting of Psalm 42/43, “As the Deer,” to this blog. It’s kind of my big hit, appearing on the Greg Scheer Songbook CD, as a choral anthem in Augsburg Fortress’s GladSong Choirbook, on the Choral Scholar CD Cry Out to God, and even available in Chinese translation.
Sorry for the oversight. Here’s an MP3 to make it up to you.
You heard “Den Armen” in a previous spring cleaning post in its original form as part of a cantata for choir and organ. Later, I returned to this movement and turned it into an anthem for women’s choir and piano, ably sung by the University of Pittsburgh Women’s Chorale: MP3. (I also have a version for women, strings and harp if anyone’s interested.)
Easter is always a big day for church music, and this year was no exception. What was an exception was the difficulty level of the piece I wrote for the day’s Psalm. I actually wrote this setting of Psalm 118 a few years ago, but this time around I got a good recording of it.
Psalm 118 is a sprawling, rhapsodic Psalm of emotional valleys and mountains. I wanted the composition to reflect that, but I also wanted to make it accessible to the congregation. What I came up with is a short, tuneful refrain that the congregation sings repeatedly throughout the piece. The choir, on the other hand, is given a number of episodes, each mirroring the feelings of the different parts of the Psalm. Put Laura de Jong on soprano, support her with strings, and throw in a timpani–and you’re in business!
Listen to the MP3 from Sunday, or visit the karaoke version of the score on YouTube.
Categories
Hallel Post Rest
I know it’s Holy Week, but that doesn’t mean I can’t post to my blog, right? Actually, the week before Easter is usually pretty relaxed at church because the bulk of the planning and preparation is already done. So I take the opportunity to catch up on projects I’ve been putting off.
Here is the second to last movement of my slowly emerging Hallel Psalm cycle. Well, second to last to be written. It’s actually the 8th movement, coming after the song “Be At Rest” (Psalm 116) and before “All You Nations” (Psalm 117).
Update 12/11/21: Sheet music for this song is now available at gregscheer.com.
I’ve had this song hanging around for over a decade, and due to a contest sponsored by Fuller Seminary (Brehm Center/Fred Bock Inst. of Music) finally decided to polish it up and send it out the door.
Psalm 148 is a call to praise three parts, starting with the heavenly realms, moving to the creatures of the earth, and finally calling all people on earth to praise the Lord. I’m not the first to write a three verse setting of this Psalm, but I’m probably the first to use a hip hop/black gospel style and an alternate third verse that modernizes the kings, princes, young and old of the original Psalm to scientists, theologians, bards and politicians!
This is a one-hour demo (that is, a 2.5 minute demo that took me about an hour to record), so try to be forgiving: MP3. (I know what you’re thinking: “couldn’t you have spent a few more of those 60 minutes tuning your guitar?…”)
Categories
Hallel Post-Nations
“What’s up with the goofy name–“Hallel Post-Nations?” you say. Indeed.
As promised, I continue to chip away at my multi-movement work based on the Hallel Psalms. All the Psalm songs are done, and now I just have a few instrumental movements to finish before bringing the composition to completion and setting a date for a premiere. This movement comes right after the Psalm 117 song, “All You Nations,” hence “post-nations.” (Now that I hear the title by itself, it sure sounds apocalyptic. No matter, I’ll change the title in the end.)
Astute listeners will hear that this movement is a fugue. Or as one person put it, I’m “channeling my inner Bach.” The big difference being that Bach improvised fugues, whereas this took me many hours. One of the fun things about this movement is that it combines the folk style of the songs with the classical style of the instrumental interludes. That is, this fugue will segue directly from “All You Nations” and the guitar and bass will continue to lay down a folkish boom/chunk-a-chunk groove throughout the fugue.
You won’t hear that very well on this mock up MP3, but you’ll see it in the PDF score.
A few weeks ago I posted a refrain based on Psalm 114. On February 28 I had a deadline for turning in a recording of said Psalm. I completed the recording at 5:30am that morning. Now my sleepless night can be enjoyed in a compact musical form on the new Cardiphonia compilation, Hallel Psalms.
My promise to Bruce Benedict, the wizard behind the Cardiphonia curtain who asked me to contribute to his project, was that it would be “Philip Glass meets Brother Roger, performed by Mike Oldfield.” There might be a bit of Tom Waits and Monks of Solesmes in there as well. Decide for yourself. Better yet, listen to the whole Hallel Psalms CD. It’s great.