Categories
Church Congregational Songs Demos Rock and/or Roll

Tiny King (with Liz Vice)

Liz Vice, tambourine master

“What’s with all the Christmas music in summer?” You may ask.

This March I joined two dozen other songwriters to explore the themes that are missing from common Christmas songs and to compose new songs that address those themes. During that week I had the privilege of getting to know Liz Vice, who is both a fine musician and human being.

We co-wrote “Tiny King” as an antidote to the no-crying-he-makes school of Christmas songs. How can the incarnation be astounding–or even true–if the baby Jesus didn’t cry or nurse or fill his diaper? This song explores the incarnation in a series of very human and very heavenly juxtapositions: the moans of labor and the angels’ choir, the King of Kings holding court in a barn, and a newborn baby as old as eternity.

This is just a rough demo to get the musical ideas across. I can’t wait to hear what it sounds like with the magic of Liz’s voice in the mix!

1. A mother’s labor fills the air;
with tears and moans the Godhead bears.
Angel’s echo everywhere: Gloria!

Christ fills his lungs, lets out a cry:
God’s first breath as humankind
thunders through all earth and time. Gloria!

Gloria, Gloria, Gloria!

2. Could this baby be a king?
The one of whom the angels sing?
Shepherds, Magi bow to him. Gloria!

His mother’s milk, a kingly feast.
His only robe is swaddling.
His court attendants, humble beasts. Gloria!

Gloria, Gloria, Gloria!

3. Gaze upon this newborn child;
eternity within his eyes.
Lays bare my soul with mercies kind. Gloria!

He opens up his tiny hand.
How can it be? My name, I see!
This tiny king, he came for me. Gloria!
Gloria, Gloria, Gloria!

Greg Scheer and Liz Vice, March 2018

Categories
Demos Rock and/or Roll

We’re Holding On for Dear Life

In 2014, I wrote a song cycle called, “One Long Year,” a set of songs chronicling the unraveling of the narrator’s life over the course of a year. It has only seen the light of day in demo form. I hope to change that sometime next year with a performance by the St. Sinner Orchestra. In the meantime, I’ve never been quite satisfied with the opening song, so this morning I gave it another try. This new one is more poetic and ethereal–which is where the song cycle ends. It feels like it might be able to introduce and frame the song cycle well. Feel free to compare it to the previous opening song, listen to it in context of the larger song cycle, and offer feedback.

 Raindrops explode and combine;
they stream down windowpanes in the night.
Cars pass in brief bursts of headlights;
shine like stars falling from night skies.
   We’re holding on for dear life.

Warm breath, exhaled, intertwined;
this breath is it yours? Is it mine?
Can two hearts resonate, synchronize?
As the universe keeps time
   we’re holding on for dear life.

This night will never end.

Categories
Live Rock and/or Roll

St. Sinner Orchestra, live at Schmohz

Here are a video and a few pictures from last week’s premiere performance by the St. Sinner Orchestra:

Categories
Church Congregational Songs Demos Rock and/or Roll

Behold, a Table is Spread

Update 11/4/21: Sheet music for this song can now be downloaded at gregscheer.com.

Some songs come quickly. This one, however, took well over a year. It draws its inspiration from “I Hunger and I Thirst.” I liked how that hymn ties Old Testament stories to the communion table. At first I was going to simply write a new tune for this text, but soon my aspirations grew: I added a chorus, then I began to rewrite the original text, and soon it was a completely different song with the 8 “I am” titles for Jesus mapped out to 8 different Old Testament stories.

And then I got bogged down. I had pages of drafts for an epic (read: sprawling, unfocused) 8 verse hymn that said everything and nothing at all. When I came back to it recently, I decided that done is a lot better than perfect. I trimmed it down to 3 verses–bread, blood, water–and kept things tightly focused on the Table.

After listening to the recording, my son, Theo, declared that my songwriting is getting better. I hope so. I was especially pleased with the lyrics, which strike me as poetic without being unlyrical, supported by music which is harmonically “slippery” without losing singability. In any case, an uptempo modern communion song is certainly a welcome addition to the repertoire. My only regret is losing the word “gush” in the third verse after a long, intense rhyming battle to the more predictable “flow.”

Decide if Theo is right.

1. O Bread of Life, sustain,
with manna each new day;
and ease our hunger pangs
with food along the way.

For hunger hounds us still;
we faint, but you are kind.
Our hearts long to be filled
with you, O Bread of Life.

Behold, a table is spread—
a feast for hungry souls.
Come, eat the Living Bread.
Come, drink the wine that flows.

He who bids us, “Come and dine,”
is feast, and friend, and host.
Come taste and see
the goodness of the Lord.

2. O Spotless Lamb of God,
be yet again our life.
May your redeeming blood
run deep, and rich as wine.

Oh, let this new wine flow,
fruit from the one True Vine.
Let those who drink it know
a joy complete, divine. CHORUS

3. O Living Water, flow
in never ending streams
revive our withered souls
within the desert’s heat.

For still your people thirst–
parched are the throats that praise.
Let streams of mercy burst;
drench us with floods of grace. CHORUS

Categories
Demos electronic Quirky Rock and/or Roll

Keep Your Nose to the Grindstone

As followers of this blog know, I am no stranger to ridiculous ideas. Indeed, I am willing to chase a ridiculous idea to extraordinary lengths.

This is one such idea.

When work begins to pile up, I either remind myself of the old adage: Q: How do you eat an elephant? A: One bite at a time. Or I begin to hum a little tune with the words, “Keep your nose to the grindstone.” When my friend, Julie, told me she was “just keeping her nose to the grindstone,” how could I resist providing an inspirational soundtrack for her work?

 

Categories
Demos Rock and/or Roll

It Will All Be All Right Someday

As I came home from church today, I vowed that I would keep the Sabbath by doing something creative (i.e. re-creation), but not something that was work (a fine line when writing music is your work). The result is a song based on a line I sang into my phone a few weeks ago, “All the things that you can’t change.” It feels like there’s something still to be done with this, but for now, I’m happy to have gotten back in touch with the joy and immediacy of simply writing what’s on my mind.

There’s only silence when you wake.
You breathe the air, but it is thick.
You don’t know if you’ll ever sing again;
You don’t remember how it felt.

Because everything has changed.
Your little life came to an end.
It wasn’t much, but it was all you had
And all that’s left is sad.

Everything’s broken that could break
You took everything that you could take.
Wished you’d been good instead of trying to be great.
But you will be okay.
    It will be all be all right someday.

All the things that you can’t change;
All the things you can’t forget;
All the demons that have been with you so long
That they start to feel like friends:
    It will all be all right someday.

Now you think that it’s the end,
But it’s never just the end.
You don’t know what, but it’s about to begin
And it will be beautiful in its own way.
    It will all be all right someday.

Categories
Demos FAWM 2017 Rock and/or Roll

How Do We Know What’s Real?

I should participate in FAWM and do an Adopt-a-Psalm program every year. Even though there’s a certain amount of stress involved in writing 14 songs in the shortest month, I find that when I have to write it primes my pump to do more writing.

I was driving home tonight when the phrase, “We’ve all got this disease” drifted into my mind. By the time I was in the door, the first four lines were running through my head. Serendipity would have it that I was humming the melody in Eb minor, the darkest of keys. As my fingers searched to find their way in the uncharted territory of this accidental key, many discoveries were made. An hour later, I had recorded this introspective demo.

We’ve all got this disease
and sometimes it feels
like it’s the only thing
growing
inside me.

Is any of this real?
Is this just a dream–
a series of scenes
and cycles of feelings?

How do we know what’s real?

Categories
Demos Rock and/or Roll

Sinking Like a Stone

I’ve had a sketch of this song hanging around for a few weeks now. I think it started with an Evernote dictation that said, “We all want to be loved, but we’re afraid of being known.” (Does it count as texting and driving if you’re writing song lyrics?) I’ve been chewing on this idea that humans have a simultaneous desire for intimacy and fear of the vulnerability it requires. I kept coming back to words like “void,” “abyss,” and “chasm” as metaphors for the emptiness we fear in a life without love. At first, the chorus was going to be, “We’re all holding on, slipping into the void.” But in the end, I decided “sinking like a stone” was the best way to name the bottomless pit from the rock’s point of view.

But the draft lay unfinished until yesterday when someone told me that humans possess three fundamental fears: abandonment, being smothered, and ceasing to exist. With that, I knew the way forward, with a verse addressing each fear.

As noted elsewhere, I find it very effective to pair depressing lyrics with chipper music. Not only does it save the whole thing from self-indulgent pity, but it creates an artistic tension that sneaks up on you. The existential angst suddenly reveals itself while you’re bopping your head to the beat. The harpsichord and accordion seal the deal.

1. We all want to be loved,
but we’re afraid to be alone.
We offer up our souls,
but still it’s not enough.

Our need, it only grows.
We’re terrified
of being left alone
with nothing but this hole:

Sinking like a stone.

2. We all want to be loved,
but we’re afraid of being known.
Naked and exposed,
we’ll always hide ourselves.

So don’t get too close;
the intimacy’s too much.
We’re vulnerable to touch;
it opens wide the soul:

Sinking like a stone.

3. We all want to be loved;
We’re afraid we’ll disappear.
Love, and pain, and fear
are better than nothing at all.

We all feel the void.
We’re all hanging on
For dear life, lest we fall
Into those dark jaws:

Sinking like a stone.

We all want to be loved,
But we’re afraid..

 

Categories
Church Demos Rock and/or Roll

Beautiful

I’ve been working on this song forever. A sketch has been in my idea folder for at least a year and multiple recorded fragments reside on my handheld recorder, my phone, and my computer. On a beautiful fall day not long ago, I sat outside in the afternoon sun and completed the lyrics. Since then, I’ve been adding a few tracks at a time until it was full enough that it felt like a finished recording. This is a little different for me: simple music as a frame for the lyrics, with atmospheric instrumentation swirling around in the background.

1. You’re taking the dirt
and the clouds and the rain,
and you’re making it beautiful.
Out of the ground
There sprouts a grain.
And it is beautiful.

Even the fire
and the flood;
Rising from ashes;
New life from mud.
Even from fire and from flood
There comes something beautiful.

You’re making it
Beautiful.

2. All of my doubt,
my fear, and my pain—
can You make them beautiful?
All of the things
I can’t understand—
Will they become beautiful?

You’re taking my failures,
and my scars
and making
a canvas for your art.
The night is dark,
But it’s full of stars.
They are so beautiful.

You’re making it
Beautiful.

3. I burn a bridge,
can you part the seas?
Lord, I need a miracle.
O God, make a way
When I can’t see
How it could be beautiful.

A story of sin
Told in regrets;
A history
Written by mistake…
Will there be hope
When morning breaks?
Will it be beautiful?

You’re taking it,
You’re making…

All things new. All things new again.
All things new. All things new in the end.


For the record, yes, the atmospheric background vocals were a tip of the hat to 10cc’s hit “I’m Not in Love.”

Categories
Quirky Rock and/or Roll

Die Alone

If you follow this blog you know I have a tradition of writing depressing birthday songs. And depressing Christmas songs. Come to think of it, I write all sorts of depressing songs.

We’re all going to die alone. Happy birthday!

Since I turned 50 this week, I thought I was due for a big shot of musical existentialism, so I wrote this ode to mortality, “Die Alone.”

One of the things I’ve learned as a songwriter is that a sad song doesn’t necessarily benefit from sad music. Sometimes that just makes it mopey. I decided to break into an upbeat soul groove on this to pull it out of a morass of self-indulgent pity. Serendipitously, as I was working on the recording, I was also at a conference with the inimitable Urban Doxology singers, so I took them out in a back hallway and had them sing the “Hallelujahs” into my laptop. They are joined by the also inimitable Latifah Phillips. Stephen Roach laid down some sweet keys on the a piano in a mostly empty conference room. This was a low tech, high skill affair.

So find a friend, make yourself comfortable, and get ready to Die Alone.

We’re all going to die alone; hallelujah!
Been that way since we were born; hallelujah!
Everyone’s hoping for a home; hallelujah!
Someone they can call their own; hallelujah!

Everybody’s looking for a friend; hallelujah!
But we’re terrified to let them in; hallelujah!
If they knew what’s in your heart and head; hallelujah!
They’d leave you on your own again; hallelujah!

All our lives are spent chasing the wind
But it’s the wind that catches us in the end.
Bones and memories turn to dust.
And another generation only coughs.

Is that enough?

Spend our days wondering what we did; hallelujah!
To deserve all this; hallelujah!
But we’ve spent our years collecting sins; hallelujah!
Maybe that’s why it’s come to this; hallelujah!

We all know that we’re going to die; hallelujah!
We just don’t know how or when; hallelujah!