Category: Psalms

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Choir Church Congregational Songs Contests Live Psalms

Psalm 40: Patiently (revised, Psalm contest winner)

Update 10/6/20: Sheet music for this song can be downloaded here.

Let me tell you the history of Psalm 40. Well, not the complete history; that stretches back a few millennia. But I can tell you the history of my musical rendition of Psalm 40; that only goes back two decades. I wrote the song in 1998 and made a demo of it around that time. In 2012, while working with the Choral Scholars on Cry Out to God!, we recorded the song using a new SATB and piano arrangement. In 2017, I entered the song in the Church of the Servant New Psalm Contest; lo and behold, it won! For the premiere, I wrote an arrangement for SATB Choir, Congregation, Piano, Flute, Violin, Accordion, and Flugelbone. (Yes, flugelbone. It’s like a flugelhorn, but in trombone range.) Here’s what I wrote about it for the January 28, 2018 premiere:

You may think that U2 has the corner on the Psalm 40 song market, but I would humbly suggest that there’s room for one more.

I wrote “Patiently” while I was working at a church in Tallahassee. Frankly, it was something of a desert experience for me. Psalm 40 expressed well both my complaints and hope. I love how the Psalm ties together proclamations of God’s good deeds, prayers for salvation, confession of sin, and even a prayer that God would shame the Psalmist’s enemies.

Bible study usually leads to music for me, so I began working on an idea for a song based on the Psalm. It was the first time I had tried to set a whole Psalm to music. At the time I didn’t know much about metrical and responsorial psalmody, I just knew that I liked how the music fit each verse and that it sounded good when the chorus kept coming back. Even though this song is not likely to make its way to the top of the CCLI charts, I was pleased that the contest judges felt it was a faithful and helpful musical rendering of the scripture.

I have a fond memory of a difficult afternoon on which I took a long walk through the hot Florida woods with this song keeping me company. I hope you find it returning to your mind, as well.

You can listen above to the MP3 of the Church of the Servant musicians leading “Patiently.” Check out the revised leadsheet, the congregational piano part, or the full choral arrangement at the link above. If you want the congregational piano part or the full choral arrangement, just email me. There’s got to be some church out there with a flugelbone! (Okay, it can also be played by trombone.)

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Church Congregational Songs Contests Demos Live Psalms

Oh, That I Had Wings (Psalm 55)

Update 10/2/20: Sheet music for this song can be downloaded here.

You may have heard that I won the 2017 Church of the Servant New Psalm Contest with my Psalm 40 song, “Patiently.” What you may not have heard is that I lost the contest with my Psalm 55 song, “Oh, That I Had Wings.”

It’s understandable that my setting of Psalm 55 didn’t win. It is not the most endearing Psalm in the Psalter. It’s the plea of someone who has been betrayed and attacked by a former friend. Understandably, the Psalmist wants to beat a hasty retreat: “Oh, that I had the wings of a dove! I would fly away and be at rest.” These are emotions that most of us have faced, but perhaps few of us are interested in singing about them.

Given the urgency of the Psalm, I wrote a tune that comes in short, breathless bursts. The tight meter could have become trite, but there are lots of harmonic twists and turns to avoid that. The string arrangement on the recording (played by the St. Sinner Orchestra in one take into my laptop) creates a conversation with the melody that pushes the song forward. You can find the string arrangement as well as the piano version at the link above.

1. Listen to my prayer, O God, please hear:
troubled thoughts rise from a heart of fear;
Fear of those who would undo my days—
the whispers, stares, contempt, the lies and rage.

Oh, that I had wings,
Oh, that I had wings to fly,
Oh, that I had wings to fly away.

2. Malice seeks its prey, it roams the streets.
Night and day, it prowls— there is no peace.
God, please let the innocent escape,
while schemers writhe within the traps they’ve laid. (refrain)

3. Bracing for the sword of foe’s attack,
feel the steel of dagger in my back.
Why have you betrayed me, oh my friend?
The one with whom I’ve shared the wine and bread? (refrain)

4. Night and day, I pray, O God, please hear:
troubled thoughts rise from a heart of fear.
Every care that weighs upon my soul
is safe with you, please keep me safe, O Lord. (refrain)

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Choir Church Live Psalms

Psalm 96: A New Song in Lansdale, PA

One of the things that makes me feel downright legit as a composer is stumbling across a video of one of my pieces online–a video that I didn’t upload, performed by musicians I don’t know. In this case, it is the Daybreak Choir at Trinity Lutheran Church in Lansdale, PA. They did a great job with it. I love the addition of the drums!

If your choir wants to follow in the footsteps of the Daybreak Choir, you can order “A New Song” from Augsburg Fortress as part of the GladSong Choirbook.

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Adopt-a-Psalm, 2017 Church Commissions Congregational Songs Demos Psalms

Psalm 46: O Lord of All, You Are Our Home

Update 10/6/20: Sheet music for this song can be downloaded here.

You will no doubt remember that during my Adopt-a-Psalm composing frenzy, I wrote a setting of Psalm 46 in 4+6/8 time. Yes, it worked. Yes, it was kind of catchy in its own asymmetrical way. But realistically, it would have been quite difficult for a congregation to pick up. And that’s the point, right? I want congregations to sing the Psalms, so I need to make them as accessible as possible.

So I wrote a spanking new setting of Psalm 46 for my Psalm adopter. Though it shares the same text, it is very different from the previous one. I think it came out so different because when I sat down to write it, the old song’s rhythms were still in my head; I had to expunge them by coming up with a song that had an entirely new character. 

I began with the most unique aspect of the text: the stressed/unstressed endings of each couplet. (“Refuge,” “rescue,” “with us.” What they used to call a “feminine cadence.”) That suggested to me an appoggiatura. One thing led to another and those downbeat appoggiaturas became the song’s primary personality. It’s not unlike “Eagle’s Wings,” come to think of it. 

In any case, this harmonic language gives the song a sweet and gentle feel. I like how it draws out of the text a sense of contented trust, whereas the previous tune or EIN FESTE BURG highlights strength, confidence, and completion. Listen to the above demo or play it for yourself from the leadsheet (see link above).

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Church Commissions Congregational Songs Demos Psalms

Psalm 118: Give Thanks to the Lord

Two weeks ago, I was artist-in-residence at Western Theological Seminary at the invitation of Prof. Dr. Rev. Ron Rienstra. Part of my work was to plan chapel services with students. We chose the theme “Psalm Echoes,” each day pairing a Psalm with a New Testament passage that quoted the Psalm or resonated with its themes. It was pretty splendid if I don’t say so myself.

Friday’s chapel (a weekly communion service) paired Psalm 118 with Matthew 26. In this retelling of the Last Supper, it is thought that “When they had sung the hymn, they went out to the Mount of Olives” refers to the singing of the last Hallel Psalm, Psalm 118. Ron was planning to preach on the texts, letting them lead him right to the communion table. Brilliant.

On Thursday evening, I got a text:

(7:17 pm)
Ron: Hey Greg – you want a challenge?
Greg: Maybe?
Ron: At the beginning and end of the sermon can we sing [picture of “Feed Us, Lord” melody with Psalm 118 text] I was gonna ask you to write a quick new song to exactly those words – but then I thought: hey, this would work, too.
Greg: What style and tempo are you looking for?
Ron: Joyful and thankful without rocking out.
Greg: I’m baking fresh bread and might want to add a loaf of fresh notes to the oven.
Ron: Hey if that’s what you wanna do… you are most welcome to do so! If you are up to the challenge, that is. (7:34 pm)

Of course, Ron knew exactly what he was doing. Baiting me with a challenge. Getting me firmly on the hook with a song that would get the job done but wasn’t inspiring or new. And then reeling me in with “If you are up to the challenge…” Naturally, I couldn’t resist. Between baking bread and driving kids various places, I wrote a few drafts. None was quite right. I was just about ready to admit defeat but gave it one last look before heading to bed. Things clicked and I finished it a few minutes later. The night ended with an email to Ron:

(10:47 pm) This is all you’re getting from me tonight: [PDF of new song]

We sang it in chapel the next morning and it worked beautifully. Simple, but fitting. In the recording above I interspersed the refrain with a reading of Psalm 118 in its entirety.

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Adopt-a-Psalm, 2017 Church Congregational Songs FAWM 2017 Live Psalms

Adopt-a-Psalm Sing, March 14, 2017

February’s Psalm songwriting culminated in the “Big Sing Liturgy Thing Psalm-Song Sing-Along” at Western Seminary on March 14, 2017. We sang all ten new songs, as well as a few old favorites. I am pleased to report that no one got hurt.

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Congregational Songs Hallel Psalms Psalms Uncategorized

Eagle Creek, Tremble Before the Lord


Eagle Creek: Eight Days ~ Moments in Time ~ Two Scenes from JMM on Vimeo.

Every once in a while I receive a note letting me know that someone has sung one of my songs in their church, or asking if a song could be included on a recording project. Last week, though, I opened my email to an unusual gift: someone had used my song “Tremble Before the Lord” (from Psalm 114) as the soundtrack to a stop-time video shot in Eagle Creek, New Mexico. Justin Medlock heard the song on the Cardiphonia Hallel Psalms track I recorded a few years ago. Besides fitting the tempo and length of his video, Justin has some interesting observation on how Psalm 114, my song, and his video went together:

The message of Psalm 114 is beautiful, especially how the Lord cares and provides for his people.  But I liked how your song emphasized creation trembling / falling down before the Lord with a strong but simple sense of worship. Joining the music with the timelapse brought it all together: the snow weighs down the pine tree boughs as if they are bowing before the Lord, the trees seem to dance to their King through shadows, the falling snow, the fleeting snow, and so forth.  (I understand that the word “tremble” might also be translated “dance”.)

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Adopt-a-Psalm, 2017 Church Commissions Congregational Songs FAWM 2017 Psalms

2017 Adopt-a-Psalm Compilation

February is over and my Adopt-a-Psalm commissions are complete. The stats?

  • 28 days
  • 10 Psalms
  • 38:50 minutes of recorded music
  • 12 pages of completed music
  • 62 pages of drafts

Below is a link to an audio compilation of the all the songs. If you want to experience them live, join me at Western Seminary in Holland, MI on Tuesday, March 14 at 7 PM.

https://soundcloud.com/gregscheer/2017-adopt-a-psalm-compilation

 

Psalm 3: I Shall Rest in Peace
Neither Death nor Demon
Psalm 4: I Rest in You
May the Peace
Psalm 12: I Will Now Arise
Psalm 16: The Refuge of My Soul
Psalm 24: Lift Up Your Heads, O You Gates!
Psalm 33: A Symphony of Praise
Psalm 46: The Lord of All Is with Us
Psalm 125: Those Who Trust in the Lord Shall Abide
Psalm 145: My Mouth Will Speak the Praise of the Lord
Psalm 150: Hallel, Hallelujah!

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Adopt-a-Psalm, 2017 Choir Church Commissions Congregational Songs FAWM 2017 Psalms

Psalm 150: Hallel, Hallelujah!

Update 11/4/21: Sheet music for this song can now be downloaded at gregscheer.com.

Psalm 150 is the last, but by no means least of the Psalm settings I wrote this month. 

Interestingly, it was the first one I drafted. The exuberance and repetition in the Psalm text gave me the idea of writing a Taizé style chorus, repeated and adding descants, but in a regal rather than meditative style. I wrote the basic chord sequence and some of the descants at the beginning of the month and then put it away. When I returned to it today, I saw that the basic form of the song was strong; I just needed to tweak the descants so that everything flowed.

You’ll notice that the song is built on a repeated 10 measure phrase. In some ways this is unusual; music is normally written in divisions of four. But the irregular phrase length keeps the repeats from feeling banal. Also keeping the song’s motion moving forward is the unresolved final chord.

Which brings me to my biggest dilemma: how do I end this song? On the recording I fade out, which is not possible in a worship setting. I guess I’ll have to treat it like a Taizé chorus and just let it flow until it seems like it’s done, at which point I guess I’ll just ritard into the final chord. 

Take a look at the score at gregscheer.com (link above). Be thankful that I didn’t go through with my original plan of using 5 flats!

Categories
Adopt-a-Psalm, 2017 Church Commissions Congregational Songs FAWM 2017 Psalms

Psalm 145:13-21: My Mouth Will Speak the Praise of the Lord

Update 10/28/21: Sheet music for this song can now be purchased at gregscheer.com.

The composition process is funny, because sometimes when you’re in the thick of writing something you begin to psych yourself out thinking that you’re polishing a fundamentally mediocre idea. I wrote a first draft of this yesterday, but by the end of the day I had so many Psalms in my head, I didn’t know which way was up. I put it aside and thought, “Oh well, I guess I’ll just have to start from scratch tomorrow.” But then in the evening, I played it for my kids and they really liked it. I slept on it and when I returned to it this morning I thought, “What was I thinking? This is really good!” 

The melody flows like butter (if I might say so myself) and it supports lyrics and a Psalm text that has so many beautiful words: goodness, blessing without end, gracious, satisfy, compassion, care unbounded. It was just delightful to work with. I was telling my son Theo that after the 8th Psalm song I wrote this month I began to think I was repeating myself, but then I realized that themes like compassion and forgiveness are woven through all the Psalms. 

Depending on who you ask, Psalm 145 is thought to be in four parts, with sections on a God who is great, good, faithful, and righteous. Those themes are bookended by verses 1-2 and verse 21. Since I was only setting the second half of the Psalm I decided to turn v21 into a refrain and write two verses based on the faithful and righteous sections of the Psalm. I especially like how the music in the verse changes half way through and the lyrics switch from talking about God to praying to God. 

Take a look at the lyrics below:

My mouth will speak the praise of the Lord.
My tongue will bless God’s name.
All flesh shall see the goodness of God,
and blessings without end.
God has blessed us without end.

1. The Lord is gracious to all,
like a mother to her child.
God raises us when we fall
and sets us by his side.

Our eyes look up to you, Lord,
to provide our daily bread.
You satisfy our longings
when you open up your hand.

2. The Lord works justice for all.
God’s compassion knows no end.
God hears his children who call
and comes to our defense.

We wait, O Lord, surrounded
by those who’d do us harm.
Lord, in your care, unbounded,
reach down your saving arm.