Categories
Demos Rock and/or Roll

My Arms Are Open Wide

Back in 1990 there was a singer in Pittsburgh whose name I can’t remember who sang a lot of public school assemblies raising awareness about teen suicide. Because she couldn’t present an explicitly Christian message, she was looking for songs that offered a message of hope without being preachy. So I wrote the song My Arms Are Open Wide. 18 years later, I’m still wondering why she didn’t end up using it. This thing is a hit! All it needs now is a hit maker–a singer who can bring it to life. Carrie Underwood, where are you when I need you?

Categories
Demos Rock and/or Roll

Our Father – rough excerpt

Update 10/1/20: Sheet music for this song can be downloaded here.

Here is another rough cut from my proposed CD of rock and/or roll. It’s called “Our Father.” If you guessed that it’s based on the Lord’s Prayer, you’re correct. This won’t generally be a religious CD, but I couldn’t resist including this one.

Categories
Demos Rock and/or Roll

Walking the Wire – rough excerpt

Once I finish the global songbook I’ve been working on for the CICW, I want to start recording a CD. Yeah, that’s right, a real CD, with songs, shrink wrap, and everything. A CD chock full of all my rock and roll hits. (As rock and roll as a 41 year old man can muster.) My plan is to post rough drafts of some of the songs here at my music blog so I can get feedback early on from all of you. The first of the batch is “Walking the Wire.” Like I said, this is just a rough mix of part of the song, but I’d love to hear what you think.

Categories
Live Rock and/or Roll

55 Feet

I just finished converting my Live and Thinking cassette of 1986 (ish) to digital format. Much of it you will never be allowed to hear, but one song still holds up fairly well. “55 Feet” was born from a convergence of two fears: a fear of heights and fear of drowning. Here’s how the two came together. I was offered a job painting houses with a guy from my brother’s church. He made it clear from the start of the day that he was…unstable. For one thing, he forced us to listen to Christian radio the whole day. But that’s not all. He also never offered my coworker and me a break, even though we were climbing up and down rickety ladders from 8am until well past noon. As I stood up on the ladder painting, I thought of how quickly I would die if I fainted and fell off the ladder. With that thought, my mind turned to other gruesome deaths, specifically a story I had heard about two divers losing their way in the immense network of underground rivers that run below the ground in northern Florida. In my song, the story is told from the point of view of the rescue diver who found their bodies. He is so jolted by what he finds that he loses all hope in humanity, and is standing at a precipice preparing to jump to his death.

Gruesome? Yes. But it makes for a riveting story. Take a listen to “55 Feet.”

By the way, the day ended with crazy Mr. Painter guy asking if we could take a “quick stop” at his house on the way home. He proceeded to take a shower and get ready for a date. I sat in his house for about an hour with nothing to do, exhausted from my near-death painting experience, waiting to finally get home. I declined the next time he offered me a job…

Categories
Rock and/or Roll

Did Greg Invent Techno?

Back in 1987, I went in the URI recording studio to lay down a few songs on the 4 track reel-to-reel. The first two were “Walking” and “1,000 Hands” with Stephen Brown and Royce Gibson under the moniker Canon Tallis. The next was music for a short film called No Sneakers, which, incidentally, I never heard or saw in its final form. The final song was a sonic experiment called “Was Habe Ich Gemacht?” (“What Have I Done?”) that was comprised of layers of my bass and voice, sometimes at half speed and double speed. The final result sounds suspiciously like techno. But in 1987 techno was only a fledgling movement in Detroit. And I had never been to Detroit. So I must have invented it. Or co-invented it. While you wait for history to vindicate me, take a listen to “Was Habe Ich Gemacht?

Categories
Rock and/or Roll

Walking

I’ve been taking walk down my musical memory lane as I digitize some old recordings I made on reel to reel and cassette. One of my favorites is a song called “Walking.” The song was written 1985ish and recorded 1987ish with my good friend Stephen Brown under the name Canon Tallis. Though it features all the over-introspection and the mimicked British accent that you’d expect from a college student of that time, I think the song holds up quite well even today. Listening to this reminded me of all the things I wanted to do with music before I learned what you were supposed to do. Maybe I can regain my youthful wide-eyed wonder about the craft while retaining what wisdom and experience I’ve grown since then.

In any case, this is dedicated to Stephen’s mom, Nancy, who wants us to play it at her funeral.

Categories
Church Congregational Songs Demos Psalms Retuned hymn Rock and/or Roll

Psalm 82: Stick it to the Man

Update: For sheet music or to adopt this orphan tune, head over to gregscheer.com.

This Sunday at Church of the Servant we sang the Psalter Hymnal version of Psalm 82, “There Where the Judges Gather.” After the service Ron and Deb Rienstra commented that the tune which accompanied the text was too nice. What it really needed was a tune that got across the “stick it to the man” tone of the Psalm.

How could I resist?

I spent the next few days writing and recording this new version of “There Where the Judges Gather.” The tune, appropriately enough, is called “STICK IT TO THE MAN.” Do punk rock and metrical Psalms go together? You be the judge. Listen to the MP3 here.

Categories
Demos Rock and/or Roll

Greg Scheer, Live at the Morris Inn, volume 2

Here are the rest of the songs I recorded last weekend while at Notre Dame. Please listen with gracious ears–there are lots of musical warts.

Everything to Me” is a song I’ve sung a million times at coffee houses and such. I often start a set with it because I could sing it in my sleep. Also, I like the way the first line gives voice to what most people are probably thinking: “That’s just what we need–another song.” “Hope and Humor” is another song that’s seen well over a decade of action. I wrote it at the end of my year in Austria as a travelogue of an itinerant musician. Strangely, I told the staff of COS one of the stories from this song (“Standing in the rain for hours”) yesterday at our staff retreat. “Have I Gone Too Far?” is another one of my many songs about songs. In this particular case, I was obsessing about the fact that my music is usually to complex for the pop world and too simple for the art music world. My rendition here doesn’t really capture the jazz ballad style I’d like it to have. (As a matter of fact, there are certain chords I didn’t capture at all.) Finally, “Five Days without You” is a goofy song I wrote the first time my wife and I were apart for more than a day.

Categories
Demos Rock and/or Roll

Greg Scheer, Live at the Morris Inn

I attended a conference at Notre Dame this weekend. In my spare time I annoyed people at the Morris Inn by recording some songs in my room. I’ve only had time to gussy up two of them so far: “Silent Star” and “Let It Go.” They’re just rough, one-take demos, but they get the idea across. I’d love to hear some feedback on these, because I’m thinking about making some “real” recordings of a few of them in the future.

Two technical sidenotes: 1. A few people have said that they can’t get the mp3 links to work. Are other people having that problem? I tried a different linking system for the above songs, so let me know if it solves the problem. 2. When I mixed these songs in Audacity I got a muddy, slightly overblown sound. It sounds fine in Audacity, but when I play the mix in iTunes it’s much louder. Anyone have any ideas?

Addendum: Here’s another one along the same lines–“Happy Birthday, Goodbye.”

Categories
Live Rock and/or Roll

True Confessions

The new year is a good time to reflect on one’s life. A few years ago some of my reflections turned into a song named “True Confessions.” This recording is from a chapel at Northwestern College. I’m on vocals and guitar, Cory Grimm is on the other guitar, Adam Grimm is on bass and Joseph Barker is on drums.

True Confessions by Greg Scheer, October, 2003

The second hand keeps on ticking, the hours fly, but I
find the days grow short as the years go by.
Half my life may be gone—even though I’ve tried and tried
I’m still not half the man that I thought I would be.

But I’m older and wiser, and happy and tired, and richer and wider,
and just now getting comfortable living inside this skin.
Even though half the things that I thought were me recede—
just get forgotten—lost in the living.

My true confessions,
my best intentions,
I guess in the end that
is all I can give.

My true confessions,
my best intentions,
I guess in the end that
is all I can give.

Dive below the surface and you’ll find things in me
that even I don’t know or choose not to believe.
But I’m open to your reviving streams. You see,
I want to be a tree whose roots grow deep.

CHORUS

What on earth is the problem with humanity?
Why do we run to wrong? How can we be so mean?
But if I had been Adam and you were Eve, I think
I’d bite any apple that you offered me.

The serpent is speaking
so convincing and sweetly.
The spirit is willing
but the flesh is weak.

Since the garden of Eden,
with our sweat we’ve been reaping
the price of our pride
and our disobedience.

CHORUS

I’m in trouble sometimes, but I still believe I’ll see
the goodness of my God while I’m still living.