The Musical Diary of Greg Scheer – Page 73 – This is, literally, my musical diary–notes fresh from my pen and recorded in a few hours. You can find my finished works elsewhere; here, it's all about capturing the moment!

Budapest

Having just returned from two weeks in Ukraine, with flight arrival and departure from Budapest, Hungary, I thought it would be appropriate to post a recording of a composition inspired by my last visit to Budapest.

This is a demo of the University of Pittsburgh Jazz Band playing “Budapest.” The song comes from a set of songs called the European Suite, which I wrote after returning from a year in Salzburg and vicinity in 1989. The following year I scored the movement “Budapest” for a jazz arranging class.

I would be entirely willing to score the entire set of songs for jazz band. (Yes, jazz band directors, that’s a hint.) Until that time, you’ll need to satisfy your European cravings with this aural bon bon: Budapest MP3.

Colin

Can’t Get Enough?

I know what you’re thinking: “When Greg posts only a few times a week to his music blog, it’s just not enough! How on earth can I hear Greg all the time, whether or not I have an internet connection?”

Well, my friends, an answer to your deepest need is here. Colin Gordon-Farleigh has just released a CD of our song collaborations called “Simply Greg.” You can get it at CD Baby, iTunes, or Amazon. You can purchase individual tracks or the whole collection. You can set your iPod to repeat the CD indefinitely or program your iPhone so my singing wakes you up each morning. You can even set up the cover graphic as your desktop picture!

So much Greg, so little time. I know. I sometimes feel the same way.

Production music

Jude the Obscure: Evelyn G of Christminster

Post author By Greg Scheer
Post date September 12, 2011
2 Comments on Jude the Obscure: Evelyn G of Christminster

The second, and final unless he asks nicely, of the songs that I wrote for Bruce Benedict’s production of Thomas Hardy’s Jude the Obscure is called “Evelyn G of Christminster.”

I have to admit right up front that I’m not a huge fan of old English. Don’t get me wrong, I took a Shakespeare class in college, get an almost weekly dose of thees and thous through hymnody, and even went to the Stratford festival on my honeymoon. But poetry with phrases like “your swift remove” is generally something I feel that I’m supposed to like, rather than actually do. But once I got working on the music of Evelyn G I found myself drawn into this beautifully wistful text. I hope I’ve done it justice.

The text was quite hard to set to music because each verse’s rhyme scheme is slightly different. I decided to set a very simple harmonic and melodic pattern that could adapt to each verse. This was good for the song, and a good exercise for me as a composer. I have a tendency to rush to complexity simply because I can. The restraint of sticking with i, iv, V (and a little splash of VI, III and VII) was refreshingly direct. See/hear for yourself.

Production music

Jude the Obscure: In a Cathedral City

Post author By Greg Scheer
Post date September 11, 2011
No Comments on Jude the Obscure: In a Cathedral City

A few weeks ago, I got an email from Bruce Benedict:

I am helping a theatre in town with a brand new production going up next may. They are creating a two part adaptation of Thomas Hardy’s novel Jude, the Obscure. They have given me a stipend to help get all of the music together and since it’s probably more than I can handle myself I thought I would put a shout-out. They want all of the songs to be from Thomas Hardy poems.

Bruce, you had me at “stipend.”

After a little more back and forth about the specifics of the instrumentation and style, I got to work on the two poems he sent. The first song I finished is entitled “In a Cathedral City.” Since the actors will be singing the songs and will also make up the small mixed ensemble accompaniment, I wanted to keep things easy. For this poem I decided that a soloist would carry the bulk of the song, with a four-part vocal/instrumental ensemble interjection at the end of every verse. This song will serve as a transition between the first act, set in the country, and the second act in which Jude strikes out for the city. The soloist (presumably Jude) sings in a modal folk style and the chorus interjections are bigger, more confident and frilly.

But enough talk. Listen or look.

Colin

Alan Watson sings “When I’m with You”

Post author By Greg Scheer
Post date September 3, 2011
No Comments on Alan Watson sings “When I’m with You”

You thought Greg was just for the young and trendy. No, my friends, Greg is an equal opportunity composer. In this blog post, Greg reels in the older folks as Alan Watson sings the Colin/Greg ballad “When I’m with You.” The retro musical arrangement matches Alan’s crooning delivery perfectly. And the video proves once again, that green screen is alive and well:

Congregational Songs Contests

Without Love

Last, but not least, is submission #4, in which Greg gets down with his bad self.

Here’s what Faith Alive was looking for:

1 Corinthians 13: 1-4 and 1 Corinthians 13: 4-7 : The memory work from 1 Corinthians appears in two successive units. Im kind of thinking rap for this. Could be cooland it needs to speak to 4^th and 5^th graders (the new young teens!)

Here’s the move I busted: MP3, PDF

This is just a demo to get the idea across, but I plan to make the final recording sound a bit like Eminem and Rihanna’s “Love the Way You Lie” (minus the cursing and violence). I’m guessing Eminem and Rihanna aren’t going to put out a scripture song album any time soon, so if anyone knows Toby Mac’s or KJ-52’s people, let me know. I think this could work for one of them.

Congregational Songs Contests

Don’t Be Afraid

What would a set of children’s songs be without a round? Submission #3 keeps things from getting square.

Here’s what they asked for:

Mark 5: 36b: This is a very short verse. Need a catchy chorus-feel that will work well with kindergarten and grade 1

Here’s what I wrote: MP3, PDF

Like “The Colors of the Covenant,” the first half of this is scripture and the second half is application–but this one is in super compact form. My hope is that this song will roll around in kids’ heads when they’re feeling scared. Kind of like “God is Bigger than the Boogie Man,” but without the talking vegetables.

Congregational Songs Contests

It Was Very Good!

In day two of my Faith Alive scripture song submissions, I get a little whimsical.

Here’s what they wanted:

Genesis 1: 1,31: We need a catchy version of these two verses for K-1. Could include animals, animal sounds, etc. Maybe an island feel.

Here’s what I came up with: MP3, PDF

I could extol the virtues of a singable melody, an upbeat acoustic reggae style (watch your back Bruno Mars), and a simple call-and-response form that will let non-readers sing along. But all I need to say is beluga, arugula.

Congregational Songs Contests

The Colors of the Covenant

Post author By Greg Scheer
Post date August 28, 2011
No Comments on The Colors of the Covenant

A few weeks back Faith Alive put out a call for scripture songs for children and tweens. The email listed four scriptures in their Sunday school curriculum for which they need songs. There’s nothing that motivates me more than this kind of scripture song challenge. (I can’t wait until their Sunday School curriculum moves into Leviticus!) For the next four days I’ll post a new one each day.

Here’s what they wanted:

Genesis 9: 12-13: Something appropriate for 2nd and 3rd graders. Could use the line This is a sign of the covenant as a chorus? This one will be a challenge!

Here’s what I gave them: MP3, PDF

I especially like the words on this one. The alliteration in the title gets things started. The first verse succinctly tells the story of Noah, culminating in the rainbow of the chorus. (Not as easy as it seems, by the way.) The second verse applies the story of the rain, rainbow, and the covenant to those of us who are singing the song. Of course, this is a lot of words for 2nd and 3rd graders to sing. It wasn’t clear whether the song is intended for listening or singing, so we’ll see whether it’s accepted or not.

Production music

Time Lapse

Back when I was young (a few months ago) and thought I could make some serious Benjamins composing music for video productions, I always kept an eye out for projects in need of music. The video below was created by John Lyzenga to be used as a confession during a Calvin Worship Symposium service. It originally used a song by Sigur Rós as the soundtrack, and frankly, the sad, sweeping music fit the video beautifully.

But I mess with stuff. That’s what I do. So I decided to retrofit the video with something I composed called “Time Lapse.” Most of the recording is made with Logic Pro’s sampled instruments, but there are a few tracks of real strings too, courtesy of the Allegro String Quartet. Check it out: http://youtu.be/JWgdG_o4Ci4