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Arrangement Choir Church Congregational Songs Global Live

Lord, You Have Come to the Harbor

Tu Has Venido a la Orilla” is a beautiful song by Cesareo Gabarain (1976 © admin. OCP Publications). It is a simple text about hearing Christ’s call, set to an almost perfect melody. I’ve long wanted to arrange the song. In fact, for a decade I’ve carried around a half completed arrangement for women’s choir and flute. This Fall I finally found the time to complete it.

When I contacted a few people who had requested it over the years, Connecticut conductor Sue Riley told me she no longer had a women’s choir but would love to sing it with her mixed church choir. So I got back to work and produced an arrangement for SATB choir, piano, and flute.

While I was at it, I created a new translation. The existing translations (Suppe: Lord, you have come to the lakeshore, Jabusch: Lord, when you came to the seashore, Marshall: You have come down to the lakeshore) all have awkward phrases and misplaced emphases that the draw attention away from the simple beauty of the song. I wanted a translation that was smooth as butter:

1. Lord, you have come to the harbor
Seeking neither the wise nor the wealthy,
But only asking that I would follow.

O Lord, you have smiled upon me.
You have sought me, and called me by name.
Now my boat lies on the shoreline behind me,
For with you I will seek other seas.

2. You know I’ve nothing to offer:
I’ve no treasure, just nets for fishing,
And two strong hands you made for working. Refrain

3. Lord, I will give you my labors,
Share my strength with those that are weary,
And share your love, your love unending. Refrain

4. You call me on to new waters
To seek those who are waiting and thirsting.
O my dear Jesus, I gladly follow. Refrain

Señor, me has mirado a los ojos,
sonriendo has dicho mi nombre,
en la arena he dejado mi barca,
junto a ti buscaré otro mar.

Lord, with you I will seek other seas.

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Arrangement Church Congregational Songs Global

Oče naš /God, Our Father in Heaven (Croatian Lord’s Prayer)

Update 10/28/21: Sheet music for this song can now be purchased at gregscheer.com.

For a long time now, people* have been clamoring for the Scheer men to form a band. Indeed, we are the ultimate boy band: tall and lanky Simon–the funny one–with his hair piled high, Theo–the cute one–with his blonde mop top, and Greg–the mature older brother† with his hipster beard. Heck, we even have a diabetic member like the Jonas Brothers!

But I digress. The point is that this marks the first time that the Scheers have recorded a song together: I’m on guitar and vocals, Simon’s on bass, and Theo’s on cello.

And what a song it is! I was introduced to “Oče naš” by a woman who was taking ESL classes at Church of the Servant. She helped me find a recording of the song (below), gave me the meaning of each word of the original text, and even guided me through the Croatian pronunciation phonetically. I created a singing translation in English and arranged it for piano.

It’s a simple and haunting song that I hope will find its way into many congregations. For now, you will have to satisfy yourself with the Scheer Men’s rendition.

*By “a long time” and “people” I mean, of course, “one person” and “once.”

†By “mature older brother” I mean, of course, wishful thinking.

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Arrangement Church Congregational Songs Demos Global

Psalm 121: Lift Your Eyes Up to the Mountains!

Update 12/11/21: Sheet music for this song is now available at gregscheer.com.

As you know, my dear listeners, I scour the globe for songs that might find a home in your congregation. Sometimes they come from the globe that is my head. Other times they come from far-flung lands on the globe underneath my feet. In the case of this setting of Psalm 121, it hails from Korea.

I learned this song from two Korean friends who were studying at Calvin Seminary. This is the second in a big pile of lovely songs that we sang through a few years back. What I love about these songs is that they are simple, heartfelt, and based on scripture. It fits well with a Korean spirituality that is so full of prayer and devotion. The song is by Seong Sil Chung. (If you know him, please introduce me!) I translated the text using the videos below, notes from friends, and Psalm 121 itself. There are two arrangements: the first is a piano accompaniment with guitar chords (capo 4), the second is a simple four part arrangement like you’d find in hymnals.

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Arrangement Choir Church Congregational Songs Global Live

2016 Calvin Worship Symposium, final service

Only 5 months after the fact, here’s a video from the concluding worship service at the 2016 Calvin Worship Symposium. I led the service with my Church of the Servant home team, which made it really special. http://worship.calvin.edu/resources/resource-library/new-heavens-and-new-earth/

New Heavens and New Earth from Calvin Worship Institute on Vimeo.

Some of my contributions (beyond my welcoming hand gestures):

  • 5:20 Let the Spirit of the Lord Come Down (Nigeria, one that I arranged last year)
  • 8:18 Sing Praise to the Lord (SweeHong Lim, Singapore, with a new string arrangement)
  • 47:40 Canticle of the Turning with dance (I didn’t do anything, but I like what the COS dancers do with the song)
  • 1:04:40 Abana In Heaven” (my GIA anthem, led by choir and sung by the whole assembly)
  • 1:13:49 Fear Not, Rejoice and Be Glad (a new arrangement)
  • 1:23:26 May the Love of the Lord (SweeHong, string parts I’ve been using for a few years)
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Arrangement Choir Church Congregational Songs Global

GIA Choral Subscription Service

Abana

Kwake Yesu

5,000 people receive GIA’s Choral Subscription Service, and each one will get the chance to review my two new anthems published by GIA, Abana, and Kwake Yesu. Pretty cool. Even cooler? The sample octavos are accompanied by recordings of each piece. They did a really nice job with these. Take a listen above. Then head over to GIA and buy the anthems to sing at your church.

Thank you.

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Arrangement Choir Church Congregational Songs Global Live

Kwake Yesu at Calvin Colloge’s LOFT

My choral arrangement of Kwake Yesu/Here on Jesus Christ I Will Stand (GIA) is beginning to make its way in the world. Here is a video from a recent LOFT service at Calvin College: http://livestream.com/calvin-college/events/4678265/videos/113157761.

Kwake Yesu begins at 22:55.

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Arrangement Choir Church Global

Guatemalan Santo, flute and choir

Update 12/11/21: Sheet music for this song is now available at gregscheer.com.

I am not an abstract composer. That is, I find it difficult to compose a piece for a performer who doesn’t exist and a concert that might not happen. But give me an ensemble, an opportunity, and a deadline and I’ll whip out my pencil and get to work. Such was the case this Palm Sunday when I had a willing choir and a flutist who I knew would practice whatever I wrote. The result is an energetic prelude for choir, flute, and congas; an arrangement of the Guatemalan “Santo es el Señor/Holy Is the Lord.”

art by Matt Plescher (http://www.mattplescher.com/)
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Arrangement Choir Church Congregational Songs Global

Kwake Yesu, GIA recording

One of the nice things about getting a choral piece published is that the publisher often makes high quality recordings of the pieces for promotional purposes. Here’s a new recording of “Kwake Yesu/Here on Jesus Christ I Will Stand” by GIA:

What’s that? It’s so lovely you want to purchase 40 copies for you choir? Well, head on over to the GIA website and they’ll be glad to help you out!

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Arrangement Choir Church Global

GIA’s Abana

No one tells me anything. I just stumbled across a recording of my anthem Abana at the GIA website.

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Arrangement Church Congregational Songs Global

Father in Heaven

global_songs_cd_medIn my work on Global Songs for Worship I wrote a lot of arrangements. A. Lot.

I’m a constant musical tinkerer, so I often take a previous idea and build on it, depending on what musicians I have available. On 9/13/15 at COS I had a fine string quartet, so I dug deep into my string archives and pulled out this little string arrangement of the Filipino song, “Father in Heaven.” It’s a lovely song that follows a Trinitarian pattern. Why don’t more people sing this song? Why?