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Choir Church Congregational Songs Live Retuned hymn

Jesus, Lord of Life and Glory (SATB/Piano)

Update 2/15/22: Sheet music for this song is now available at gregscheer.com.

Jesus, Lord of Life and Glory, SATB/Piano: MP3

A new setting of the 1839 text, “Jesus, Lord of Life and Glory” was born a little over 24 hours ago. This beautiful hymn by James John Cummins had fallen into disuse until fairly recently, when Greg Thompson’s “By Thy Mercy” appeared on the Indelible Grace CD By Thy Mercy and High Street Hymn’s self-titled CD.

I wrote my own setting in 2012 and decided to bring it back again this Lent in an arrangement for SATB choir and piano. I’ve got to admit that I was pleased with how it turned out. The tune sings well, as you can hear by the way the congregation owns it when they join the choir in verse 4; the choral texture adds richness; and the piano provides a certain gravitas to the song’s theme.

We sang it Sunday morning in worship and then again that afternoon at the home of one of church friends who is terminally ill. It gave poignancy to the line “when we feel our mortal weakness, when all human help is vain.” Something else I observed during that visit is that Margaret requested a lot of upbeat hymns–not insubstantial, but also not morose. It made me wonder if that’s one of the roles music plays in faith: it reminds those who are likely far from death that there will one day be, in the words of verse 6, a “solemn hour of dying”; and it gives those close to death a hope of joy as fresh as the songs of their youth.

Categories
Art Music

91 Days, November

After the crisp air of September and the melancholy of October, 91 Days ends with the hopeful resolve of November: PDF, MP3.

Categories
Art Music

91 Days, October

Whereas the first movement of 91 Days is a lively tango, the second movement slows to a bi-tonal ballad. (Bi-tonal, for those of you who didn’t study music theory, is when two different “keys” are sounding simultaneously. A famous example would be Charles Ives’ “The Unanswered Question.”) I quite like the way the violin and piano are like oil and water that swirl around each other, but never quite join.

Movement 2, October: PDF, MP3

Categories
Art Music

91 Days, September

In my college and grad school days, I focused on composing modern classical music–otherwise known as art music, concert music, or “scary monster music.” Actually, I haven’t changed all that much. I continue to enjoy a biting harmony or complex rhythm. But I’m also a practical person, so I try to work those interesting elements into pieces that people will actually hear.

While I was at Pitt I wrote a piece, 91 Days for Violin and Piano, that was an important part of my transition from composing what I thought I should compose to composing what I would want to listen to. It’s still “art music,” but incorporates more energetic rhythm, harmonies that slip in and out of tonality, and melodies that sound, well, melodic. The piece was premiered by Roger Zahab, the patron saint of new music, with Robert Frankenberry on piano.

Movement 1, September: PDF, MP3

Categories
Church Congregational Songs

I’ll Be a Witness to the Light

Update: Sheet music for this song is available at gregscheer.com.

“I’ll Be a Witness to the Light” is a song I wrote almost 10 years ago to go with a sermon series on the beginning chapters of John’s Gospel. It’s held up surprisingly well, maybe because it sings a bit like a Negro Spiritual. In fact it feels enough like a spiritual that Michael Burkhardt included it with a number of global worship songs in his collection “From a Distant Home.” (Please don’t tell him that I’m just a white guy from Michigan.)

You can download the music at my main website or listen to the recording from last Sunday at COS.

Categories
Choir Church Live

Jesus, Lover of My Soul

Charles Wesley’s hymn “Jesus, Lover of My Soul”  is a timeless text that has been forever in search of a timeless tune. Don’t worry, I’m not suggesting that my new music for the text is the apex of three centuries of “Jesus, Lover” tunes. Just a humble contribution to the fray.

I’ve had a draft of this sitting in my idea folder for a few years now. But a good idea is just a lot of wasted potential until combined with a deadline. In this case, the deadline was a Lent hymn series that will explore a different musical setting of “Jesus, Lover of My Soul” every week. You can read about there series in this Liturgy Lesson while you listen to the MP3 from this week’s service. Email me if you want to see the music.

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FAWM 2014 Quirky Rock and/or Roll

#14

I knew I’d never be able to live with myself if I didn’t complete the FAWM challenge. So here I am on the last Friday night of the month finishing up my 14th and final song, appropriately titled “#14.” Also appropriate is the time signature. Now that I have successfully completed my musical mission, I look forward to getting to know my wife and children again. That is, if they haven’t assumed me dead and changed the locks…

While I test the door, you take a listen: MP3.

Categories
FAWM 2014 Rock and/or Roll

All Swept Away

Listen to the MP3, and then read on.

This the final song in my “One Long Year” project–the postlude as it were. This is the song in which his life flashes before his eyes. I apologize for the ridiculously bad performance. This is a one take recording of a complicated song that needs to be fleshed out with the full orchestra I hear in my head and a whole lot of practice. Please see beyond that to the music that’s at the heart of the recording. I’m especially eager to get your feedback on the lyrics. I’m trying something different–something epic–and it may just be an epic fail.

1. I was born just like you
in water and womb
The cord was cut and I floated away
in a strong, cold stream of days

2. The current carried me relentlessly on
I had to learn how to swim before I learned how to walk
And the endless stream of nights and days
Flood my memories

3. Waking to the warmth of the sun on my bed
And the sound of my mother singing in the kitchen
And the muffled vibration of my father’s heavy footsteps
And the creak of the oven door and the smell of bread
The sharp breath drawn from fall morning air
And laughing at in the sunlit smoke, exhaling
And the crayon yellow bus that would take me away
To a school full of children who would never be my friends

4. Long hours spent pretending to listen
To teachers who were as alone and confused as the students
While my thoughts were filled with unanswered questions
Like a deep, still pool, diving to the bottom
I was pushed away in the undertow
With no way to fight its unforgiving power
And no choice but give in to the will of the water
And let it carry me on, farther and farther

And we’re all swept away

5. …into you, and you into me
Was it luck of the current or destiny?
All I know is this confluence gave meaning
To the indifferent flow of months and years
And our waters wove together and a new life stream
Grew from the two. For the first time I could feel my heart beating.
With the weight of a lifetime of hope and fear
I gave my heart to you, and you to me.

6. But our pasts piled up and seeped into everything
We were possessed by spirits who compelled us to speak
the bitter words from which we thought love had freed us
and the acid tongues that our ancestors bequeathed us.
Until the very thing that once revived my thirsty spirit
Became bitter in my mouth, and hateful and weary
There was too much water under the bridge, an ocean between us
We could swim for the rest of our lives, but now there’s no returning

7. We’re all swept out to sea adrift in the currents
We could swim for the rest of our lives, never returning
We’re all swept out to sea adrift in the currents
And we swim for our lives but we’ll never get back.

And we’re all swept away

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Uncategorized

Will This Night Never End?

Coming to the close of my “One Long Year” song cycle, you’ll notice that this song bookends the first song, “This Night Will Never End.” The first time it appeared, it was full of hope. Now that things have pretty much fallen apart, our protagonist turns the phrase into a question–“will this night never end?

Silence is music as day turns to night
And there’s a symphony of emptiness playing in my mind
It’s dull and confusing—head full of wine
I’m holding on for dear life.

Will this night never end?

Categories
FAWM 2014 Rock and/or Roll

If I Leave It All Behind

I’ve had the seed of this song in my idea files for something like 10 years. I decided that it would fit well in the context of my One Long Year project, so I finally got down to the task of turning it from scattered chord patterns and lyric fragments into a full fledged song. My performance is poop. Sorry. In my sketches, I had ideas for two bridges. I decided to use both. It’s kind of unorthodox for a song to have two bridges, but I think it works. As always, your comments are welcome. I rarely cry myself to sleep when people suggest changes.

Listen with gracious ears to the  demo that I sang in one take into my laptop: If I Leave It All Behind, MP3.

V1.
As the year slowly unraveled
And what hope I had continued to unwind
It seemed the only thread remaining
led to another place and a whole new life.

Maybe this time I’ll get it right
Maybe this time
I will finally get it right
if I leave it all behind

V2.
No one’s gonna miss me
No one will apologize.
And I thought this time was different
How could I have been so blind?   CHORUS

B1.
From town to town, from place to place
It’s all the same
From time to time I wonder why
things never change.

V3.
I keep my options open.
expectations low, but my hopes are high.
If I put the past behind me,
Perhaps the future will be bright.   CHORUS

B2.
Maybe I just need some space, a change of scenery.
Shed some baggage, get a taste of being free.
The only thing I take from town to town is me—
It’s me.

V4.
In a hallway full of boxes
Suddenly I realize
That the only thing I’ve perfected
Is leaving everything behind   CHORUS