I was reading Bruce Benedict’s very excellent Cardophonia blog today, and he had a post with four different musical renditions of Isaac Watt’s text “Alas! And Did My Savior Bleed.” That reminded me that I have never uploaded my choral version of that text, which uses the tune MARTYRDOM. Just in time for Holy Week, here’s the PDF and MP3.
Hymn tunes are funny things. They are compact little musical expositions that are given a few dozen measures to introduce and develop a theme. But more than that they are to be sung. A hymn tune may be musical genius in miniature, but if a congregation can’t sing it, it has missed its mark. I wrote the tune ALLITERATION as an alternative to RUSTINGTON. It gave me a chance to work out a few musical ideas, and now it’s your chance to pair it with an 8787D text and give it a try in a real life setting. Listen to the MP3, download and print the PDF, and then write a text to go with it!
One of my favorite hymn tunes is O WALY WALY (often associated with the song “The Water Is Wide”) and one of my favorite hymn texts is “When I Survey the Wondrous Cross.” I often put them together, to the annoyance of those in the pews, but this Lent I decided to do something a little different. I paired Marie J. Post’s text “As Moses Raise the Serpent Up” with the tune O WALY WALY and put it in a medley with “When I Survey” paired with HAMBURG. Then I added a new refrain to wrap it all together into a meaty Lenten sandwich. Listen to the sinfully cheesy demo, or download a side of music score.
On Christmas Eve we’ll sing my brand spanking new arrangement of “O Holy Night.” To help the musicians prepare, here’s an MP3, score and parts (choir/piano, strings, brass, percussion). Strings–get cracking on that high part in the refrain!
Here’s a little something I whipped up this afternoon: Come, Thou Fount of Every Blessing. Okay, “whipped up” and “this afternoon” makes it sound too easy. I’ve actually been carrying around a rough draft of this in my backpack for the last 6 months and finally got a chance to complete it yesterday and today. The recording is one of my trademark cheesy Finale playback renditions, but it gets the point across.
Due to popular demand (okay–one request) I just wrote a piano accompaniment for my Christmas song “A Great and Mighty Wonder.” I also took the opportunity to update the text a little and write out a descant. The descant is kind of cool in a musically geeky sort of way–it uses the refrain of “O come All You Faithful” as counterpoint to this song’s refrain. (Do I smell a Christmas medley?) You can hear a demo MP3 here or download the lead sheet and piano score at my main site.
I just finished my 34th song with lyricist Colin Gordon-Farleigh. It’s a ballad called “This Is the Way.” If you know any Broadway musical producers, call them and tell them I’ve got their next hit. Listen to the MP3 or download the PDF file.
I recently composed a new hymn tune using a meter of 11.10.11.10.11.10. The tune has been driving me crazy the last few days. I just can’t get it out of my head. I’m not sure if that’s good or bad. In any case, I’m trying to exorcise it from mind by posting it here.
It joins a number of other “orphan tunes” that you can read about at my other website (www.gregscheer.com). Maybe it’s an orphan because it’s written in a meter that narrows it down to about five existing texts. Maybe it’s an orphan because I gave it the tune name “SYCOPHANT.” Maybe it’s an orphan because you haven’t yet written a brilliant new text to go with it. Take a look or a listen. What would be really helpful is if some kind, semi-informed person (David Fuentes, where are you when I need you?) would give me some feedback–is this tune stuck in my head because it’s a perfectly crafted work of miniature genius or because it’s cloying clump of dump detritus?
I’m sure most of you have read the press release by now, verifying yours truly as the award winning composer of the Illinois Central College’s fight song “We Are the Cougars.” This got me to thinking about other fight songs and marches I’ve written in the past. I don’t really think of myself as much of a march person, but the fact is that I’ve written a number of other songs in the style. One could categorize me as “nipping at Sousa’s heels.” Or maybe not…
In any case, let’s take a tour of songs leading up to “We Are the Cougars.” First came “Interesting Thing” (MP3, PDF) in 1995. It became somewhat of a theme song for the Rascals, Rogues & Rapscallions, and each year I added new verses based on presentations that had been given throughout the year. They will mean nothing to you if you weren’t there–perhaps even if you were. After that came “The Bethlehem Steel Soccer Club Fight Song” (MP3, PDF) composed at the request of Dan Morrision in 2000 to honor the rich history of The Bethlehem Steel Soccer Club. One could even argue that the 1st and 3rd movements of my Brass Quintet, written in 1987, were just elaborate deconstructions of marches. Or one could opine, with my wife Amy, that “all marches sound the same.” All I know is that I’m $1000 richer, and I can now fulfill a lifelong dream of adding “composer of a college fight song” to my resume.