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Church Congregational Songs

An Offering of Praise

urban_dox_internsI’ve been in Richmond working with five talented young songwriters in the Urban Doxology Songwriting Internship. Their task: write great new songs for urban churches, using East End Fellowship as a test congregation. But what kind of songs should they be? Should they mimic hip hop? “Urbanify” songs from the CCLI charts? Continue the black gospel tradition? A little of all three?

I figured I had given them enough grief about their songs over the last few weeks that it would be unfair for me not to give it a try myself. What I came up with has a Bruno Mars “Locked Out of Heaven” feel in the beginning, some juicy gospel chords in the chorus, and a modern P&W style repeated bridge. (That doesn’t make it three times as good as a mono-style song, I just thought it was interesting enough to note.) Lyrically, I decided that an urban song could (should?) have simple, direct lyrics that would relate to a wide variety of educational backgrounds (this is true at EEF, at least). I was also eager to return to the basics of salvation and righteousness in Christ. We shouldn’t get tired of that, right?

Here’s the MP3 I recorded on my computer’s mic with just my voice and a guitar. (Granted, I had some help from Logic Pro X’s drummer and octave transpose pedal.) The recording makes me sound insanely white. I’m confident that if the interns sing it, it will quickly sound more urban.

1. Imprisoned in a pit of shame,
That I had dug with my own hands.
Locked within these prison walls
Of my own making.
Everywhere the smell of sin—
Regrets, remorse, a heart of pain.
And I had given up all hope
Of salvation.

CHORUS
Jesus paid the debt that I could never pay:
his life for mine, his blood divine made a way.
All that I can give is the ransomed life I live;
Spend all my days a debtor to God’s grace.
All that I can give is the ransomed life I live,
and I give it as an offering of praise.

2. Released from such a debt of sin,
Redeemed from certain death I live
Renewed to the holy radiance
of my Savior.
Live as a debtor to his love.
Live in his grace, it is enough.
Live every day in confidence
Of his favor.     CHORUS

BRIDGE
In Jesus Christ I am made right.
In Jesus Christ I have life.

3. Nothing I have ever done
or will ever do will change his love.
He looks on me and sees his Son;
Sees me righteous.
Righteous in the work of Christ,
The Holy Lamb once sacrificed,
Once, for all, throughout all time.
It is finished.     CHORUS

 

Categories
Arrangement Church Congregational Songs Demos

Three for Emily Brink: Unified

emily_brink#2 in the Emily Brink hit parade is a collaboration with Ron Rienstra. Ron had written a short song in a bouncy, country style for an event years ago and wondered if I’d revisit it with him. I applied some gospel sauce and it turned into this: PDF, MP3.

And no, I don’t know how it is possible for a professional musician to sing so out of tune…

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Church Congregational Songs Demos Finale demo Hymn tunes Psalms Uncategorized

Three for Emily Brink: What Wondrous Joy

emily_brink

Update 3/12/22: Sheet music for this song is now available at gregscheer.com.

The grande dame of congregational song, Emily Brink, recently retired. I was asked to provide some music for a book celebrating her career: “One Holy, Catholic, and Apostolic Church: A Scrapbook of Worship Resources for the Worldwide Church.” Of course, I was happy to add to the collection, and only wish I could have been at her retirement party to celebrate with her and sing some of the songs from the book.

The first song is a setting of Psalm 133 by Michael Morgan for which I wrote a new tune: MP3.

Why the tune name MY IMAGINARY FRIEND, you ask? Well, Maria Poppen told me that her daughter Rebekah has an imaginary friend, and somehow she decided to name her Emily Brink! How cute is that?

Categories
Arrangement Church Congregational Songs Demos Global

Let the Spirit of the Lord Come Down (Nigeria)

Listen. Look. Read:

A few days ago, a friend of mine, Wendell Kimbrough, asked about a Nigerian song he had heard. I checked it out and was immediately smitten. It has everything you’d want in an African praise chorus: it’s immediately singable, thematically focused, and it leaves plenty of room for ad lib verses. Oh, and one more trait of African praise choruses: everyone sings it slightly differently. Below are a few versions to give you an idea of the variety of styles.

I decided I needed to commit the song to notation, but that meant I needed to synthesize all the different renditions and make some comprises for Western musicians and notation. First, I bumped the key up to G. No biggy; it just felt more congregation-friendly. Next, I standardized the syncopation–“of the Lord” is always syncopated the same way. This is fairly consistent in all the recordings, so I felt it was the right thing to do. My transcription keeps the spirit of the original rhythm, and also gives newcomers only one rhythm to learn. On the same subject, “from heaven come down” is usually syncopated in the source recordings, but I decided to go with the straightest version of them–no point in giving Western congregations the “right” rhythm which they’ll never get right. Finally, I wrote it in four-part harmony. Since an SATB version doesn’t exist in any of the original performances, I had to create one from what those performances imply.

Consider the above paragraph “truth in advertising.” There are some Western arrangers (some of whom may hail from Scotland) who give the impression that their versions of songs are definitive. I want to document what recordings I was working from and what decisions I made. You are free to make your own arrangement or adapt to your context. That is especially true for an “off the page” song like this. For example, I must say that I really like Wendell’s rendition below. It’s completely different, yet entirely faithful to the original.

If anyone has any background information on the song, I’m all ears.

Categories
Choir Church Congregational Songs Psalms

Everlasting to Everlasting (Psalm 118) Easter @ COS

Update 3/12/22: Sheet music for this song is now available at gregscheer.com.

The last song from my Hallel Psalm cantata, Everlasting to Everlasting, is a setting of Psalm 118 for which the cantata is named. Psalm 118 is also the lectionary Psalm for Easter Sunday, so I decided to use the song at Church of the Servant this year. This is a slow burner–it sneaks up on you rather than grabbing you by the collar and shaking you–but I think it worked rather well. Of course, who can dislike a song that starts with a boy soprano? Thank you, Christian Voetberg for doing the work of winning over the congregation to my new song!

Listen to the MP3.

Categories
Arrangement Choir Church Congregational Songs Psalms

Kimbrough’s Psalm 31: In You, Lord, I Refuge Take

Update 3/16/22: Sheet music for this song is now available at gregscheer.com.

Wendell Kimbrough is one of my favorite new congregational songwriters. I figured I’d hitch my wagon to this rising star early on his career so that when he becomes a household name, I’d be a household footnote.

One of his latest songs is a setting of Psalm 31 called “In You, Lord, I Refuge Take.” It’s simple–most congregational songs are–but also profound, translating the desperate prayer of Psalm 31 into fresh new language that sings well. I wrote a four part harmonization of it so we could use it in my church. As you can hear from the recording, my congregation took to it right away.

Since you all are so kind to stop by my blog, here’s little bonus Palm Sunday music for you: Hosanna in the Highest, and Sanna Sannanina (piccolo, djembe, choir).

Categories
Church Congregational Songs Global Psalms

One Generation in Singapore

It’s very satisfying to know that half a world away, the Kampong Kapor Methodist Church of Singapore sang my song as part of their 120th year anniversary celebrations!

Categories
Choir Church Congregational Songs Live Retuned hymn

Jesus, Lord of Life and Glory (SATB/Piano)

Update 2/15/22: Sheet music for this song is now available at gregscheer.com.

Jesus, Lord of Life and Glory, SATB/Piano: MP3

A new setting of the 1839 text, “Jesus, Lord of Life and Glory” was born a little over 24 hours ago. This beautiful hymn by James John Cummins had fallen into disuse until fairly recently, when Greg Thompson’s “By Thy Mercy” appeared on the Indelible Grace CD By Thy Mercy and High Street Hymn’s self-titled CD.

I wrote my own setting in 2012 and decided to bring it back again this Lent in an arrangement for SATB choir and piano. I’ve got to admit that I was pleased with how it turned out. The tune sings well, as you can hear by the way the congregation owns it when they join the choir in verse 4; the choral texture adds richness; and the piano provides a certain gravitas to the song’s theme.

We sang it Sunday morning in worship and then again that afternoon at the home of one of church friends who is terminally ill. It gave poignancy to the line “when we feel our mortal weakness, when all human help is vain.” Something else I observed during that visit is that Margaret requested a lot of upbeat hymns–not insubstantial, but also not morose. It made me wonder if that’s one of the roles music plays in faith: it reminds those who are likely far from death that there will one day be, in the words of verse 6, a “solemn hour of dying”; and it gives those close to death a hope of joy as fresh as the songs of their youth.

Categories
Church Congregational Songs

I’ll Be a Witness to the Light

Update: Sheet music for this song is available at gregscheer.com.

“I’ll Be a Witness to the Light” is a song I wrote almost 10 years ago to go with a sermon series on the beginning chapters of John’s Gospel. It’s held up surprisingly well, maybe because it sings a bit like a Negro Spiritual. In fact it feels enough like a spiritual that Michael Burkhardt included it with a number of global worship songs in his collection “From a Distant Home.” (Please don’t tell him that I’m just a white guy from Michigan.)

You can download the music at my main website or listen to the recording from last Sunday at COS.

Categories
Church Congregational Songs Contests Hymn tunes

The World Lay Languishing in Pain

I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any more contests. I will not enter any m…DRAT!

I entered another contest.

PDF, MP3 (with the W82 Singers)