This is, literally, my musical diary–notes fresh from my pen and recorded in a few hours. You can find my finished works elsewhere; here, it's all about capturing the moment!
While I have vowed to enter no more contests, I still have a Google alert set for “song contest.” A few days ago, it alerted me about a new high school in Utah that was in need of a school song. How could I say No to one, teensy-weensy song for a school in need?
The announcement read:
Green Canyon High School, opening in North Logan next year, is excited to announce a community contest to write a school song that will capture the spirit of the students and community that we will serve. We are looking for a song that is catchy, warm-hearted, dignified, timeless, and appealing to a wide audience. The text should convey the values of our school and community, including the idea of a wolf pack–we are stronger together, and the values of knowledge, friendship, and service. The song should consist of one verse and one chorus and be written for voices and piano. 4 part hymn style is also appropriate.
Here is what I hope will be Green Canyon High School’s new school anthem: PDF
As followers of this blog know, I am no stranger to ridiculous ideas. Indeed, I am willing to chase a ridiculous idea to extraordinary lengths.
This is one such idea.
When work begins to pile up, I either remind myself of the old adage: Q: How do you eat an elephant? A: One bite at a time. Or I begin to hum a little tune with the words, “Keep your nose to the grindstone.” When my friend, Julie, told me she was “just keeping her nose to the grindstone,” how could I resist providing an inspirational soundtrack for her work?
As I came home from church today, I vowed that I would keep the Sabbath by doing something creative (i.e. re-creation), but not something that was work (a fine line when writing music is your work). The result is a song based on a line I sang into my phone a few weeks ago, “All the things that you can’t change.” It feels like there’s something still to be done with this, but for now, I’m happy to have gotten back in touch with the joy and immediacy of simply writing what’s on my mind.
There’s only silence when you wake. You breathe the air, but it is thick. You don’t know if you’ll ever sing again; You don’t remember how it felt.
Because everything has changed. Your little life came to an end. It wasn’t much, but it was all you had And all that’s left is sad.
Everything’s broken that could break You took everything that you could take. Wished you’d been good instead of trying to be great. But you will be okay. It will be all be all right someday.
All the things that you can’t change; All the things you can’t forget; All the demons that have been with you so long That they start to feel like friends: It will all be all right someday.
Now you think that it’s the end, But it’s never just the end. You don’t know what, but it’s about to begin And it will be beautiful in its own way. It will all be all right someday.
Update 10/6/20: Sheet music for this song can be downloaded here.
You will no doubt remember that during my Adopt-a-Psalm composing frenzy, I wrote a setting of Psalm 46 in 4+6/8 time. Yes, it worked. Yes, it was kind of catchy in its own asymmetrical way. But realistically, it would have been quite difficult for a congregation to pick up. And that’s the point, right? I want congregations to sing the Psalms, so I need to make them as accessible as possible.
So I wrote a spanking new setting of Psalm 46 for my Psalm adopter. Though it shares the same text, it is very different from the previous one. I think it came out so different because when I sat down to write it, the old song’s rhythms were still in my head; I had to expunge them by coming up with a song that had an entirely new character.
I began with the most unique aspect of the text: the stressed/unstressed endings of each couplet. (“Refuge,” “rescue,” “with us.” What they used to call a “feminine cadence.”) That suggested to me an appoggiatura. One thing led to another and those downbeat appoggiaturas became the song’s primary personality. It’s not unlike “Eagle’s Wings,” come to think of it.
In any case, this harmonic language gives the song a sweet and gentle feel. I like how it draws out of the text a sense of contented trust, whereas the previous tune or EIN FESTE BURG highlights strength, confidence, and completion. Listen to the above demo or play it for yourself from the leadsheet (see link above).
Two weeks ago, I was artist-in-residence at Western Theological Seminary at the invitation of Prof. Dr. Rev. Ron Rienstra. Part of my work was to plan chapel services with students. We chose the theme “Psalm Echoes,” each day pairing a Psalm with a New Testament passage that quoted the Psalm or resonated with its themes. It was pretty splendid if I don’t say so myself.
Friday’s chapel (a weekly communion service) paired Psalm 118 with Matthew 26. In this retelling of the Last Supper, it is thought that “When they had sung the hymn, they went out to the Mount of Olives” refers to the singing of the last Hallel Psalm, Psalm 118. Ron was planning to preach on the texts, letting them lead him right to the communion table. Brilliant.
On Thursday evening, I got a text:
(7:17 pm)
Ron: Hey Greg – you want a challenge?
Greg: Maybe?
Ron: At the beginning and end of the sermon can we sing [picture of “Feed Us, Lord” melody with Psalm 118 text] I was gonna ask you to write a quick new song to exactly those words – but then I thought: hey, this would work, too.
Greg: What style and tempo are you looking for?
Ron: Joyful and thankful without rocking out.
Greg: I’m baking fresh bread and might want to add a loaf of fresh notes to the oven.
Ron: Hey if that’s what you wanna do… you are most welcome to do so! If you are up to the challenge, that is. (7:34 pm)
Of course, Ron knew exactly what he was doing. Baiting me with a challenge. Getting me firmly on the hook with a song that would get the job done but wasn’t inspiring or new. And then reeling me in with “If you are up to the challenge…” Naturally, I couldn’t resist. Between baking bread and driving kids various places, I wrote a few drafts. None was quite right. I was just about ready to admit defeat but gave it one last look before heading to bed. Things clicked and I finished it a few minutes later. The night ended with an email to Ron:
(10:47 pm) This is all you’re getting from me tonight: [PDF of new song]
We sang it in chapel the next morning and it worked beautifully. Simple, but fitting. In the recording above I interspersed the refrain with a reading of Psalm 118 in its entirety.
Update 10/1/20: Sheet music for this song can be downloaded here.
In this, my third-to-last Adopt-a-Psalm song, knowing I was writing something to commemorate the Reformation—and especially because Luther himself set Psalm 46 to music—I knew this needed to be special. I’m a huge fan of the lively rhythmic tunes from the Reformation. They dance in a way that their later, isometric descendants don’t. I had great success with a 7/8 setting of Psalm 78 for a Calvin commemoration (I won a contest and a trip to Berlin), so I decided I’d build on that by writing this setting of Psalm 46 in 4+6/8.
The mixed meter makes this a little more difficult than the average hymn. It may be wise to sing it in unison to start with. (My understanding is that Calvin and Luther’s congregations would have sung in unison.) Once February is done and all my Adopt-a-Psalm songs are written, I’m going to return to this and write an accompaniment that will fill in some of the rests and support the congregation. If all else fails, the text can be sung to EIN FESTE BURG. (Another tip of the hat to Luther.)
The song text is in three verses, which correspond to the sections of Psalm 46. Each ends with, “The Lord of all is with us”–a boiled down version of “The Lord of hosts is with us; the God of Jacob is our refuge” which ends each section of the Psalm. Whereas Luther’s “A Mighty Fortress” concentrated on the citadel aspect of the Psalm, I chose to focus on the theme of city. In fact, early drafts of the song used the phrase “city of refuge” and “sanctuary city.” What was fascinating to me as I studied the Psalm was how it resonated with the vision of the heavenly city in Revelation 21 and 22. Read them side by side; you’ll be amazed. In any case, I borrowed a good deal of language from Revelation and was even able to sneak in a reference to Emmanuel, “God with us.”
1. O, Lord of all, you are our home,
our strength, and our sure refuge;
our only hope in fiercest storm
to whom we run for rescue.
The ground beneath our feet
may slip into the sea,
but still we will not fear;
in you, we rest secure. The Lord of all is with us.
2. A river flowing from God’s throne
brings life, and joy, and healing.
God’s splendor, shining like the sun,
gives light to all the people.
For though the nations roar,
soon comes a glorious morn.
Our God will come and dwell
as our Emmanuel: The Lord of all is with us.
3. Come see the marvels God has done.
Behold with awe and wonder.
Hear how the battle’s deafening sound
falls silent at God’s thunder:
“I AM your God, be still.”
Let all the nations kneel.
Exalt the Lord of all,
your refuge, strength, and home. The Lord of all is with us.
Update 10/2/20: Sheet music for this song can be downloaded here.
Psalm 33 was a refreshing change. I’ve been doing a lot of dark Psalms during my Adopt-a-Psalm month, so it was nice to have one that was joyful and musical. I use Psalm 33:3’s “new Psalm/skillfully” as the scripture for my songwriting workshop description, so I was eager to use it in a song.
I chose E, the most joyful of keys, as my starting point. As I doodled, I came up with the melodic motive for “you saints of the Lord,” which I really liked. It’s off the beaten path, but still singable. The first draft flowed freely from there. What I found, though, is that my first draft was “breathless.” Literally, there was no place to breathe. After another two or three drafts I was able to produce a song that was singable and joyful, but not predictable or (I hope) trite.
I should point out that the phrase “a symphony of praise” came late in the game. At first, I had, “to the music of your name,” but I realized that Marty Haugen had already used that line. So I kept brainstorming and finally came up with “a symphony of praise.” This final phrase felt like it was the missing piece. Indeed, it became the title of the song.
Take a minute to read through Psalm 33, then take a look at my rendition in notated (see link above) or recorded form.
Rejoice, you saints of the Lord! Adorn yourself with God’s praise. Lift up a joyful new song and renew old melodies. Let every lung, every pipe, every string lift the lift up the song until all the world rings with a symphony of praise.
1. God’s word crafted sea and earth,
the rivers, wind, and waves.
God breathed and the planets turned;
And still they spin in space.
But even surer than the coming dawn
Is God’s everlasting love. (Chorus)
2. All earth: love and fear the Lord.
All peoples: stand in awe.
All life’s cradled in his word;
our days God only knows.
One generation waxes another wanes,
but God’s wisdom still remains. (Chorus)
3. God watches from heav’n above
and sees our days and deeds.
God knows every human heart,
Our passions and beliefs.
Blessed indeed are those whose only trust
Is their God’s unending love. (Chorus)
4. Ruler’s trust in their own strength,
But strength is never enough
God saves those who call his name
and hope in his strong love.
Even in doubt, despair, and darkest night
God is leading us to life. (Chorus)
Our souls will wait for the Lord;
We give ourselves to God’s care.
Rejoice! Our hearts have a hope,
and our voices fill the air
with a symphony of praise.
Update 11/4/21: Sheet music for this song can now be downloaded at gregscheer.com.
This was one of the “easier” Psalms of my Adopt-a-Psalm month—lots of good images to work with, and no imprecations—but it gave me the hardest time. I think it was difficult because the song is so simple, and simple music has to be just right or else it sounds simplistic.
For example, I changed the first three notes over and over again. I wrote F#, A, B in my first draft, but then second guessed myself because it sounded too much like “Ten Thousand Reasons.” I changed it to A, F#, B, but then it threw off the symmetry with “like the city” a few measures later. So I changed it back, but decided in a final draft to accompany those notes with an F#m chord rather than the D, A/C#, Bm I had at first. On and on it went for a week, writing something, changing it, singing it while driving my car or running, changing it again. I even made significant changes as I went through the process of recording it!
You’ll notice that the third verse (not included on the recording) pulls from John 14:23-31. It’s uncanny how closely that passage tracks with this Psalm. The one alludes to “the scepter of wickedness” and the other “the ruler of this world,” “those who trust” becomes “those who love me,” and “Peace be upon Israel!” is transformed to “My peace I leave with you.”
The music is quite adaptable. It could be led by one folk guitar, played in flowing arpeggios on the piano, or rocked out with a full metal praise band. In the recording above, I went for something of a South American style—perhaps because I spent the week of worship symposium with a group of Argentinians! (Turn the bass up on the recording so you can hear the bass and bass drum groove.)
Those who trust in the Lord shall abide, shall abide like the city of God, Holy Zion.
Oh, the people of God shall remain, shall remain, for the Lord shall surround those he loves.
1. The scepter and the crown
belong to God alone.
Though evil rages,
it shall not rage for long.
2. God, bless us with the strength
to walk your holy way.
Lord, keep your children
within your strong embrace.
3. Christ’s peace will be with you;
Christ’s peace will dwell in you;
Do not be troubled—
let nothing frighten you.
Update 10/6/20: Sheet music for this song can be downloaded here.
Psalm 16 is the next in my Adopt-a-Psalm settings. I took a unique approach on this one. At first glance, it may seem like the song has little to do with the Psalm. It uses none of the “protect me, God” or “path of life” phrases that other settings of this Psalm use. Instead, it goes a layer deeper, into the Psalm’s structure.
Samuel Terrien proposes that Psalm 16 is made up of 6 strophes, with the first three mirroring the last three. In broad strokes, the Psalm begins its focus on things of earth and moves toward heaven. As I meditated on the Psalm it suddenly struck me that it closely follows the span of human life. It is very clear in the last two strophes, which focus on the grave and eternal life. Working your way backward you can see further life milestones: the growth of wisdom (strophe 4) and earthly blessings (strophe 3). The first two strophes are less clear, but with a bit of imagination, I recast the first strophe’s protection and refuge as the womb and the sacrifices to false gods in strophe two as the sins of youth. It’s easier to understand when you see the Psalm and my song side by side as in this PDF.
Once I decided the lyrics would be a life-spanning prayer, I knew I needed a folk melody that could hold all the different emotions. Something with a classic contour and perhaps a Celtic color. The melody came out quickly. I channeled my inner Irish balladeer and wrote a tune reminiscent of “My Shepherd Will Supply My Need,” John Bell’s “O Lord, Our Lord,” or “The King of Love My Shepherd Is.” In fact, it uses the same hexatonic scale as “Be Thou My Vision.”
Try it out for yourself or just take a listen: MP3 (see link above for sheet music)
In the waters of the womb;
In the first breath my lungs drew;
even there I knew
the refuge of my soul.
Please forgive the wasted years
I spent chasing empty dreams
That could never be
The refuge of my soul.
Still, you kept me in your care,
Granted blessings undeserved,
But I treasure most
The refuge of my soul.
As years passed and wisdom grew
My best thoughts were still of you
In the quiet of night
The refuge of my soul.
In the cool air of the tomb
Even there I rest in you.
Still my life, my all,
The refuge of my soul.
And as life begins once more
And I’m filled with joys unknown,
Through eternity
The refuge of my soul.