Categories
FAWM 2014 Rock and/or Roll

This Night Will Never End

Take a listen to the first song in the “One Long Year” song cycle: MP3. This is setting up the story–as the new year begins, the protagonist is fairly giddy with the positive prospects that a new year with his old love will bring. Little does he know that the upcoming year will see his love and his life unraveling.

If you’re interested in keeping track of where the song cycle is headed, you can visit the new “One Long Year” page. If you want a feel for the February Album Writing Month community, head over to my FAWM page.

Turn up the music and turn down the lights
We’re gonna love like it’s the last night of our lives.
Just you and me—our heads full of wine—
We’re holding on for dear life.

(I hope) This night will never end.

At the stroke of midnight a new year starts
(and I’m) right where I want to be, wherever you are.
If I die before I wake
I want to die in your embrace.

This night will never end.

At 10 pm I said, “how many ways do I love you?” 
I was up to 9 when I lost count. 
We 8 a little dinner by candlelight,
Drank a ’76 cabernet sauvignon.
It must have been 5 times that you asked me
What is that smile 4? And I said,
“3 for each year we’ve been together
and 2 to wish us many more.”
Tell me; tell me, am I the only 1? 

(Who’s thinks) This night will never end.

Turn up the music and turn down the lights
We’re gonna love like it’s the last night of our lives.
Just you and me—our heads full of wine—
We’re holding on for dear life.

This night will never end.

Categories
Demos FAWM 2014 Rock and/or Roll

St. Patrick

Listen to the MP3 while you read all about it below.

You know about FAWM, right? During February Album Writing Month, thousands of songwriters across the globe commit to writing 14 songs in 28 days, congregating at FAWM.org to share inspiration, encouragement, and demos of completed songs. Last year I was a newbie who used the opportunity to write my Hallel Psalm cantata Everlasting to Everlasting. This year I’m working on a project called “One Long Year,” a song cycle detailing the year-long unraveling of the protagonist. Each song will be tied in some way to a date on the calendar, starting and ending on New Year’s Eve. In the case of the song below, it’s St. Patrick’s Day.

1. Do you remember
The night we fell in love?
We were closer than a kiss
Pressing hip to hip
And I said, “I can’t…
I just can’t get enough.”

We were drinking
to St. Patrick and to our love.
I said “God bless the holy saint
Of water and of drink!”
And you laughed, “Maybe–
maybe you’ve had enough.”

2. This year
Your kiss was quick, my drink was long
Do I think another round
will finally drown
This feeling
That we’ve been two islands all along?

CHORUS
There’s an ocean, there’s an ocean
there’s an ocean , there’s an ocean
There’s an ocean between me
And my love.

3. St Patrick
You sailed the sea to set sinners free.
If ever there was a soul
Adrift and alone
St Patrick
St Patrick, it is me.

CHORUS
There’s an ocean, there’s an ocean
there’s an ocean , there’s an ocean
There’s an ocean between me
And everything I love.

BRIDGE
Jesus Christ, I need a miracle
Like water into wine, or life to Lazarus
All I have left in terms of miracles
Is turning beer into piss.

I can’t. I just can’t get enough.
I can’t. I just can’t get enough.
I can’t. I just can’t get enough.

Categories
Church Congregational Songs Contests Hymn tunes

The World Lay Languishing in Pain

I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any m…DRAT!

I entered another contest.

PDF, MP3 (with the W82 Singers)

Categories
Church Congregational Songs Contests Hymn tunes

I Eat Rejection Like Pizza

Anybody for a slice of humble pie?

A few years ago FaithAlive asked composers to submit tunes for four texts slated for their forthcoming hymnal. The hymnal is no longer forthcoming. Lift Up Your Hearts was published this year, and as expected, all four of my submissions were rejected. Let us wallow, shall we?

Our first slice of humble pie is dished up courtesy of Timothy Dudley-Smith and his text “As in That Upper Room.” Richard VanOss was the winner with his tune UPPER ROOM (LUYH #156). We took very different approaches in our tunes, and I don’t feel bad conceding victory to Richard’s direct and singable solution:

VanOss versus Scheer / VanOss wins!

We go back for seconds with Brian Wren’s “We Are Your People.” SPIRIT-PRAYER by Larry E. Schultz won the right to accompany the text on page 248 of the hymnal. Larry’s spritely tune is likable, but flattens out the subtleties of the text’s rhythmic scheme. Having said that, mine is kind of odd. But it grows on you.

Schultz versus Scheer / The jury is still out.

I don’t want a third helping of humble pie, but Sylvia Dunstan has a fork poised at my pie-hole ready to force feed me with a crushing loss to David Landegent’s BETA, which appears with Dunstan’s text “Blest are the Innocents” (LUYH #108). She originally wrote the text to go with the tune of “Be Thou My Vision,” and I stuck close to that tune with a simple pentatonic folk tune. Dave, on the other hand, went with a jazz ballad style that, in my opinion, takes a poignant text on the Slaughter of the Innocents in an entirely wrong direction. The Fmaj13 chord at the end of the hymnal arrangement is the final nail in the aesthetic coffin.

Landegent versus Scheer / I was robbed!

Though I feel absolutely stuffed with humility, there is one more slice of humble pie waiting for me. In this case, my tune for Stephen Starke’s text, “Jesus, Greatest at the Table,” lost to no one. This is almost as humiliating as the time in high school I got third place in a composition contest–when there was no second or first place winner. (Who does that to a kid?) My only consolation is that I have company in my rejection. I feel your pain, Stephen. Really, I do.

Categories
Half the Man

New Year’s listening

Followers of this blog will have noticed a significant drop in posting frequency in the last few months. The sad truth is that I’ve been too busy to post much, or for that matter, write much. So while you’re waiting for me to regain my mojo, why don’t you spend a little time with my Half the Man CD?

You can hear it in a number of ways: 1. Buy the CD at my website. Hand-crafted in small batches, they’re so rare, that if CDs were animals, this one would be endangered. 2. Buy the MP3s (whole project or individual songs) at CDBaby or iTunes. 3. Listen on Spotify, eMusic, etc.

Categories
Arrangement Choir Church Congregational Songs

Prepare the Way, O Zion – two ways

Last year I was re-introduced to the Advent hymn “Prepare the Way, O Zion” (BEREDEN VÄG FÖR HERRAN) through the great recording Proclaim the Bridegroom Near by Chicago Metro Presbytery Music. (An unwieldy name, but one of my new favorite Christmas CDs.)

This year I decided to include the carol in Church of the Servant’s Lessons & Carols service. (It’s next Sunday at 6pm if you’re in Grand Rapids.) However, I knew I needed to make some adjustments to make it work for our musicians. What resulted was two arrangements: a fairly straight ahead 4-part version of the tune in its original 6/4 meter, and a 4/4 swing leadsheet for jazz combo.

I don’t have recordings yet, but wanted to make it available anyway, as some of you still might be able to use the music this year. For now, you’ll just have to enjoy Chicago Metro’s version.

[bandcamp width=100% height=120 album=438264177 size=medium bgcol=ffffff linkcol=0687f5 t=3]

Categories
Church Congregational Songs Hymn tunes Live Quirky Retuned hymn

Blest Is the Man Whose Bowels Move

What this world needs is more hymns about digestive regularity, don’t you agree? Well, wait no longer, world, because Isaac Watts and Greg have you covered.

Two decades ago, a friend of mine showed me the Isaac Watts’ text “Blest Is the Man Whose Bowels Move.” We had a good laugh over it. Then, two summers ago the folks at Hymnary.org and I led a “Weird Hymn Sing” featuring many of the quirky jewels we found as we added historic hymnals to our database. I seized the opportunity to write a new tune for this timeless Watts’ text. I have to admit, I’m pretty proud of this musical accomplishment.

Last week I had the chance to lead it again, and this time it was captured on a recording. You may want to read the music while listening to the MP3, because it all breaks down into laughter in the second verse. It’s also worth taking a look at the music because there are abundant humorous scatological references throughout.

If you’re interested in hearing the whole program, “Hymns that Time Forgot,” you can check out the MP3 (it’s large) and the program. Maybe you want to bring the quirkiest hymn sing on the planet to your town?…

Categories
Arrangement Choir Church Contests Finale demo

Lo, How a Loser, orchestra edition

Update: Sheet music for this arrangement is available at gregscheer.com.

I recently entered an orchestration of my choral anthem, “Lo, How a Rose” in a contest. I thought for sure I had this one in the bag. Alas, there was a hole in the bag.

Now I’ve got a jazz ballad arrangement of “Lo, How a Rose” for solo, SATB, 2 flutes, 2 oboes, 2 clarinets, bassoon, 2 horns, 2 trumpets, trombone, timpani, strings, and piano, with an optional jazz rhythm section that’s looking for a home. I think it’s quite beautiful, but my opinion is hardly subjective. What I can say objectively is that the score is very flexible. It can be sung a cappella, SATB/piano, with or without jazz combo, etc.

Take a listen and head over to my website if you want the octavo and instrumental parts: MP3.

And if anyone has any ideas why Finale’s playback sounds so good and its exported audio sounds so bad, let me know.

Categories
Arrangement Choir Church Congregational Songs Psalms

As The Deer (Augsburg Fortress)

I just got the Lent, Easter, Spring 2014 new music sampler from Augsburg Fortress, and my anthem “As the Deer” was first on the list. (The list is alphabetical, so it was simply fortuitous placement rather than them highlighting my octavo.)

You can listen to their demo, or even better, head on over to their website and buy a bunch of copies for your choir.

 

Categories
Arrangement Choir Church Global Live

Psalm 125: All Those Who Trust (choral arrangement)

Update: Sheet music for this song is now available at gregscheer.com.

MP3: All Those Who Trust (Psalm 125)

Last year I told the story of how I stumbled upon Rubem Amorese’s music. I’ve been following him and Toninho Zemuner ever since, starting with a translation of “Proteção” and following it up with “Adoração.”

I’ve been looking for a place to use Proteção (Psalm 125: All Those Who Trust) for a year, and I was finally able to schedule it in last week’s service. The sermon theme was the church under attack, and I thought that Psalm 125’s focus on God’s protection of his people would complement that nicely. And since the choir was singing, I arranged it for them. In many ways the choir arrangement is a different animal than what I heard in that YouTube video of Rubem and Toninho a year ago, but I think the song remains beautiful and continues to speak clearly in this new cultural context.