Categories
Church Congregational Songs Jazz Live Psalms

Psalm 141: O Lord, I Call to You, Please Hear Me

Update 1/25/22: Sheet music for this song is now available at gregscheer.com.

Any regular follower of this blog knows that I am on a quest to set every Psalm to music. A quick perusal of recent blog posts reveals that I’ve also been writing a series of jazz tunes for my trio to play at our weekly gig. This week, I combined those two seemingly different compositional threads: Voila! A jazz Psalm!

To tell you the truth, I don’t know what inspired me to combine Psalmody and jazz. It’s not my original idea, to be sure. Frankly, jazz is a performance music–and a virtuosic one at that. In my estimation, it adapts poorly to the demands of congregational worship music, which focuses on group singing. Nonetheless, I thought I’d give it a try to see if I could bring these disparate contexts together.

The lyrics of my Psalm 141 setting are a straightforward metrical versification. To that, I’ve added an optional Intro/Outro/Chorus. If I were leading this in a congregation, I’d likely have them sing that simple eight-measure phrase only, leaving the (more complicated) verses to a soloist until it became familiar. Of course, I didn’t lead it in a congregation; I led it in a bar. And that’s just what this recording sounds like.

1. O Lord, I call to you, please hear me;
may my prayer like incense rise.
And may my lifted hands, imploring,
be to you a sacrifice.

Oh, sanctify my lips
to sing the praise you’re due.
Though evil offers fare so sweet,
my heart will feast on you.

2. I count it as abundant blessing
to receive a saint’s rebuke.
For if it keeps my feet from wandering,
I will gladly hear hard truth.

For evil will fall down,
its power overthrown,
and all its might will turn to dust
that’s plowed into the ground.

3. My eyes are fixed on you, my Savior.
My help comes from you alone.
In you alone I find my refuge;
guide me safely to my home.

For danger marks my way
and evil lies in wait.
I safely pass while they are snapped
within the traps they’ve made.

Categories
Church Congregational Songs Demos Retuned hymn

Come, Sinners, Come, to the Gospel Feast

Pastor Nate preached from Luke 14:15-24 last Sunday. The parable of the great banquet is compelling and comforting, but there aren’t a lot of songs based on this text. Charles Wesley to the rescue! In 1747, he wrote a beautiful hymn that turns this parable into a sung altar call. I found the text on hymnary.org and loved it immediately. The tune? Not so much.

In my opinion, my lively folk melody captures the urgency of the call to salvation in the text better than the staid hymn tunes traditionally used. I can imagine Charles and his brother John riding into a town on horseback, preaching a rousing sermon, then calling to the audience to come to Jesus. All while this song is sung by the town crier. (It’s my day dream; I’ll tell it any way I want!)

1. Come, sinners, come to the gospel feast,
let every soul be Jesus’ guest.
Let not even one be left behind,
for God has called all humankind.

2. Do not begin to make excuse;
do not his lavish grace refuse;
your worldly cares and pleasures leave,
and take what Jesus freely gives.

3. Oh, come and share the gospel feast,
be saved from sin, in Jesus rest;
O taste the goodness of our God,
and eat his flesh and drink his blood.

4. See Christ set forth before your eyes;
behold the bleeding sacrifice;
his offered love make haste to_em-brace,
and freely now be saved by grace.

5. All who believe his words are true
shall dine with him and he with you;
come to the feast, be saved from sin,
for Jesus waits to take you in.

Categories
Arrangement Church Live

Holy God, We Praise Your Name

My Just Add People! series of piano accompaniments for congregational singing has got to be one of the best-kept secrets of the church music world. Each one adds a new twist or little sparkle that enlivens the congregation’s singing. My new arrangement of “Holy God, We Praise Your Name” uses the traditional harmonies for verses 1, 2, and 4, but adds an intro, coda, and effervescent third verse. As you can see from the video below, it is easy to integrate pipe organ with the piano.

Watch for a PDF of the sheet music at my main website soon!

Categories
Arrangement Church Live

Immortal, Invisible

Where have I been? You wonder.

When I’m not planning worship services for Fuller Ave CRC, learning a new notation program, or chipping away at my mammoth new composition based on Psalm 119, I’m writing arrangements like this piano accompaniment for “Immortal, Invisible, God Only Wise.” Counterpoint in a hymn accompaniment? You betcha!

Look for the sheet music soon in the Just Add People! section of my website.

Categories
Arrangement Church Congregational Songs Demos Global

Anaweza, Bwana/You Are Able (Swahili)

I first heard this catchy little Swahili song in the video below, which was recorded at my previous church. I am ashamed to admit that I know little about it except that it is sung in Swahili, a language spoken throughout East Africa. However, I was able to get my hands on the Swahili lyrics and a literal translation; from that, I created the translation and harmonization above. The beauty of songs like this is their simplicity. The lyrics are not deep and the music is not sophisticated–but it is heartfelt. It also leaves lots of room for a good leader to create new verses that fit the moment. (“We are listening,” “We will follow,” etc)

Anaweza, Anaweza, Anaweza, Bwana.
Anaweza, Anaweza Bwana.

1. You are able, O Lord.
2. For you love, O Lord.
3. You have saved us, O Lord.
4. We will praise you, O Lord.
5. Hallelujah, O Lord.

Categories
Church Congregational Songs Demos

O Risen Christ, Our Living Hope

Each week as I plan worship services, I study the scriptures the preacher has chosen in order to plan music that fits their theme. I spend lots of time at hymnary.org searching for songs and often find things that are just about perfect, but use archaic language, are slightly off topic, or have unwieldy melodies. In those cases, I might “re-tune” the hymn or simply use the text as a launching pad for an entirely new song.

That was the case this week when I ran across John Chandler’s hymn “O Christ, Our Hope, Our Heart’s Desire,” a translation of the Latin hymn, “Jesu, nostra redemption, amor et desiderium.” It’s a fine hymn that fit Rev. Dale Cooper’s message “Eastered Living: Faith on Tiptoe” well. But the tune was…uninspiring.

I began by writing a new tune. That was the easy part, taking only 10 minutes. But then I went through a half dozen drafts of the original tune until it felt just right. In time I decided to write a new text that stayed closer to the theme of dying and rising with Christ. After much scribbling, erasing, and rewriting, I arrived at “O Risen Christ, Our Living Hope.”

1. O risen Christ, our living hope,
our loving Savior whom we sing
a grateful song of endless love
a tune that flows from mercy’s stream:

Chorus
How vast the grace, how great the love–
as deep as any sea.
You died our death and rose to life
that we might live abundantly.

2. Long were we trapped in sin’s foul grasp–
a darkened dungeon of despair–
until you stormed the gates of death.
Life filled our lungs, hope filled the air. Chorus

3. And now we live in Jesus Christ,
those once discarded, now redeemed.
Christ bore our death, we share his life,
and all our days repeat the theme: Chorus

4. Were we to have a thousand lives
and endless breath to sing your praise,
no song could speak, no tongue express,
no mind could know, no heart convey: Chorus

Categories
Choir Church Congregational Songs Psalms

If The Lord Had Not Been On Our Side @ GIA

I was very pleased to hear that my Gospel/Spoken Word/Choral rendition of Psalm 124, “If The Lord Had Not Been On Our Side,” is featured in their Spring 2021 choral packet. I was even more excited to hear the recording that will be included in the reading packet: the narrator is commanding, the choir as smooth as butter, and the rhythm section takes it home.

I think everyone should own a dozen copies!

Categories
Church Congregational Songs Demos

Abide with Us (Emmaus Road)

My blog has been quieter than usual because my time has been devoted to a super-secret, epically large composition. But I still try to find time for a little musical bonbon here and there. In this case, the musical bonbon is a short chorus written and rewritten in fits and starts throughout the day and recorded in the hour remaining before I had to leave for the day.

The idea started as I was contemplating an upcoming sermon on the road to Emmaus. It’s a great story: Jesus appears to the disciples after his resurrection, cleverly disguised as a fellow traveler. He blows their minds by explaining how all the prophets point to the Messiah’s death and resurrection. They invite him to stay with them, and at the evening meal, their eyes are opened as he breaks bread with them.

This 12 measure Gospel chorus attempts to distill some key elements of that story. “Abide with us.” Something about the stranger makes them want to spend more time with him. This is true for us, as well. Something about Jesus compels us to know him more–to abide, to dwell, to stay by his side. “Our eyes are opened.” The Spirit opens our eyes to Jesus, the Word of God. “Our hearts awoken.” The disciples, recalling their conversation with Jesus say, “Didn’t our hearts burn within us?” Indeed, Christ wakes something in our hearts that creates a desire for more.

Abide with us.
Abide with us.
Our eyes are opened,
our hearts awoken,
abide with us.

Categories
Church Congregational Songs Demos

A New Heart, O God

This week’s sermon at Fuller Ave Church follows the lectionary: The Ten Commandments (Exodus 20:1-17). This is not a passage that lends itself to a long list of inspiring songs! But as I researched the service, I kept thinking about the times that God promised to write the law on our hearts (Ezekiel 11:19 and 36:26, Jeremiah 32:39 and 31:33, and Hebrews 8:10). Soon I was at the piano writing this little bonbon of a Gospel chorus, “A New Heart, O God.”

“Heart of Flesh” by Rainbow

It was refreshing to take a little break from some larger projects I’ve been working on. These short-form songs give me the opportunity to hone my craft in bite-size chunks in the same way a visual artist uses sketches to stay sharp. Specifically, this song gave me the opportunity to explore Jazz/Gospel harmonies and chord voicings. There’s lots of spice in there. (But I also wrote a “mild” version for churches who aren’t ready for the heat.) It also let me continue to experiment with drum miking. Last, but not least, I finally got an electric bass sound which I quite like.

A new heart, O God,
for this heart of stone,
and a spirit you’ve renewed.
Write your law, O God,
in my flesh and bones.

Give me a new heart,
give me a new heart,
a new heart for you.

Categories
Church Congregational Songs Demos Hymn tunes

God of Knowledge, All-Consuming (with Hunter Lynch)

God’s omniscience. How do we speak about it without using hifalutin words like “omniscience”? How do we sing about it? And does this esoteric theological category have any bearing on our life and faith?

William Blake’s Ancient of Days

Hunter Lynch addresses these questions in his new text, “God of Knowledge, All-Consuming.” What I love about this is that Hunter begins with God’s omniscience as wisdom, mystery, and discernment, rather than painting God as a celestial Santa. (“He knows when you are sleeping.”) He quickly moves to how God’s endless knowledge matters to us humans–”you know my need.” In verse 3, he takes a turn from God knowing to God making himself known. In the final verse, we will no longer see “through a glass darkly,” but all beauty, truth, and mystery will be revealed.

I drafted three tunes for this text. Each had its merits, but after a weekend of living with them, both Hunter and I gravitated toward this one. It is both dignified and down-to-earth with a melody that wears well with repeated singing. For those who care about such things, I’ll make a few musical observations: The meter is very fluid. I finally decided on 3/4, but the pulse actually changes throughout. For example, I could have easily notated the first six beats in three measures of 2/4. Something I like about the melody is that the B at the end of the first and fifth measure–the leading tone–leaves you waiting for resolution until the high C at the pickup to measure 9. Musical geekery, I know, but these are the details that make a melody tick.

1. God of knowledge, all-consuming,
source of wisdom’s flowing stream,
shadowed depths from you hide nothing,
every dormant secret seen.
By your hand, which holds all mystery,
bid me stand when answers flee; 
for in soaring breakers swelling,
even there you know my need.
 
2. Were the fathoms of your nature 
fully seen by mortal eye,
tongue would falter, mind would waver
to describe such radiant light.
Here on earth we see mere shadows
of the beauty soon fulfilled,
but what stands beyond our vision  
will in glory be revealed.
 
3. Unseen God, you gave us vision
when in darkness we despaired.
As we fell for lesser wisdom,
mercy came our sin to bear.
What a gracious, kind unveiling!
Leaving glory, crown, and throne,
God of knowledge, all-consuming,
made himself to sinners known.
 
4. When my final breath is taken
and the part is seen in whole,
fleeting doubts shall be forsaken
as my eager eyes behold
God enthroned and Christ arisen,
advocating for his own.
Lord from whom no soul is hidden,
hide me safely in your Son.