Before I became the music director at Bellefield Presbyterian Church in Pittsburgh, I was just a lowly grad student in the composition program at Pitt. But the people of Bellefield were took pity and asked me to compose a choral anthem for a sanctuary rededication. I chose Psalm 118:19 as my text and wrote an extremely difficult anthem. Bellefielders must also be long-suffering folks; if I were the choir director, I would have pulled the plug on this after one read-through. I’m glad they didn’t, though, because it ended up sounding pretty good: MP3
They say that any piece can get a premiere, but you know you’ve been truly successful if you get a second performance. By that standard, Jig for string quartet is a resounding success. Here it’s played by the Daedalus String Quartet: MP3
Update 10/6/20: Sheet music for this composition can be downloaded here.
Sometimes spring cleaning can get downright dirty. In this case, my men’s choir composition based on Psalm 142, “I Cry Aloud to the Lord,” is sung by Greg, Greg, Greg, and Greg. I apologize in advance. On the other hand, it’s pretty fun to hear what I did 20 years ago when I got a hold of a 4 track cassette recorder.
Listen to the MP3. You may want to look at the score to have any idea of what the piece is supposed to sound like!
Update 10/2/20: Sheet music for this song can be downloaded here.
In preparation for the Cry Out to God! CD, The Choral Scholars and I read through hundreds of Psalms. Literally, hundreds. We’d read through 40 songs in an evening, making quick recordings as we went, and after many of these mammoth sight-reading sessions we eventually winnowed it down to the 22 songs that appeared on the final CD.
One of the songs that didn’t make the CD was “Lead Me to the Rock,” my setting of Psalm 61. It’s just a first read through, so go easy on us. If you want the leadsheet, piano accompaniment, or a different demo, see the link above. If you want the MP3, click on the word “MP3.” (That’s how the Internet works, you know.)
I can’t believe I’ve never uploaded my setting of Psalm 42/43, “As the Deer,” to this blog. It’s kind of my big hit, appearing on the Greg Scheer Songbook CD, as a choral anthem in Augsburg Fortress’s GladSong Choirbook, on the Choral Scholar CD Cry Out to God, and even available in Chinese translation.
Sorry for the oversight. Here’s an MP3 to make it up to you.
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Abana – SATB & Piano
Like “Kwake Yesu,” the Arabic Lord’s Prayer is something I’m really proud of. It just seems to capture people’s spiritual imagination. This is especially satisfying, given the fact that a hymn expert (who shall remain unnamed) declared that congregations would never sing it. A half dozen hymnals and recordings later, I think we can safely say that hymn experts don’t always predict what congregations will and won’t do!
But enough gloating. The version that appears in hymnals is an arrangement by me that makes heavy use of a drone in a hymn texture. That’s lovely, but not like the recordings I’ve heard of the song from Egypt. This SATB and Piano arrangement is more along those lines: almost Klezmer-like use of the harmonic scale, a rhythmic accompaniment with lots of rubato, and vocal harmonies that tend to move in thirds.
It’s stale Finale playback, but it’s the best I’ve got for now: MP3
My dad tells me that there’s a Spanish proverb that says something to the effect of, “Write a book. Have a son. Plant a tree.” I’ve done the first two and figure I’m covered on the third, because I have two of the second.
When I take stock of things I’ve done that I’m proud of and that are likely to outlive me, the song “Kwake Yesu Nasimama” is pretty high up on the list. I didn’t write the song–just translated it–but there’s no better feeling than finding a great song from Kenya (or elsewhere) and making it available to the larger Church. This Kenyan heartsong has already become the heartsong of lots of people in the English-speaking world.
In any case, the next step was to make choral arrangement of the song. And that’s just what I did. I’m not going to upload the score, because it’s under consideration by a publisher. And though this publisher rarely answers my email, I want to give them first crack at rejecting it before I blog it. But I’m sure I could be convinced to send you the PDF score if you ask me nicely via email…
For now take a listen to this sterile Finale playback, and imagine a heartfelt performance: MP3
Looking for that perfect Mother’s Day gift? I don’t have any advice on that. But if you’re looking for the perfect Ascension song, I can hook you up.
“A Hymn of Glory Let Us Sing” is the quintessential Ascension hymn, telling the story of Jesus’ ascent with the same kind of narrative arc you often find in Easter songs. Lots of tunes go with this long meter (8.8.8.8) text, but my favorite is DEO GRACIAS (sometimes called AGINCOURT). Its weighty minor melody is offset by a dancing rhythm.
It’s usually accompanied by organ, but I wanted to make this Medieval melody available to folk bands, worship teams, and early music consorts, so I wrote a new arrangement of it. Here’s the PDF leadsheet, and here’s an MP3 of the Guitarchestra playing the song.
Speaking of spring cleaning, you’ll need to spring clean your ears after you’re done listening to this one. No, actually, I quite like this one; but it certainly isn’t easy listening music. I wrote it toward the end of my undergrad days. The second recording is of me on bass and my friend Jim DeFrancesco playing it at my senior recital. At one of our rehearsals my father said it sounded like it was composed by Palestrina’s demented younger brother. The first recording is performed by Andy Kohn, a guy who can actually play all the notes at tempo and on pitch. (Thank you, Andy!)
Astute listeners will recognize a quote from Bach’s chorale “Ach Wie Flüchtig” at the end of the piece. In fact, the whole piece distills the biting dissonance of that chorale, but whereas Bach resolved the tensions, I leave them hanging. If you know much about string bass solo literature, you’ll know that it’s mostly frothy show off stuff. I like that “Elegie” uses the entire range and playing techniques of the instrument while not losing focus on the music. Ironically, when I played it at a bass master class for a prominent bassist, he didn’t know what to say about it. There was a moment of awkward silence as he tried to think of something nice to say about the piece or my playing, and then he quickly moved on to more frothy show off stuff.
MP3 (Andy Kohn)
MP3 (Greg)
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2013 Spring Cleaning: Phone Message Rap
This will not go down in history as great art. But at the time, I thought it was a pretty cool answering machine message: MP3