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Church Congregational Songs Hymn tunes Live Quirky Retuned hymn

Blest Is the Man Whose Bowels Move

What this world needs is more hymns about digestive regularity, don’t you agree? Well, wait no longer, world, because Isaac Watts and Greg have you covered.

Two decades ago, a friend of mine showed me the Isaac Watts’ text “Blest Is the Man Whose Bowels Move.” We had a good laugh over it. Then, two summers ago the folks at Hymnary.org and I led a “Weird Hymn Sing” featuring many of the quirky jewels we found as we added historic hymnals to our database. I seized the opportunity to write a new tune for this timeless Watts’ text. I have to admit, I’m pretty proud of this musical accomplishment.

Last week I had the chance to lead it again, and this time it was captured on a recording. You may want to read the music while listening to the MP3, because it all breaks down into laughter in the second verse. It’s also worth taking a look at the music because there are abundant humorous scatological references throughout.

If you’re interested in hearing the whole program, “Hymns that Time Forgot,” you can check out the MP3 (it’s large) and the program. Maybe you want to bring the quirkiest hymn sing on the planet to your town?…

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Arrangement Choir Church Contests Finale demo

Lo, How a Loser, orchestra edition

Update: Sheet music for this arrangement is available at gregscheer.com.

I recently entered an orchestration of my choral anthem, “Lo, How a Rose” in a contest. I thought for sure I had this one in the bag. Alas, there was a hole in the bag.

Now I’ve got a jazz ballad arrangement of “Lo, How a Rose” for solo, SATB, 2 flutes, 2 oboes, 2 clarinets, bassoon, 2 horns, 2 trumpets, trombone, timpani, strings, and piano, with an optional jazz rhythm section that’s looking for a home. I think it’s quite beautiful, but my opinion is hardly subjective. What I can say objectively is that the score is very flexible. It can be sung a cappella, SATB/piano, with or without jazz combo, etc.

Take a listen and head over to my website if you want the octavo and instrumental parts: MP3.

And if anyone has any ideas why Finale’s playback sounds so good and its exported audio sounds so bad, let me know.

Categories
Arrangement Choir Church Congregational Songs Psalms

As The Deer (Augsburg Fortress)

I just got the Lent, Easter, Spring 2014 new music sampler from Augsburg Fortress, and my anthem “As the Deer” was first on the list. (The list is alphabetical, so it was simply fortuitous placement rather than them highlighting my octavo.)

You can listen to their demo, or even better, head on over to their website and buy a bunch of copies for your choir.

 

Categories
Arrangement Choir Church Global Live

Psalm 125: All Those Who Trust (choral arrangement)

Update: Sheet music for this song is now available at gregscheer.com.

MP3: All Those Who Trust (Psalm 125)

Last year I told the story of how I stumbled upon Rubem Amorese’s music. I’ve been following him and Toninho Zemuner ever since, starting with a translation of “Proteção” and following it up with “Adoração.”

I’ve been looking for a place to use Proteção (Psalm 125: All Those Who Trust) for a year, and I was finally able to schedule it in last week’s service. The sermon theme was the church under attack, and I thought that Psalm 125’s focus on God’s protection of his people would complement that nicely. And since the choir was singing, I arranged it for them. In many ways the choir arrangement is a different animal than what I heard in that YouTube video of Rubem and Toninho a year ago, but I think the song remains beautiful and continues to speak clearly in this new cultural context.

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Rock and/or Roll

Purgatorio

This is going to get weird.

Purgatorio” started as a dream. I can’t remember the dream, but it must have been some kind of trippy, Bosch-esque thing, given all the hellish imagery that is in my rough draft. That draft lay dormant for a year or two before I decided that I needed to finish it, once and for all. The pressing opportunity was a concert I played with Erin De Young, warming up for Rachel Zylstra.

Indeed, here is a recording from said concert: MP3. It is not my finest moment as a performer, but cut me some slack, okay? The song is brand new and it’s not easy to keep that riff going while squishing words on top of it. At least Erin sounds great. If you can’t understand the words, you can read them below. (That’s not to say that you’ll understand them if you read them. I’m still trying to figure it out myself…)

1a. I lost my way on the road to hell.
My intentions were good, but it wasn’t marked very well.
Oh yeah, oh yeah, oh no.
I found myself in a life of ease.
My conscience was clear until I tried to sleep.
Oh yeah, oh yeah, oh no.

1b. In my dream there was a wishing well.
They tell me I jumped, but I say I fell.
I thought I’d never felt so low
Until the devil charged like a buffalo

C1. Well, I ran like hell, did a four minute mile
But as it turns out the devil can fly.
Stuck his fork into the meat of my thigh
Like a sausage in a pan over a fire.

2. One look around set my mind at ease.
I was surrounded by bigger sinners than me.
There were seven flavors of debauchery
All the heathens were dancing and the sinners were singing

C2. Look around and you’ll see more skin
Than a topless beach in the South of Spain
I could get used to this
If the lake weren’t fire and the sand weren’t burning.

3. The biggest surprise was the animals
That must have been a really bad dog.
They tightened up the collars and led us away
To the lake of fire where a ship was waiting.

C3. I’ve got no idea where we’ve been since then:
No port in the storm, no island on the horizon.
I’m losing my mind from the unnerving silence.
Losing track of time, but it seems unending.

Bridge
I’d give everything I had if I had anything to give
To turn back my life and live it again
How could I have known that this night would never end
Trapped in a dream from which there’s no waking?
And the only life left is reliving my mistakes, and
Wondering where grace is.
And why the light is fading.

Coda
So this is how it ends.
Staring at the ceiling.
It all begins again.
It’s quiet and cold
And sad and slow.

Categories
Arrangement Church Congregational Songs Global Live

At the Throne of Our God, orchestra

Update: Sheet music for this song is available at gregscheer.com.

A few weeks ago, I posted a Korean song I translated into English with the help of some friends. This week, I revisited the song, adding a piano accompaniment, instrumental parts, and a smooth-as-butter descant for strings and flute. Love it.

Categories
Arrangement Church Congregational Songs Live

DIX Intro (For the Beauty)

Update 1/20/22: Sheet music for this arrangement is now available at gregscheer.com.

When the Joyful Noise Orchestra leads worship at Church of the Servant, I try to give them a little something to sink their teeth into. Yesterday, it was a short little introduction I wrote for the tune DIX. This tune is usually associated with the text “For the Beauty of the Earth,” but yesterday we sang it with a version of Psalm 67, “God of Mercy, God of Grace.”

I feel like I was just beginning to explore this tune’s possibilities, so hopefully I’ll have the opportunity to work it into a bona fide orchestral arrangement at some point in the future.

MP3

Categories
Church

The Weaver of Time, draft/demo

Update: Sheet music for this song is now available at gregscheer.com.

I was counting it up the other day, and I’ve been on six Cardiphonia compilations. Bruce Benedict and his merry band have introduced hundreds of songs to the Church, many of which wouldn’t have been written otherwise. I’m thinking about this because the deadline for #7 is fast approaching.

This time the theme is canticles. Most of the songwriters gravitated quickly toward scriptures like the Magnificat (Mary’s song) or the Benedictus (Simeon’s song). Easy canticles. Ha! I scoff at you weaklings, taking the low road! Me, I ended up choosing the Song of Hezekiah (Isaiah 38:10-20).

You’ll remember that Hezekiah was told he would die, but he prayed for reprieve, reminding the Lord of his faithfulness. God sent Isaiah to tell Hezekiah that his prayer had been heard and that he would give him 15 more years of life. In response, Hezekiah sang a song of thanksgiving. I was drawn to the way this canticle boldly reminds God that “dead people don’t praise the Lord.” I liked how it connected with standard formulas of lament in the Psalms, and mirrored Christ’s descent into death and resurrection.

As I experimented with it, I decided to dedicate a verse to Hezekiah, a verse to Psalm 22, and a verse to I Corinthians. You can hear a one-take demo MP3 or read the lyrics below. I’d appreciate any feedback you have before I begin to record this for real. This is one of those instances where I think I’m either on to something or so far down a rabbit hole that I don’t know which way is up.

1. Isaiah 38:10-20
The Weaver of Time had measured my life
in hours rather than years.
My nights grew long and my days became frayed
As the end of the thread came near.

My desperate soul took one last look to the heavens.
My final glimpse of the sky.
My final cry in the land of the living.
My final plea to the Lord of Life.

Death cannot praise you, O God of my days,
And pain only curses your name.
From this pit of despair I cry out, “Lord, raise me up!”
I will praise your name.

2. Psalm 22
Forsaken, forgotten, so far from my God.
Is silence an answer to prayer?
Surrounded, insulted and scorned on all sides,
My hope had melted in fear.

But you, O Lord, are the hope of your people.
My father’s faith was not vain.
My mother’s womb made a home for your Spirit.
Lord, in your love, give me life again.

All who descend to the dust will bow down.
All nations will bend to God’s fame.
But my prayer is that of the poor one lifted up.
I will praise your name.

3. I Cor 15:35-58
What you sow does not come to life unless it dies. 37 And as for what you sow, you do not sow the body that is to be, but a bare seed, perhaps of wheat or of some other grain. 42 So it is with the resurrection of the dead. What is sown is perishable, what is raised is imperishable. 43 It is sown in dishonor, it is raised in glory. It is sown in weakness, it is raised in power. 44 It is sown a physical body, it is raised a spiritual body. 51 Listen, I will tell you a mystery! We will not all die, but we will all be changed, 52 in a moment, in the twinkling of an eye, at the last trumpet. For the trumpet will sound, and the dead will be raised imperishable, and we will be changed. 53 For this perishable body must put on imperishability, and this mortal body must put on immortality.

Death has been swallowed by life evermore.
The serpent of sin has no sting.
Dark days of despair now give way to glorious light.
I will praise your name.

Categories
Arrangement Church Congregational Songs

De Young Covers Scheer

You know you’ve arrived when people start covering your tunes. And when the person doing the covers just happens to be Grand Rapids’ preeminent octave mandolin player, it’s total street cred.

Listen to Scott De Young play As the Deer and May the Mind of Christ.

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Church Congregational Songs Global Live

At the Throne of Our God

As you know, I consider myself a song maven, scouring the world for songs, employing my impeccable taste to discern the cream, and then showering the best of the best on the eager masses. This, at least, is how I like to picture the situation.

My latest discovery comes from Korea. 우리 보좌앞에 모였네 (Vision) is a praise song by Hyung-won Koh based on Revelation 7:9-10. It’s a lovely song, and representative of the tuneful, heartfelt worship songs that the Korean church sings. With the help of James Ju and Paul Han, I translated it into English and introduced it to the congregation this Sunday with the help of the Guitarchestra: MP3.

Wondering if the Guitarchestra looks as good as they sound? Wonder no more: