Category: Demos

Categories
Church Congregational Songs Contests Demos

Benediction (The Last Word)

Update 10/28/21: Sheet music for this song can now be purchased at gregscheer.com.

How does Sunday morning’s worship relate to Monday morning’s work? That’s the question on BiFrost/Cardiphonia’s mind, one that was the impetus for a song contest. And if it’s on the mind of song contest judges, then it’s on my mind, as well.

The song’s genesis began with some phrases scratched on the back of a church bulletin. The phrase that stuck was “from the postlude to the prelude.” (That’s also the title of a book about church music administration by Randall Bradley.) From there I started to flesh out the kinds of things that could, indeed should, be understood as part of a worshipful life. Some of these seem clear: a playground feels like part of God’s world. But what about a prison?

My first draft received a two thumbs down evaluation from my son, Theo. He felt that the melody was too bouncy and trite and that the lyrics were just a big list of things that rhymed. Ouch. So I did a complete rewrite. I’m more pleased with this version. It’s in 3/4 meter, rather than 4/4 with a backbeat. That gives it a more stately feel. And the melodic contours have a more classic Celtic feel now. The lyrics were trimmed down substantially and I broke up the “from the this to the that” pattern that became tedious in the first draft. The big win was the new phrase, “the smell of resurrection.” Man I like that line!

1. From the postlude to the prelude,
Glow of moon to hope of dawn.
May our days sing benediction
And every minute pulse God’s love.

From the garden to the city,
From the studio to the stove,
From the playground to the prison:
Every inch of earth resounds.

In every thing our God will have the last word,
Echoing through the centuries: benediction.
Even death will yield to resurrection,
And the curse will kneel to blessing

2. From the midnight rain on concrete
To the meadow jeweled in dew,
Comes the smell of resurrection,
And the hope of all made new. REFRAIN

3. From the prayer room to the protest,
From the swing to seat of power,
From the birth chair to the deathbed,
O may all our labors bow. REFRAIN

This will end well. This will all end well. All will be well.
This will end well. This will all end well. God will have the last word. REFRAIN

Categories
Church Congregational Songs Demos Hymn tunes Jazz Psalms

Foothold (Psalm 25)

Update 10/2/20: Sheet music for this song is available here.

10 years ago, my friend Debra Rienstra wrote a hymn text based on Psalm 25, called “Foothold.” Not only that, she won the Fuller Seminary School of Psychology Fortieth Anniversary hymn competition with it. As I began to work on an upcoming service in which she, her bass/guitar playing husband Ron, and her jazz sax improvising son Philip would be playing, that song came to mind.

But I wasn’t wild about the KINGSFOLD tune that the text had been paired with. Don’t get me wrong–KINGSFOLD is a great tune. But it is overused: “O Sing a Song of Bethlehem,” “I Heard the Voice of Jesus Say,” “I Sing the Mighty Power of God.” The list goes on and on. More importantly, the tune seemed like the wrong vessel for this text. It moved too quickly to allow the deep inner life of Deb’s text to emerge.

So I, being the incessant musical tinkerer that I am, set about to compose a tune that would do the text justice while also allowing Philip to unleash his inner Coltrane. I’m always nervous about changing the music a poet originally heard in her ear, but in this case the poet gave me permission to share, so I must not be too far off base.

Want to play it at the piano rather than listening to Greg croon? See the link above for the PDF.

Categories
Church Congregational Songs Demos Psalms

Psalm 104, with Doug Gay

Update 12/11/21: Sheet music for this song is now available at gregscheer.com.

Every few months my friend Doug Gay emails new hymn texts he’s written, many of them Psalm settings. The latest was a setting of Psalm 104. He wrote the text with the 10.10.11.11 tune LYONS in mind (“O Worship the King”). It Destruction_of_Leviathanscans well to this tune and the tune brings out the regal side of the lyrics, but the more I worked with the text, the more I realized they needed a foil that would lighten them rather than heighten their majesty. And since Doug is Scottish, what could be better than an airy Celtic tune?

I wrote the tune the day before a songwriting workshop in which I was slated to present one of my songs. I decided to throw caution to the wind and introduce this brand new song to that audience. It went very well except for the fact that I had made significant tweaks to the melody that morning and was having trouble singing the my finalized melody. But today I have a few hours to record a demo, making sure I got the melody right. Take a listen and tell me: do John Bell and Keith Getty really have a corner on the market of Celtic hymns?

Categories
Demos Rock and/or Roll

Hammer on Wood

This song started as a seed of an idea about 4:30 this afternoon. Just the first two lines. Seven hours later the writing, recording, and mixing are done. There’s something about working quickly that releases you from the fear of perfection and the danger of over-thinking. Right now I’m digging the loose “Inside Me Wants Out” vibe. (Andy Pratt) We’ll see if I still feel that way tomorrow morning.

Stop checking your phone.
No one’s gonna call anymore.
You know you’re alone
when no one answers when you’re talking to yourself.

But what would you say?
You got what you deserve anyway.
You got what you gave:
an empty heart and an early bed (or early grave).

You took what you could;
packed your memories–some of them good.
Like hammer on wood it’s ringing
true and loud and hollow.

Stop checking your mail;
that endless binary sea but nobody’s there.
You pull in your sails.
You drift away, just drift away,

just close your eyes,
just close your eyes. This is your life.
Is this your life?
Or has it all been dreaming?

Have I been awake?
Or have I been sleeping?
Awake, asleep:
Always dreaming.

Stop checking your phone.
No one’s gonna call anymore.
You know you’re alone.
You know you’re alone.

Categories
Church Congregational Songs Demos Retuned hymn

Why Should the Children of a King

Update 12/11/21: Sheet music for this song is now available at gregscheer.com.

This is how it works for me: It’s afternoon and the pastor stops by my office to let me know he’s going to skip out on the evening worship committee meeting. “No problem,” I tell him, “I’ll let you know if anything comes up you need to know about.” About an hour before the meeting I realize said pastor is scheduled to lead devotions. Dag! I guess I have to do it. I think, “Well, it’s Pentecost. I’ll just lead a Pentecost song.” I look through my Pentecost ideas folder to see if there’s anything I want to introduce. My eyes fall on a text by Isaac Watts about the work of the Holy Spirit bearing witness to salvation. “Hmmm…” I think. “I’ve always wanted to write a tune for that.” I run (literally) to the piano and get to work. By 7:02pm I have an admittedly half-baked version of the song which I sing with the worship committee. The next day I roll it around in my head until I figure out what the song wants to be when it grows up. The next day I sit down at the piano and finalize the song. But can I let it rest? No, I cannot. So instead of going home, I surround myself with bass drums, guitars, and tambourines and fire up Logic Pro to capture the moment. The moment is above. If you want to make your own moment, head over to gregscheer.com to download the leadsheet.

Categories
Church Congregational Songs Demos Retuned hymn

All Hail, funky retune

Imagine Earth, Wind & Fire (rest in peace, Maurice White) retired from touring and set up residence in a local church. Now imagine that in a dusty hymnal on the shelves of that church they came across the hymn All Hail the Power of Jesus’ Name, but decided it needed new music to fit their sound.

earth_wind_fireThat’s pretty much what this version of “All Hail” aspires to be.

Now, this two-bit demo doesn’t do much to help you imagine what I’m hearing in my head, but suffice it to say this is a fat funk sandwich filled with a deep meaty groove slathered in buttery vocals, and topped with spicy horn licks.

Email me for the score if you’ve got an Earth, Wind & Fire cover band that would like to cover this. (Or if you’re Earth, Wind & Fire.)

Categories
Demos Jazz

The 50 Year Shuffle

ron_deb
Ron and Deb Rienstra, age 50

These two fine folks just celebrated their 50th birthday. Oh, to look so good at such an advanced age!

This bubbly little jazz tune actually started its life as “The Heineken Maneuver,” after a joke that emerged at a jazz cafe the Rienstra and Scheer families have been attending. Shortly after I finished it, Ron and Deb had their 50th birthday bash and I decided to rename it in honor of the event. It was premiered with their son Philip on alto sax.

So get out on the dance floor–you’re never too old for “The 50 Year Shuffle“!

 

Categories
Choir Church Congregational Songs Demos Hymn tunes

How Wide the Love of Christ!

Update 1/11/22: Sheet music for this tune is now available at gregscheer.com.

Now that my book is finished, I have a little more time for creative ventures. The first fruit of that time is a setting of Herman Stuempfle’s text “How Wide the Love of Christ!” I came across the text when searching Hymnary.org for hymns based on Ephesians 3:14-21. I was drawn to this one because it takes “the breadth and length and height and depth” and gives a verse to each word, followed by a doxology. I began with the intention of writing a big festive choral piece with brass, but it started morphing into a more intimate, jazzy setting–a very different feel, but I kind of like it.

Categories
Art Music Demos Live Rock and/or Roll

All Hallow’s Eve, Sine Nomine Quartet

Last year I wrote a song cycle called One Long Year. This year, I’ve been trying to figure out what I’m going to do with it, if anything. This month, I’m recording my setting of Psalm 149 for a new Cardiphonia compilation. Today I had a string quartet scheduled to add some tracks to that project.

But you know me: if I have a string quartet showing up to record, how can I resist writing something new and non-obligatory for the occasion? So instead of the many things I should have been doing today, I felt compelled to write a string quartet arrangement of “All Hallow’s Eve” from One Long Year . This recording is the second take and third time they’d ever played the piece. Pretty good, I say.

By the way, the quartet has never really settled on a name for themselves. I hereby dub them the Sine Nomine Quartet–the No Name Four.

Categories
Art Music Demos Rock and/or Roll

Deep Calls to Deep

greg_precisionAfter Easter, I often feel the need to shun my to do list, taking a little time for renewal and creation. (Hence the term, “recreation.”) This Eastertide it took the form of an idea for bass that came to me last week.

I had just gotten some work done on my trusty Fender Precision bass down at North Coast Guitar Co, and it was feeling great. That always leads to new musical ideas. The ideas kept swirling around in my head and finally came to full fruition this afternoon in the form of “Deep Calls to Deep.”

Because the whole recording is just bass, my boys and I were trying to think of good names for the song. “All About the Bass” is already taken. “Big Bottom”–also taken. I decided to take the high road with a phrase pulled from Psalm 42.